Unknown

1966 Mid-Century Modern Swedish Original Landscape Oil Painting - Soft Skies

1966

EVENING REFLECTIONS Oil on board Size: 46 x 56 cm (including frame) A mid-century modernist composition that captures a serene moment of contemplation set in a tranquil landscape se...

GOLDEN HORIZON Oil on Board Size: 53 x 73 cm (including frame) A serene yet energetic and beautifully textured mid-century abstract landscape composition, painted in oil onto canvas...

AUTUMN STREETWALK Oil on board Size: 55 x 49 cm (including frame) A vibrant mid-century modernist street scene composition, executed in oil onto board. The artwork portrays a pathw...

FAUVIST FIELD Size: 43 x 73 cm (including frame) Oil on board A bright and vividly coloured mid century landscape composition, executed in oil onto board and dated 1963. Characteri...

These newly planted apple trees bloom pink in the spring. Now they have grown and changed a lot. And in 2014, apple trees had just begun to take root in Kolomenskoye Park near the wo...

In this artwork, I've sought to capture the serene essence of a snow-covered architectural landscape. The tranquil mood and muted palette evoke a pang of nostalgia and quiet reverenc...

A wonderful Impressionist winter pastoral scene of a colorful quaint home by the river. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much fee...

English Impressionist with trees and a farm house, England Keith Arthur Johnson was born at South Pickenham, Swaffham, Norfolk in 1931, son of James Arthur Johnson (9 February 1895-1982), a farmer, and his wife Florence May née Wiles (9 May 1900-1996), who married in the Freebridge Lynn district of Norfolk in 1927 and in 1939 were living at Manor Farm, Tottenhill, Downham, Norfolk. Keith painted from an early age and after attending Fakenham Grammar School, he attended Norwich School of Art from 1946, where apart from general studies, he specialized in fabric design which heightened his color awareness and composition sense. His studies were interrupted by National Service in the RAF after which studied for teacher training at Liverpool School of Art obtaining a National Diploma in Design and an Art Teachers Diploma, also studying various printing methods and Art History attached to Liverpool University. Keith returned to Norwich School of Art for more studies, including life classes and portrait painting and from 1951 went to Lowestoft Art School to lecture in Design classes and teach fabric design, including weaving. Whilst at Lowestoft he met fellow lecturers, Tom Hudson (1922-1997), Jeffery Camp...