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19th C, Romanticism, English School, Romantic Landscape with strolling Mother

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  • 20th C, Louis François Decoeur (Namen 1884 – Namen 1960), Rue Animée
    Located in brussel, BE
    The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist's association provided a free studio for painters in Brussels, on the first floor of a building located at Quai au Bois à Brûler number 31. Here innovative artists who the official salons did not appreciate were given a forum. The members of "L'Effort" opposed academism. Some names of artists who have worked in the studio spaces of "L'Effort" are: Jean Brusselmans...
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  • 17th C., Baroque, Genre Painting, Stop of the Travelers
    Located in brussel, BE
    As the Dutch painter Philips Wouwerman often did, this artist painted travellers stopping at an inn or a farm. One of the men got off his horse to urinate against the facade of the building. The motif of a peeing man was far from an exception in Dutch genre paintings...
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    17th Century Baroque Figurative Paintings

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  • 18th C, Portrait of a Lady, Elisabeth Carter, Oil on Canvas, 92 x 71 cm, Framed.
    By Joshua Reynolds
    Located in brussel, BE
    Sir Joshua Reynolds (16 July 1723 - 23 February 1792) was a leading 18th-century English portrait painter and President of the Royal Academy from 1769 to 1792. He was born on 16 July...
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    Canvas, Oil

  • 19th C, Romanticism, Genre Painting, Sheepstable
    Located in brussel, BE
    Pieter Plas placed himself with this pastoral scene in the tradition of the 17th-century painters and draughtsmen such as Nicolaes Pietersz Berchem, Karel du Jardin, Marcus de Bye an...
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    19th Century Romantic Figurative Paintings

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  • 16th C, Biblical, Manner of Joos van Cleve, Madonna with Child, Oil on Panel
    By Joos van Cleve
    Located in brussel, BE
    Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe. During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia. During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...
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  • Farming Family on a Sunday Morning, Oil on Canvas. Framed and Signed
    Located in brussel, BE
    The Namur painter and engraver, Louis Decoeur (1884-1960) became a member of “L’Effort” around 1910. This artist’s association provided a free studio for painters in Brussels, on the...
    Category

    20th Century Fauvist Figurative Paintings

    Materials

    Canvas, Oil

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  • Small Neapolitan fishermen. XIX century. With Gulf of Naples and Vesuvius
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  • "Neapolitan Coast", 19th Century Oil on Canvas by Artist William James Müller
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    WILLIAM JAMES MÜLLER British, 1812 - 1845 NEAPOLITAN COAST signed "W. J. Muller" (lower right) oil on canvas 23-5/8 x 35-3/4 inches (60 x 91 cm.) ...
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  • The Daily Tasks of Rural Life, c. 1860, Romanticism Oil Painting.
    Located in Stockholm, SE
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  • "Girl in the Cottage Garden”, Summer English country landscape, oil on canvas
    Located in Nutfield, Surrey
    Henry John Yeend King (1855-1924) was a landscape and rustic genre painter. He began his artistic career by working for three years in a glassworks. King went on to study painting under William Bromley in London, and also with Bonnat and Cormon in Paris. He exhibited from 1874 to 1924 at The Royal Academy and The New Watercolour Society. He was elected to the Royal Society of British Artists in 1879, the Royal Institute in 1886, later becoming Vice President. He was also a member of the Royal Institute of Oil Painters. In 1898 his picture 'Milking Time' was purchased by the Tate Gallery in London. Yeend King was a fine late-Victorian oil painter...
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