Wolf Kahn

"Barns and Silos in New Jersey" Wolf Kahn, Landscape, Abstract Impressionist

1985

Milton Derr Spring, 1982 Signed lower right; titled and dated verso Oil on canvas 26 x 28 inches Milton Derr, also known as Milton Johnson, was a painter, illustrator and educator. Born in 1932 in Milwaukee, Wisconsin, Derr studied at the Layton School of Art, Milwaukee, the School of the Museum of Fine Arts, Boston, and the Independent Group of Painters and Sculptors, Tokyo, Japan. He been featured in many exhibitions, including several sponsored by Northeastern University’s African-American Master Artists in Residency Program, the Federal Reserve Bank of Boston, the Museum of the National Center of Afro-American Artists, the Boston Museum of Fine Arts, and the Studwasio Museum of Harlem. During the Korean War, he served in the United States Air Force. In 1964, Derr joined the faculty at the School of the Museum of Fine Arts. He also taught at Tufts University. Derr describes himself as a figurative painter whose style falls somewhere between expressionism and impressionism. He has been included among the black...

Wolf Kahn Behind Reeds, 2004 Signed lower left Pastel on paper 7 x 9 inches Provenance: The artist Ameringer McEnery Yohe Gallery, New York Private Collection, Florida An important...

Wolf Kahn Purple Hills Pastel on paper 10 1/2 x 13 1/2 inches Provenance: Collection of Stafford Elias Christies New York, Interiors, December 13, 2017, Lot 343 Private Collection, ...

Wolf Kahn Dark Diagonal, 2012 Signed lower center Pastel on paper 9 x 12 inches An important member of the second generation New York School, Wolf Kahn is renowned for his luminous,...

Wolf Kahn Summer Studio, 2012 Signed lower center Pastel on paper 9 x 11 1/2 inches An important member of the second generation New York School, Wolf K...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

"Light From Above" by Downy Doxey Marshall, oil on canvas, 36 X 36 inches (framed size: 38 x 38 inches), $5,500. "As a child I dreamt of having a pond in my backyard. The thoughts of floating in a glass bottom boat...

"Meadow Gossamer" by Downy Doxey Marshall, oil on canvas, 24 x 24 inches (framed size: 26 x 26 inches), $3,500. "As a child I dreamt of having a pond in my backyard. The thoughts of floating in a glass bottom boat...

Following two decades of successful impressionistic landscape painting, Wilson Henry Irvine became known for a new experimental style in the 1930s. In 1930, Irvine began making prismatic paintings—landscapes and still-lifes rendered as though seen through a glass prism. The effect accentuated the play of light on the edges of objects. Irvine remained committed to this style of prismatic painting throughout the 1930s, winning the best-picture award in 1934 for a picture of a life-sized nude at the annual exhibition of the Lyme Art...

Following two decades of successful impressionistic landscape painting, Wilson Henry Irvine became known for a new experimental style in the 1930s. In 1930, Irvine began making prismatic paintings—landscapes and still-lifes rendered as though seen through a glass prism. The effect accentuated the play of light on the edges of objects. Irvine remained committed to this style of prismatic painting throughout the 1930s, winning the best-picture award in 1934 for a picture of a life-sized nude at the annual exhibition of the Lyme Art...

Paul Resika was born in New York City in 1928. He began taking painting lessons at age nine, greatly encouraged by his Russian émigré mother. At twelve years old, he began studying w...

Ross Moffett remains a legendary Cape Cod artist. Moffett painted with an intensely personal focus, composing canvases that inevitably reflected the character of his native western A...