William Ongley

Ausable

Signed and dated 1877. Mortimer Smith, a lesser-known yet skilled artist of the Hudson River School, captured the untamed beauty of the American landscape with remarkable depth. This painting presents a seacoast scene with a solitary fisherman, with his boat during the tide. The rugged cliffs frame the composition, their weathered surfaces telling the story of time and nature’s relentless forces. Sunlight filters through the mist, casting a halo glow in the sky, while waves crash against the shore in rhythmic motion. Smith’s brushwork conveys both the serenity and power of the natural world, inviting the viewer to step into the scene under nature's power and beauty. Although born in Jamestown, New York, Mortimer Smith would become well-known as a Detroit architect and artist by the end of the nineteenth century. Little is known of Smith's earlier years; however, scholars speculate that he studied in Oberlin and Sandusky, Ohio before moving to Detroit in 1855. There, the artist flourished and became famous for his crisp landscapes of local scenery, including his beloved winter scenes. In addition to his artistic career, Smith founded a successful architectural firm by the name of Smith, Hynchman and Grylls; Smith's reputation in the visual arts was often overshadowed by his draftsmanship as an architect. Nevertheless, he was a vital force in Detroit's arts community exhibiting his works in venues including the Detroit Art...

Signed lower right Dewitt Clinton Boutelle’s landscape paintings embody the grandeur and tranquility of the Hudson River School. In this imagined scene, a lone fisherman stands on t...

Signed lower right. An itinerant portrait, miniature, and landscape painter, Ambrose Andrews had a wide-ranging career geographically that saw him in many regions including New York (1829-31), Connecticut (1837), Texas (1837-1841) and Louisiana (1841-42). After 1844, he was active in St. Louis, New York City, Buffalo, New York, Vermont and Canada. He was born in West Stockbridge, Massachusetts, and in 1824, attended the National Academy of Design. Andrews exhibited paintings at the Republic of Texas Capitol...

Edward Moran (American, 1829 - 1901) Boy with Dog on Dock Oil on canvas Signed lower left 22 x 36 inches Provenance: Sotheby's Sale no. 3255 Oct. 27-28, 1977 Page 58 Price on reques...

Marco Aurelio Tricca (American, 1880-1969), Pastoral Landscape Scene, Oil on Canvas mounted on Board, 1929, signed and dated to verso, carved wood frame. Image: 24" H x 30" W; frame:...

This painting is listed in the W.H. Cadbury and H.F. Marsh book Arthur Fitzwilliam Tait: Artist in the Adirondacks, Newark, Delaware, 1986, no.59.36t. It is hand-signed "AF Tait...

A large scale American Hudson River School Impressionist landscape of a snow scene, most probably Wisconsin, by Leroy Ferdinand Jonas. The painting is signed and dated bottom right and presented in a fine gilt frame. An imposing view of a snowy landscape most probably the artist's native Wisconsin. Jonas has captured the grandeur of the scene with the contrast between the thick lush snow and the rich colours of the foliage and leaves on the trees. His impasto technique is very characteristic of the American Impressionists as is the subject and sense of scale. A really beautiful painting which because of its scale would be a statement piece in any room. LeRoy Jonas was born in the town of Texas, Marathon County, Wisconsin, on April 18, 1897, son of Johann F. and Marie (Borchardt) Jonas. He was educated in Wausau public schools and attended the Chicago Art Institute, where he studied under John Norton, noted for his murals, Leopold Seifert, noted for his portraits, and William Wilmovsky, a landscape artist. He worked as a commercial artist and Conservator of Fine Arts there. Upon graduating, he painted for a while in Door County, Wisconsin and was then awarded a scholarship to study under Leon Lundmark...

Signed lower right: F.A. SILVA.