Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

William M. Lemos
Nocturnal Pigeon Point Lighthouse

1920

About the Item

Luminous painting of Pigeon Point Lighthouse, California by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right, titled on verso. Presented in hand carved, rustic giltwood frame and brass title plaque. Image size: 30"H x 50"W. Framed size: 36.50"H x 56.5"W. Condition: Good. Previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Born in New York, Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890-91. William Lemos is listed in the 1891 City Directory as artist and as having an art store at 1139 I Street. In late 1890, it was noted that ‘Mr and Mrs. Wm. Lemos, late of the Golden Gate Art School, History Building, San Francisco, are here with their elegant collection of pictures…They will paint before the public every day and visitors are welcome… They are doing some excellent work and attracting much attention. A beautiful display of paintings and engravings is to be seen at their store on I Street.” per Ralph J. Gorny, “A Dictionary of the Art and Artists of Nineteenth Century Fresno, California,” in PSCA, no. 10.
  • Creator:
    William M. Lemos (1861 - 1942, American)
  • Creation Year:
    1920
  • Dimensions:
    Height: 36.5 in (92.71 cm)Width: 56.5 in (143.51 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Very Good; some craquelure throughout, age toning. Wear to carved frame. Condition: Good. Previously owned and used, with little or no signs of wear and is in good condition. No structural issues.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: D5336*1stDibs: LU5423597202

More From This Seller

View All
Mid Century Cypress and Eucalyptus Landscape
Located in Soquel, CA
Gorgeous mid century landscape of Cypress and Eucalyptus by Dan Runyan (American, 20th Century), circa 1960. Signed lower right. Presented in rustic painted wood frame. Image size 18...
Category

1960s American Impressionist Landscape Paintings

Materials

Canvas, Oil

Montezuma Castle, Anasazi Village Landscape with Hand-Carved Frame
Located in Soquel, CA
Detailed and textured depiction of Montezuma Castle, Anasazi village by L. M. Norris (20th Century). Signed "L. M. Norris" in the lower right corner. Presented in a hand-carved frame...
Category

Late 20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

Mid Century California Landscape with Tree
By Genevieve Rogers
Located in Soquel, CA
A beautiful landscape oil painting depicting a stately tree with green mountains in the background by California artist Genevieve Rogers (American, 20th Century). Unsigned but acquir...
Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

Mid Century Sunset on the Inlet Landscape
By Rod Quesada
Located in Soquel, CA
Beautiful sunset landscape of an old fishing boat, fishing shacks and the golden sun setting over a coastal inlet by listed artist Rod Quesada (American, 20th century). Signed "R. Quesada" lower left. Presented in a new bronze colored frame. Image size: 23.5"H x 29.5"W. Quesada studied at the Otis Art Institute, San Francisco Art Institute, Art Students' League New York City, University and La Esmeralda School of Fine Arts, Mexico City. He painted portraits of Dorothy Lamour...
Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

Big Sur Rolling Hills Landscape
By Kathleen Murray
Located in Soquel, CA
Sweeping Big Sur landscape of rolling hills in beautiful pastel colors illuminated with sunlight, by California artist Kathleen Murray (American, 1958). Oil on artists canvas board (...
Category

Early 2000s American Impressionist Landscape Paintings

Materials

Canvas, Oil, Illustration Board

Riverside Cottage in Spring Kennebunkport Maine Pallet Knife Impasto Texture
Located in Soquel, CA
William Fisher (1891 - 1985) William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the Villager, a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the Gotham Guide, which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930s. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia, Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...
Category

1950s American Impressionist Landscape Paintings

Materials

Canvas, Oil

You May Also Like

"Wickencheoke Creek at Prallsville"
By Alexander Farnham
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Alexander Farnham (1926 - 2017) Alexander Farnham studied with Anne Steele Marsh, Van Deering Perrine, and at the Art Students League with George Bridgman...
Category

20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Winter Greetings"
By Alexander Farnham
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Alexander Farnham (1926 - 2017) Alexander Farnham studied with Anne Steele Marsh, Van Deering Perrine, and at the Art Students League with George Bridgman...
Category

20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Solebury Valley"
By William Langson Lathrop
Located in Lambertville, NJ
Signed lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...
Category

1910s American Impressionist Landscape Paintings

Materials

Canvas, Oil

"A Day in March"
By John Fulton Folinsbee
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John F...
Category

1920s American Impressionist Landscape Paintings

Materials

Canvas, Oil

"The Old Pasture"
By William Langson Lathrop
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in 1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...
Category

20th Century American Impressionist Landscape Paintings

Materials

Canvas, Oil

"Spring, Oakview"
By Antonio Pietro Martino
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by: Antonio Pietro Martino (1902 - 1988) Signed and dated lower right. Complemented by a period frame. Antonio Martino was ...
Category

1920s American Impressionist Landscape Paintings

Materials

Canvas, Oil

Recently Viewed

View All