William Trost Richards

"Cormorant Rock, Conanicut Island, Rhode Island" Hudson River School Seascape

"Parade" Social Realism Mid 20th Century Modern American Scene WPA Regionalism Gerrit Van Sinclair (1890 – 1955) Parade 20 x 15 inches Oil on board, c. 1940s Signed lower right Fram...

A Summer Day WPA American Scene Social Realism Modern Ashcan Early 20th Century Leon Kroll (1884-1974) "A Summer Day" 14 x 17 inches (image...

Sand Pit Hungarian American Oil Painting Workers Horses European Modernism 1928 WPA The board measure 10 3/4 x 15 1/2 inches. The work was painted in Hunga...

Waiting for the Bus in a Blizzard- WPA American Scene 1938 NYC Modernism Realism. 16 x 16 inches, Oil on board, Signed and dated 1938 lower left. ...

"Coney Island" Brooklyn NYC Amusement Park Mid-century American Scene WPA Modern Ludwig Bemelmans (1898 – 1962), “Coney Island" 35 x 27 inches Oil on board Signed lower left Origin...

Trucks in the City by African American, Folk, Self-Taught, Florida, Outsider Art Purvis Young Urban Young was an American artist from Miami....

Monogrammed lower left: ABierstadt

Signed lower right: W Bradford

Signed lower right: Bradford

Thaddeus Welch (American 1844-1919) The Columbian Exhibition, the 1893 Chicago World’s Fair 70 x 35”, oil on board signed Request Price The C...

Singed lower right. William R. Davis is noted as a marine painter. He grew up in Hyannis Port, Massachusetts. He is a self-taught artist whose oil paintings typically capture the serene light of sunrise or sunset on the water. He employs many of the techniques traditionally used by American luminist painters to realize his personal vision, showing a marked preference for 19th century subjects. In 1987, Davis had the first one artist show ever mounted at the Mystic Maritime Gallery in Mystic, Connecticut. All twenty of the works featured in that show were sold at the opening reception. In 1990, he received the Mystic Maritime Gallery Award of Excellence, and his painting entitled Calm Day Off Latimer's Reef appeared on the cover of Mystic's The Art of the Sea Calendar in 1993. Three of his paintings were also used in the book Shipwrecks Around Boston by Cape Cod author, William P. Quinn. Rockport Publishers has included Boston Harbor at Sunset in a new book entitled, A Gallery of Marine Art. Much of Davis' early works pays homage to 19th century artists such as James Bard, Martin Johnson Heade, Antonio Jacobsen and Fitz Hugh Lane...

Monogram lower right. But for sheer numbers, as well as degree of fame, the activity which is most closely linked with this Adirondack town is painting. Mrs. Peggy O'Brien, who has long studied Adirondack artists, finds over 400 have painted in these mountains and Keene Valley was the summer capital for many of them. The earliest in the valley are Asher B. Durand (1796-1800), considered a co-founder of the Hudson River School, John Casilear (1811 -1893) and John F. Kensett (1816 - 1871) coming in 1848. Frederick Perkins came in 1857, boarded at the Bruce home, and with Orson Phelps sat on Mt. Marcy and named Skylight, Basin and Saddelback Mountains. Roswell Shurtleff came first to Keene Valley in 1868 and returned each year for the rest of his life, being, with A.H. Wyant, the first artists to have summer places here. Wyant built on the hillside east of the AuSable, Shurtleff on the west. Winslow Homer joined John Fitch and Shurtleff in Keene Valley for hunting, fishing, and painting. John Adams Parker was here by 1866, subsequently building. Robert Monior came in 1875 and by 1882 had a house that became a center for art students. Samuel Coleman arrived in the 1860's. Homer Martin (1836-1897), Sanford Gifford (1823-1880), and Arthur Parton (1842-1914) are but a few more of the recognized American artists who painted the AuSable lakes and mountain of Keene in the nineteenth century. In fact, the Heidelberg Museum of the Paletinate's salute to the American Bicentennial was a 1976 exhibit of work by the first German to the American scenes, a man named Kappel, and featured scenes around Beede's. John Marin brought Keene Valley art into the twentieth century. Harold Weston, son of S. Burns Weston, wintered alone at his AuSable Club studio 1920-21 to start his painting career, and gave us later life a good local history as well as art sampling in his autobiography Freedom in the Wilds (1971). Present day artists living or working in the town include Bruce Mitchell...