Unknown

Edward Roworth (1880-1964) - 1949 Oil, Snow on the Hex River Mountains

1949

This pastoral landscape painting captures the serene beauty of a rural scene, with a winding stream leading the eye towards a distant church spire nestled among autumn-hued trees. In...

Cecile Hertz-Eyrolles (1875-1974), Oil on canvas. Summer landscape with golden stooks and several grazing cattle. Presented in an elaborate gilt effect frame with floral and acanthus...

Cecile Hertz-Eyrolles (1875-1974), Oil on board. Alpine landscape in summer (Combloux). Signed lower right. Presented in an elegant gilt frame with floral and acanthus ornamentation at the corners...

This pastoral scene captures the rhythms of rural life, depicting a horse-drawn hay wagon traversing a golden field under dramatic cloudy skies. Signed and dated to the lower right....

A spectacular mid-century modern Manhattan figurative landscape oil painting, after the renowned artist Adolf Arthur Dehn's 1941 watercolor "Spring in Central Park", by an unknown artist (American, 20th Century). In this vibrant and expressive circa 1960 rendition of Dehn's famed painting, New Yorkers are depicted as tiny figures milling about the park in springtime, dwarfed by fluffy pink trees in bloom and the towering New York City skyline in the distance. Unsigned. Presented in a wood frame. Image size: , 29"H x 36"L. Framed: 32"H x 39"W. This painting is after the prestigious watercolor of the same title, painted in 1941 by Adolf Arthur Dehn (American, 1895 - 1968). The original piece is in the collection of the Metropolitan Museum of Art in New York City. It was exhibited at the Met's "26th Annual National Exhibition of Advertising and Editorial Art" in 1947, and then again at the 1950 exhibition titled "20th Century Painters: A Special Exhibition of Oils, Water Colors and Drawings Selected from the Collections of American Art in the Metropolitan Museum". More recently, "Spring in Central Park" was exhibited at Fairfield University Art Museum for the 2017 exhibition "Adolf Dehn: Midcentury Manhattan". Visiting, and then living in New York City, Dehn captured the essence of the city in his paintings, prints and drawings of the landscapes of Central Park, and of the city's burlesque and night club scenes...

Charles Bertie Hall (Anglo-American, b. 1980) Paris Rooftops with Eiffel Tower, ca. 2020s Oil on board. Bathed in soft lavender light under a sky awash with delicate brushwork, this...

Duomo at Sunset at Piazelle Michelangelo, Florence is part of newly released small works from V....Vaughan's collection of recent travels in Italy and France. V....Vaughan painted each of these on location "en plein air" It has an Impressionistic Style as seen in many of Virginia Vaughan's paintings. The Piazzale Michelangelo...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...