William John Edmondson

Point Lobos, California

Seascape (Off Monhegan, Maine) Oil on canvas, mounted to board by the artist, c. 1940 Signed: George G. Adomeit lower right A view of the Maine coas...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...

Long Light Notre Dame Oil on canvas, 1931 Note: the painting is NOT framed Signed and dated lower right Condition: Excellent Conservation by Monica Radecki, South Bend Canvas size: ...

Francis Henry Richardson Open Pasture, Winter Signed lower right Oil on board 10 3/8 x 13 inches Richardson, born in Boston, entered the formal art world in his late twenties. His ...

"In Glacier Park," an original oil painting by renowned artist Nellie Augusta Knopf, captures the serene beauty of Glacier National Park in Montana. This stunning piece depicts a pea...

Immersing himself in majestic surroundings is part of Jim Lamb’s daily routine, whether it’s Washington’s Cascade Mountains or California’s pacific Coast beaches. Capturing the beauty of the natural world is his every day reality. Lamb is an award-winning participant in the selective Northwest Rendezvous group of painters. He is also a regular participant in a number of well known California shows, including the Laguna Beach plein air painting invitational and Sonoma plein air show. "A large percentage of my paintings are created on location, "en plein air." Painting outdoors is invigorating to me. I enjoy the solitude, the sights and sounds...

If Jian Wang is to claim a style, it lies in his approach to painting. Distinguished by his ability to reconfigure the elements of a composition to his own vision, he virtually sculpts the image using energetic brush strokes and thick, buttery oil paint. “My style involves tremendous physicality and emotion,” he says. “I have a simple palette of eight colors, which I combine right on the canvas. I’m careful with my gestures; I carry many colors in a single brush stroke.” His work, influenced significantly by realism with an impressionist inference, is influenced both by the landscape and by contemporary artists such as Fred Dalkey...