Zu Sheng Yu

Zu Sheng Yu "Morning Graze", Cow Field Pond Landscape Oil Painting on Canvas

2018

"Lunch" by Zu Sheng Yu is a 36x36 oil painting on canvas. This painting depicts a bright blue sky background, with white birch trees in the foreground. A pileated woodpecker...

This painting, "Amazing Graze" is a 36x36 oil painting on canvas by artist Zu Sheng Yu. Depicted is a brown cow in the foreground gazing at the viewer. In the distance are two more...

"Looking at #1", is a 24x36 vibrant oil painting on canvas by artist Dahl Taylor. Featured is a thoroughbred race horse being led through the paddock as Sa...

This Painting, "Another Fly", is a 24x24 oil painting on canvas by artist Trip Park. Featured in the painting is a large white and red butterfly with wings f...

This equine oil painting on canvas, "Round the Bend" 36x36 by artist Shawn Faust features a grouping of horses following one another down a dusty and rocky trail. A warm hazy day casts a glow of sunlight onto their hair. Fresh brushstrokes provide a sense of motion while pronouncing the sheer strength and power of this majestic animal. About the artist: Shawn’s love and fascination for drawing came as an unexpected gift from his grandfather at the age of 5. Young Faust was a tag-a-long during his grandfather’s impromptu plein air art lesson with his older brother in the back yard of his Aunt’s house. A retired director for the American Red Cross, Shawn’s grandfather, who had only recently picked up the brush himself, began a charcoal sketch that would forever change how Faust would see the world. From that brief lesson, Faust recalls vividly, “The techniques I witnessed from my grandfather that day, were pure magic!” With his newfound gift of magic, Shawn quickly began practicing his art of 3D illusion for anyone who wanted to see it. During his childhood, you would be hard pressed not to find Shawn doodling on a piece of paper at some point during the day. Among his favorite things to draw as a youngster were his comic book heroes. Intsead of reading the comics, he spent all his time studying the line work and muscle forms of the comic book characters. And so, began his interest in portraying the human form. Upon entering college at the University Of Delaware, Shawn enrolled as an accounting major yet emerged with a Bachelor of Fine Arts Degree in 1990. At the U of D he is forever grateful for the privilege of studying under distinguished artists Stephen Tanis, Charles Rowe, Robert Straight and Rosemary Lane. Shortly after graduating, Shawn embarked on a career in Illustration. By 1993 he had quickly become one of Delaware’s prominent architectural illustrators working for more than 75% of the homebuilders in Delaware. Between illustration jobs, Shawn pursued his interest in portrait painting. In 1992 Faust was commissioned to paint the official portrait of outgoing Delaware Governor, Michael Castle. Continuing his quest to learn more about portrait painting, Faust studied with Daniel Greene in 1995. He credits Daniel Greene for giving him the greatest key to unlocking a whole new way of seeing and interpreting color. By 1995, Shawn’s portrait commissions and easel paintings were supporting him as much as his illustration jobs, so he decided to focus entirely on his fine art career. This included opening a gallery and custom frame shop with his wife and brother. During the twelve years of owning and operating the gallery, Shawn continued his intense portrait research by focusing his studies on the eyes of his favorite subject, the horse. His head studies of horses caught the attention of Mr. Richard Golden, a prominent horse owner in Chesapeake City, MD and president of Northview Stallion Station. Northview is best know for standing Northern Dancer...

This equine oil painting on canvas, "Hoof Band" 24x30 by artist Shawn Faust features a row of five horses of different colors grazing in an expansive field on a bright sunny day. A bright blue sky lies behind a line of colorful clouds. In the horizon a line of purple mountains separate the sky from the the orange field. About the artist: Shawn’s love and fascination for drawing came as an unexpected gift from his grandfather at the age of 5. Young Faust was a tag-a-long during his grandfather’s impromptu plein air art lesson with his older brother in the back yard of his Aunt’s house. A retired director for the American Red Cross, Shawn’s grandfather, who had only recently picked up the brush himself, began a charcoal sketch that would forever change how Faust would see the world. From that brief lesson, Faust recalls vividly, “The techniques I witnessed from my grandfather that day, were pure magic!” With his newfound gift of magic, Shawn quickly began practicing his art of 3D illusion for anyone who wanted to see it. During his childhood, you would be hard pressed not to find Shawn doodling on a piece of paper at some point during the day. Among his favorite things to draw as a youngster were his comic book heroes. Intsead of reading the comics, he spent all his time studying the line work and muscle forms of the comic book characters. And so, began his interest in portraying the human form. Upon entering college at the University Of Delaware, Shawn enrolled as an accounting major yet emerged with a Bachelor of Fine Arts Degree in 1990. At the U of D he is forever grateful for the privilege of studying under distinguished artists Stephen Tanis, Charles Rowe, Robert Straight and Rosemary Lane. Shortly after graduating, Shawn embarked on a career in Illustration. By 1993 he had quickly become one of Delaware’s prominent architectural illustrators working for more than 75% of the homebuilders in Delaware. Between illustration jobs, Shawn pursued his interest in portrait painting. In 1992 Faust was commissioned to paint the official portrait of outgoing Delaware Governor, Michael Castle. Continuing his quest to learn more about portrait painting, Faust studied with Daniel Greene in 1995. He credits Daniel Greene for giving him the greatest key to unlocking a whole new way of seeing and interpreting color. By 1995, Shawn’s portrait commissions and easel paintings were supporting him as much as his illustration jobs, so he decided to focus entirely on his fine art career. This included opening a gallery and custom frame shop with his wife and brother. During the twelve years of owning and operating the gallery, Shawn continued his intense portrait research by focusing his studies on the eyes of his favorite subject, the horse. His head studies of horses caught the attention of Mr. Richard Golden, a prominent horse owner in Chesapeake City, MD and president of Northview Stallion Station. Northview is best know for standing Northern Dancer...

Dimensions without frame: 40 x 70 x 4 cm To capture the prey, every continuous acceleration of the cheetah will result in a sharp rise in body temperature. It is a challenge for it....

Artwork sold framed: 76 x 76 x 5,5 cm. The Great Wall of China is well known in the world. Tens of millions of tourists from all over the world...

Artwork framed: 75 x 65 x 5,5 cm The panda is regarded as the national treasure of China. There are only about 1,000 in the world. All live in China. They are very well protected. W...

Artist : Murli Cheeroth Title : Terrestrial Verses Ii Size : 48 x 48 inches (unframed size) Medium : Oil on Canvas Inclusive of shipment in a roll form. Style : Before he settl...

In "Thicket," Emily Palmquist paints her backyard, attributing this quaint view with a quiet grace. This cozy scene features an upturned wheel barrow, ...

Cranes are Flying, 2011., oil on canvas, 65x70 cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani...