William Henry Millais

The Woodland Glade

1895

Watercolour and gouache on paper, signed and dated '09 bottom left Image size: 11 x 10.5 inches (28 x 27 cm) Hand made contemporary frame Painted on his characteristic dark backgrou...

Watercolour and gouache on paper, signed lower left Image size: 8 x 12 inches (20 x 30.5 cm) Original frame This painting effectively displays the atmospheric problems that London struggled with during the artist's lifetime. When most homes relied on coal fires and industry too derived much of its power from coal, 'pea-soupers' were a regular occurrence. As the fog closed in totally obscuring ones vision, the smog was so thick that much of London descended into grey. Fog persisted well into the 20th century. Indeed, in TS Eliot...

Gouache on paper Image size: 12 x 15 ¼ inches (30.5 x 39 cm) Art Deco frame This rare original artwork was used as the book cover for Hugh E. Page's 'Rambles in the Wye Valley' (1951). The Wye Valley is an area of outstanding natural beauty straddling the border between England and Wales. The internationally important protected landscape covers parts of the counties of Gloucestershire, Herefordshire and Monmouthshire and is particularly recognised for its limestone gorge scenery and dense native woodlands.

Gouache and ink on board, inscribed on reverse Image size: 12 1/2 x 14 1/2 inches (31.75 x 37 cm)

John Henry Hill was a distinguished landscape painter and engraver of the American Pre-Raphaelite tradition. A lifelong resident of West Nyack, New York, John Henry Hill was influenc...

‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Roman Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a fi...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

"Homenaje a Waterhouse" (Homage to Waterhouse). Oil on panel. 2000-2010. Dimensions: 146.5 x 97.5 x 0.5 cm. Framed: 168 x 120 x 4.5 cm. In inches: 57.68 x 38.39 x 0.2 ". Framed: 66....