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17th C, Landscape, Flemish School, Countryside with Figures at a Small River

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17th C., Baroque, Genre Painting, Stop of the Travelers
Located in brussel, BE
As the Dutch painter Philips Wouwerman often did, this artist painted travellers stopping at an inn or a farm. One of the men got off his horse to urinate against the facade of the building. The motif of a peeing man was far from an exception in Dutch genre paintings...
Category

17th Century Baroque Figurative Paintings

Materials

Canvas, Oil

18th C, Portrait of a Lady, Elisabeth Carter, Oil on Canvas, 92 x 71 cm, Framed.
By Joshua Reynolds
Located in brussel, BE
Sir Joshua Reynolds (16 July 1723 - 23 February 1792) was a leading 18th-century English portrait painter and President of the Royal Academy from 1769 to 1792. He was born on 16 July...
Category

18th Century English School Figurative Paintings

Materials

Canvas, Oil

Farming Family on a Sunday Morning, Oil on Canvas. Framed and Signed
Located in brussel, BE
The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist’s association provided a free studio for painters in Brussels, on the...
Category

20th Century Fauvist Figurative Paintings

Materials

Canvas, Oil

18th C, In the Style of the Classicizing Baroque, Biblical, Rebekka and Eliëzer
Located in brussel, BE
Willem Muys was a Dutch, 18th-century painter of history pieces, portraits and cabinet pieces. Above all, he appears to have been active as a painter of ‘wallpaper’. Until the mid-18th century, ‘wallpaper’ was not painted on paper but on coarsely woven linen. Wealthy citizens had their mansions or country estates adorned with ‘wallpaper’ with landscapes, exotic birds or chinoiseries. Willem Muys mainly painted ‘wallpaper’, which means that few of his works have been preserved. They are hardly represented in public collections. The works of his sons, Nicolaas en Robbert, both painters, are a little less rare. The painting with Rebecca and Eliezer...
Category

18th Century Baroque Figurative Paintings

Materials

Canvas, Oil

16th C, Biblical, Manner of Joos van Cleve, Madonna with Child, Oil on Panel
By Joos van Cleve
Located in brussel, BE
Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe. During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia. During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...
Category

16th Century Baroque Figurative Paintings

Materials

Canvas, Oil

Expressionism, Animal Painting, Auzoux's Troglodytes Gorilla's, Oil on Canvas.
Located in brussel, BE
Around the middle of the 19th century, the missionary Thomas Savage and the anatomist Jeffries Wyman described a new animal species – the Troglodytes Gorilla – in their Boston Societ...
Category

21st Century and Contemporary Expressionist Animal Paintings

Materials

Canvas, Oil

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Early 18th-Century Flemish School, Christ On The Cross With Mary Magdalene
Located in Cheltenham, GB
This early 18th-century Flemish oil painting depicts Christ on the cross with a sorrowful Mary Magdalene and Jerusalem beyond. Head bloodied by a crown of thorns, arms taut and wrac...
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Unknown Dutch Italianizing Painter Large Pastoral Scene in a Landscape, 18th
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The painting, large in size and with a notable decorative impact, comes from an important private collection, divided between Rome and Paris, and depicts a rural episode set in a lat...
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This oil on canvas painting is an example of the artist's fascination with the moments just before something unexpected happens. The painting gives a scene often enacted in Northeast...
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"Sunny day in Dacia" Summer , Impressionist, cm. 55 x 65 Olio 1990
By Gleb Savinov
Located in Torino, IT
Sunny , Dacia,Summer,Russian,Sun GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United Sta...
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Vizzotto Alberti (Venetian realist painter) - early 20th century figure painting
Located in Varmo, IT
Enrico Vizzotto Alberti (Oderzo 1880 - Padua 1976) - The 7th regiment of Milan lancers. 25.5 x 35 cm without frame, 51.5 x 57 cm with frame. Ancient...
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Shepherd in the Pyrenees Spain oil on canvas painting spanish landscape Europe
By Enric Porta Mestre
Located in Barcelona, Barcelona
Title: Shepherd in the Pyrenees Artist: Enric Porta i Mestre (1898–1993) Technique: Oil on canvas Style: Post-Impressionism with Expressionist influences Dimensions: Unframed: 23.6 x 31.9 in Framed: 29.9 x 38.2 in Signature: Signed in the lower right corner as "E. Porta". Date: 1956 (according to the inscription on the back). DESCRIPTION OF THE WORK Shepherd in the Pyrenees by Enric Porta i Mestre depicts a rural scene with a striking sense of introspection and evocative charm. The painting portrays a shepherd tending to his flock amidst the mountainous landscape typical of the Catalan Pyrenees. The composition captures the serenity and beauty of nature through vibrant colors and dynamic brushstrokes. The work reflects a Post-Impressionist style with loose, bold strokes and vivid tones, combined with Expressionist influences in its ability to evoke emotions beyond the physical depiction. The energetic and textured brushwork infuses the painting with a lively rhythm, while the rich palette of greens and blues immerses the viewer in the landscape's tranquil atmosphere. In this piece, Porta i Mestre showcases a mastery of color and light, illustrating his deep connection to his homeland and its rural life, which served as a source of inspiration throughout his career. ARTIST BIOGRAPHY Enric Porta i Mestre (La Pobla de Segur, 1898–1993) was a Catalan painter known for his landscapes, still lifes, and costumbrist depictions. Trained in Lleida and Barcelona, Porta debuted in 1922 with an exhibition in the Catalan capital. He later moved to Paris to further his artistic studies, where he connected with avant-garde artists such as Miquel Villà...
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