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Original-Autumn in London Series-plein air-British Awarded Artist-Set of 4 oils
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Light Fall - original oil abstract landscape painting - contemporary artwork
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Blaze - original oil abstract landscape painting - contemporary artwork
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Le Pont de Sully, Paris, French School, Oil Painting
Located in London, GB
French School 19th Century A Harbour Oil on board Unsigned Image size: 8 x 10 inches Contemporary frame The current bridge was constructed back in 1876 and named the Pont Sully, or...
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Kimmeridge Bay, 20th Century English School Oil Landscape, Monogrammed
Located in London, GB
Oil on canvas, monogrammed bottom right, inscription and artist label on stretcher Image size: 12 x 24 inches (30.5 x 61 cm) Original frame Provenance Collection of Mrs Fairchild, L...
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Route de Montagne
Located in London, GB
Robert Deborne French 1870 - Oil on canvas, signed bottom right Image size: 20 1/2 x 24 1/2 inches (53 x 62 cm) Original gilt frame Provenance Artist’s Estate Robert Deborne Ro...
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Paris, Early 20th Century Urban Oil
By Herbert James Gunn
Located in London, GB
Sir Herbert James Gunn, RA, PRP 1893 - 1964 Paris Oil on canvas, signed lower right Image size: 36 x 28 inches (91.5 x 71 cm) Hand made frame An early work by Gunn probably from his first studying days in Paris around 1919. James Gunn was born in Glasgow and briefly studied art at Glasgow and Edinburgh before moving to the Académie Julian in Paris in 1911. After serving with the 10th Scottish...
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Kirkstall Abbey, 19th Century Romantic Moonlight Oil Landscape
Located in London, GB
William Henry James Boot 1848 - 1918 Kirkstall Abbey Oil on canvas, monogrammed lower right and dated 1876 Image size: 24 x 36 inches (61 x 91.5 cm) Exhibited Royal Academy, 1878 no. 692 Much like his contemporary, John Atkinson Grimshaw, Boot appears to have been influenced by the Pether family who were renowned painters of nocturnes. He was a book illustrator as well as a renowned oil and watercolour artist, producing engravings for the London Illustrated News and Art Journal. He wrote 'Trees and How to Paint Them' in 1883. Boot was born in Manchester. He exhibited at the Royal Academy from 1874 to 1884, showing mainly English and Continental landscapes. He is known to have travelled extensively in Germany, France and North Africa. Boot was a member of the Royal Society of British Artists and of the Arts Club, who listed him as a "painter and writer on Gothic architecture". Boot also painted domestic genre and interior scenes but tended to concentrate on landscapes. Boot lived and married in London. He is buried with his wife in Hampstead. The subject of this painting, Kirkstall Abbey in Yorkshire, was a place Boot often visited. Three figures to the right gaze admiringly at the view, with the moonlight reflected on the path they stand on. THIS PAINTING IS IN THE 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' EXHIBITION CURRENTLY SHOWING AT DARNLEY FINE ART...
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Harvest Time, Oil on Canvas, 20th Century Signed British Landscape
By Septimus Edwin Scott
Located in London, GB
Oil on canvas on board, signed lower left Image size: 10 1/2 x 14 inches In the course of a long and varied career, Sep Scott exhibited in the Royal Academy and was a member of the Royal Watercolour Society. Scott produced some famous works for the railway poster campaigns in his early years. He became a book illustrator and one of the highest paid and respected of all British poster artists. Towards the end of his life, during a period when his style had gone somewhat out of vogue, he began working for Leonard Matthews and his trio of comics, Knockout, Sun and Thriller Comics Library. At first, Scott was used for picture strips, drawing all the adventures of the pirate hunter, Captain Flame, and proving to be a natural born strip artist. Then, when Matthews took over Thriller Comics Library, Scott began to paint the covers. He drew scores of full colour cover paintings, which would, as Leonard Matthews commented, “grace the walls of any stately home”, and were, in all probability, largely responsible for the success of the Library and the fact that these comics are so valued today amongst collectors. Scott also drew a number of short Robin Hood strips for the Library and some fine full-length adventure picture stories including Jane Eyre, Pride of the Ring, Secret Operator and the splendidly atmospheric, The Dark Shadows of London. For a short period, he also painted the occasional cover - and back page - for Comet and Sun and also contributed some paintings for the first Buck Jones Annual and the covers for both issues of the Billy the Kid Book...
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