Unknown

River Landscape – Mid 20th Century Oil Painting. Signed Ivor Davies, Dated 1961.

1961

Lokre. 20ème siècle Toulon, Le Port, La Vieille Darse, Mai 1939 Oil on Canvas. Signed lower left. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 26.8 inches x ...

Charles William Wyllie. English ( b.1853 - d.1923 ). The Upper Pool of London, River Thames. Oil on Canvas. Signed lower left. Image size 17.3 inches x 31.5 inches ( 44cm x 80cm ). F...

Ken Symonds. English ( b.1927 - d.2010 ). The Harbor, St Michaels Mount, Cornwall, 1982. Oil on Artist’s Board. Signed. Image size 15.4 inches x 19.5 inches ( 39cm x 49.5cm ). Frame...

Joan Gillchrest. English ( b.1918 - d.2008 ). Cornish Fishing Boats at First Light. Oil on Paper Mounted on Board. Signed with Monogram. Image size 26.2 inches x 22 inches ( 66.5cm x 56cm ). Frame size 35.8 inches x 31.3 inches ( 91cm x 79.5cm ). Available for sale; this original oil painting is by the Cornish artist Joan Gillchrest and dates from around the late 1980s. The oil painting is presented and supplied in a sympathetic new replacement frame (which is shown in these photographs) that suits the artwork’s color palette and behind non-reflective Tru Vue UltraVue® UV70 glass. This painting is in excellent condition and presents superbly. It wants for nothing and is ready to hang and display. The painting is signed with a monogram lower right. Joan Gillchrest is one of Mousehole’s and Cornwall’s most recognised and celebrated artists. Her vibrant art sits firmly alongside other great artists of the St. Ives School from the 1960s. She was born Joan Scott in London in 1918 into a wealthy and illustrious family. She was the third of four children. Her father was a pioneer of radiology – and a skilful caricaturist - and her Australian mother was an accomplished pianist. Sir George Gilbert Scott was her great grandfather, who designed the imposing Midland Grand Hotel at St. Pancras as well as countless parish churches. Grandfather, George Gilbert Scott Jnr, is remembered for three Cambridge colleges, Christ’s, Pembroke and Peterhouse. Her uncle Giles, (Giles Gilbert Scott) to whom Joan was close, is best known for his magnificent Anglican Liverpool Cathedral, Battersea Power Station and the iconic and ubiquitous red telephone box. Coming from such a long line of eminent architects it is not surprising that Joan always loved architecture and the churches and chapels of the Penwith peninsula feature prominently in her work. She said that buildings were “in her blood”. Her early childhood was spent at the family home in Buckinghamshire, but she was a difficult child – the family hired one nanny for her and one for the other three children- and at one point she was sent to Upper Chine School in the Isle of Wright to give her family some peace! She was however the apple of her father’s eye and he encouraged her obvious artistic talent. In 1934, aged only 15 but encouraged by her parents, she went to Paris to study art and learn the language. There she met Gwen John and studied in various studios, sometimes working as a model. In 1936 she enrolled at the Grosvenor School of Art and subsequently studied there under Iain McNab, whom she described as a marvelous teacher. Her early artistic career was very promising; she first exhibited at the Royal Academy when she was just 18 and showed works at the New England Art Club in 1937 and the London Group in 1938. When the Second World War broke out Joan was 21. She took a crash course in nursing and first aid and volunteered as an ambulance driver for Westminster Hospital. She later drove a mobile rescue unit. She was not able to paint much during the war but kept in touch with McNab; when the area around St Paul’s was blitzed, leaving the cathedral relatively unscathed, McNab got Joan and a few others to paint the scene. Her work, created with a thick paint and a palette knife, hung in the art school for many years. Joan’s painting career stalled in the 1940s. In 1942 she married a barrister and Coldstream Guards officer Samuel Gillchrest, and they soon had a son, then a daughter. With a young family, she had little time to paint, and had to hide the work she did produce as her husband thought that work as an artist was beneath them. Sadly, the marriage broke down and in 1953 they divorced. In leaving a difficult marriage at this time, she forfeited money, security and her previous place in society. Despite the huge changes in her life, her overwhelming desire to paint remained constant. She ignored the disapproval of her friends and family and started to explore new ways of expressing herself on canvas. She moved to a studio in Chelsea, an area much favored by the artistic community. To support herself, her children and her painting she also found regular work as an artist’s model. She was tall, strikingly good looking and combined elegance with bohemianism. She also carried an air of mystery from her rich and privileged past, and so she became sought after as a fashion model. In the flat below hers lived an artist who had enjoyed some professional acclaim, Adrian Ryan...

Elin Siân Blake. Welsh ( b.1981). Y Bugail Unig (The Lonely Shepherd), Llangattock, Brecon Beacons Oil on artist’s canvas board. Signed lower left. Image size 9.7 inches x 11.4 inch...

Gyrth Russell. Canadian ( b.1892 - d.1970 ). Before the Hot Day Brightens to Blue (Mevagissey Harbor, Cornwall). Oil on Canvas. Signed. Image size 22.4 inches x 34.8 inches ( 57cm x 88.5cm ). Frame size 28.5 inches x 40.6 inches ( 72.5cm x 103cm ). Available for sale; this original oil painting is by Gyrth Russell and dates from post WWII. The painting is presented and supplied in a 1960s frame (which is shown in these photographs). The painted surfaces have benefitted from cleaning and conservation, which took place on our instruction, supervision and approval. This vintage painting is now in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with the Howard Roberts Gallery, Cardiff. Considered one of the best coastal painters of the 20th century, Gyrth Russell was born in Halifax, Nova Scotia in April 1892. He was the youngest of 8 children. His father was a Canadian MP and a Supreme High Court Judge for Nova Scotia. At the age of fourteen, Russell began his artistic career at Halifax School of Art, and quickly graduated to the School of Art at Boston, Massachusetts. His first job was as a draughtsman in the Public Works Department of Canada, in Halifax. It was during this period he saw and sketched the cable ship Mackay Bennett returning to her Halifax Station, her decks piled high with coffins containing bodies found after the Titanic Disaster. In 1911 Russell left Canada to study at the Academie Julian and Academie Calorossi in Paris. In 1914 at the outbreak of War, he left France for London where he was commissioned, under the command of Lord Beaverbrook, as an official War Artist for the Canadian Sector, and spent most of 1918 in Northern France painting the landscapes and coasts travelled by the Canadian military during the conflict. During the course of the First World War he worked with amongst others, Augustus John, William Orpen & Frank Brangwyn, who greatly influenced him. Many of his earliest works are of landscapes and coasts travelled by the Canadian military in the conflict. During the War Russell also made etchings and poster prints for sale to help popularize and support the war effort abroad. He took part in the Canadian War Memorial Exhibition in London in 1919. Between the Wars, Russell earned his living as an artist in film studios, designing Railway Posters, Lecturing and Writing. He also illustrated books on the geography of Nova Scotia and Western Britain. Russell enjoyed considerable success between the Wars, exhibiting extensively at the major galleries, and was elected to membership of the Royal Society of British Artists, the Royal Institute of Painters and Watercolorists, the Royal Institute of Oil Painters and the Royal Society of Marine Artists as well as being an active member of the Langham...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

This very fine quality 19th century oil on canvas in dark brown wood frame with gold leaves details throughout is signed by Joseph Brunner (Vienna 1826-...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

Fascinating mythological story of Diana and Actaeon can be found in Ovid’s Metamorphoses. Very important provenance from a royal collection. Fabulous finely carved gilt wood coeval frame . Giovanni Battista Viola...

Pair of Italian 18' century paintings , oil on canvas with Venetian Palace gardens , antiques sculptures and various figures . Measurements with f...