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English 19th century landscape with figures and a man on a horse in a woodland

1870

$2,450List Price

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19th century English River Scene on the Maas, Holland
By George Stanfield Walters
Located in Woodbury, CT
This painting, titled A Creek on the Maas, is by George Stanfield Walters (1838–1924), a British artist known for his maritime and coastal scenes. Walters’ work often captured the se...
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1880s Victorian Landscape Paintings

Materials

Oil, Board

19th century English River Scene on the Medway
By George Stanfield Walters
Located in Woodbury, CT
This painting, titled On the Medway, is by George Stanfield Walters (1838–1924), a renowned British maritime artist celebrated for his atmospheric depictions of coastal and river sce...
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1880s Victorian Landscape Paintings

Materials

Board, Oil

Victorian 19th century English sailing yacht off the English coast
By Adolphus Knell
Located in Woodbury, CT
English 19th century Victorian Sailing scene, with fishing vessels off of a landscape. Outstanding Victorian marine scene of a yacht at sail possible in the English Channel. Knell w...
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1860s Victorian Figurative Paintings

Materials

Oil, Board

Antique English 19th century man with horse in landscape on pathway with friend
By David Hardy
Located in Woodbury, CT
David Hardy was an English genre painter who exhibited from 1855 -1870 in various English galleries such as the British Institute, the Suffolk Street Gallery, and one example at the ...
Category

1860s Victorian Figurative Paintings

Materials

Oil, Board

19th century English Yacht at sea by a lighthouse in full sail
Located in Woodbury, CT
This evocative 19th-century marine scene by English painter Nicholas Matthew Condy captures the dynamic tension and atmospheric drama that typify his maritime works. Known for his ke...
Category

1840s Victorian Figurative Paintings

Materials

Oil, Board

19th Century English Yacht in full sail racing on the high sea
Located in Woodbury, CT
This evocative 19th-century marine scene by English painter Nicholas Matthew Condy captures the dynamic tension and atmospheric drama that typify his maritime works. Known for his ke...
Category

1840s Victorian Figurative Paintings

Materials

Oil, Board

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David Bates, Behind The Village, Capel Curig
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19th Century pair of seascape oil paintings of ships at sunrise and sunset
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Ezekiel in the Valley of Dry Bones
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Edward William Cooke RA, West-Country Cove With Cottages, Family & Donkeys
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Located in Cheltenham, GB
This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...
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George William Mote, Near Guildford, Surrey
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