Linen Paintings

Oil on linen stretched on panel - Unframed. Snow sees her work as a constant play between order and chaos, logic and emotion. She combines playful shapes with bright colour, organic...

Playful Garden II (Abstract painting) Mixed media - acrylic, oil pastels, gouache on raw linen This artwork will be shipped rolled in a dent-resistant tube. This method is especial...

Acrylic on linen - Unframed. Each part's dimensions are 31x41x10cm/12x16x4". Australian abstract artist Louise Blyton employs precise, Reductivist methods to create lucid, harmonio...

Acrylic on linen - Unframed The artist considers this painting, acrylic on polyester, to be a continuation of the kind of space revealed in sbc 195 and sbc 203: A formal matrix tha...

Oil on linen - Unframed. Fattovich calls his style Abstract Punk. His compositions evolve according to a subliminal process in which he responds viscerally to the colors, layers, li...

The theme of my painting is unreal, impressionistic landscapes. I base my work on layers, and for me, the play of light and colors is most important. I try to capture the glimmers an...

David Collins' 2016 move from the bustle of New York City to Long Island influenced a change in his palette that reflects the peaceful, natural atmosphere of his new surroundings. Hi...

David Collins' 2016 move from the bustle of New York City to Long Island influenced a change in his palette that reflects the peaceful, natural atmosphere of his new surroundings. Hi...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shaped canvas that is color-blocked into three main sections. The topmost triangular portion of the canvas ...

David Collins has an ongoing interest in space and memory. Many of Collins’ memories relate to his family’s history in inventing Cold War era technology. Personal recollections of sp...

Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan Pastorelli. She then worked with Leslie Lee, p...

David Collins earned a BFA from the Rhode Island School of Design, and currently lives and works in New York City. Collins has had numerous solo exhibitions in New York, and has exhi...

Here is "Garden Riot", oil on linen, diptych, 36 x 88 inches. Gail Chase Bien paints thinly layered oil on linen over extended periods (from months to years) to complete a single wor...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

Punk (Abstract painting) Oil and acrylic on linen - Unframed. Fattovich calls his style Abstract Punk. His compositions evolve according to a subliminal process in which he respond...

Unorthodox; yet effective, Suki treats us to a series of works that tantalizes the imagination with bold strokes of dark and light, hinting at shapes both human and ethereal and pull...

Oil on linen Framed 25 x 18.5 x 1.5 in Katherine Filice is an award-winning American abstract artist born in 1963 who lives and works in Hollister, Northern California, USA. Her work is known for its exploration of environmental topics, with a focus on our human understanding of centuries-old forests, particularly concerned with articulating the energy, memories, and stories that vibrate through the ancient trees and woodland landscapes. Filice's artistic development has been shaped by a blend of traditional art education and invaluable guidance from artists, critics, and educators through various critique programs. She has also garnered over 100 design awards for her commercial work. In addition, Filice holds a BS degree from the University of San Francisco. Her extensive education and professional experience have greatly influenced her exploration of human relationships and their reflection within our environment. Katherine has exhibited her work in solo and group exhibitions throughout the United States, Europe, and Asia. Her paintings and drawings are held in private and corporate collections worldwide. Her most recent solo exhibitions include “Lost & Found” at 1202 Contemporary and "Lost in the Woods" at the Pacific Art...

Punk (Abstract painting) Oil and acrylic on linen - Unframed. Fattovich calls his style Abstract Punk. His compositions evolve according to a subliminal process in which he respond...

sbc 149 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photog...

Maria Jose Concha lived for 7 years in the Chilean Patagonia, the world’s southernmost landscape, an experience, which transformed her work and becomes the focus of her expressive pa...

This painting by Linda King Ferguson depicts a red diamond canvas with a Vesica Piscis shape in the center. The color of the Vesica Piscis is a gradient, transitioning from a maroon ...

Tondo 9 (Abstract painting) Ink, enamel on paper on linen - Unframed As the title suggests (a tondo is a Renaissance term for a circular work of art), this artwork is part of a ser...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is dominated by a horizontal vesica piscis shape. The two intersecting circles are a dark salmon orange and a deep wine red (left to right). The canvas at the intersection of the two circles has been cut and peeled back to reveal that the back of the painting has been painted pink. While the trangular shape above the interseccting circles has been painted an ashy brown, the lower section has been left raw. Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This painting by Linda King Ferguson, like all of her work, Depicts an abstaction of the female body. An oblong pink shape jutts out from the top of the diamon-shaped canvas. A teard...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a brown ca...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a salmon o...

This painting by Linda King Ferguson is a geometric abstraction inspired by the female body. Circles, ellipses and scalloped edges decorate the canvas in Salmon orange, wine red, and...

This is one in a series of Vibrational Abstractions in which the shape and color palette are integral to the atmospheric feeling and structure of the paintings. The painting is built...

IA (Abstract Painting) Oil, fabric, pencil on linen — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper collage and installation. Her proc...

Red Glow (Abstract Painting) Oil on linen — Unframed. Feinberg works with a variety of techniques and mediums, including painting, paper collage and installation. Her process result...

"Happy Day the Shadow Passing" is a painting by the South African - French artist Leith Ridley. About the artwork: TECHNIQUE: oil painting STYLE: Abstract, Contemporary Edition :...

Silence (Abstract painting) Acrylic on linen - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizing the...

On the Road, feels like a smooth drive in the countryside, impasto tar showing the impressionistic vegetation racing along against a blue sky filled with floating grey and white clou...

Con Leche (Abstract painting) Acrylic on linen - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizing t...

Acrylic on linen - Unframed This acrylic painting on linen is one of 8 medium-scale paintings that Cantrick produced for her 2012 series based on the prose poem "The Pebble" by Fran...

In this acrylic painting by Northern Irish Artist Noelle McAlinden, the artist features a bright red, orange and gold striped foreground field contrasted with a deep purple sky with ...

sbc 154 (Abstract painting) Acrylic on linen - Unframed This acrylic painting on linen is one of a series of 10 that the artist developed from a painting that incorporated a photog...

Acrylic on linen. Unframed. The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during the painting process. M...

Blue Shift (Abstract painting) Acrylic on linen. Unframed. The textured appearance of her paintings emanates from the intervention of common household products such as paper towels...

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

Better Times, Past and Future (Abstract painting) Acrylic on linen - Unframed. Australian abstract artist Louise Blyton employs precise, Reductivist methods to create lucid, harmonious, multidimensional artworks that embody the marriage of color, texture, and form. Her finished works—shaped, minimal...

David Hare Cronus Waiting, 1990 Acrylic on linen 72 x 42 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

This painting is being sold on consignment by the gallery for an estate. The artist is known for her abstract paintings. She is also an instructor in the arts. More information avai...

Graphite and acrylic on linen - Unframed This fluid abstract painting is intuitively made with a loaded brush graphite and acrylic on linen. The intersecting multi-layered forms cr...

An abstract oil painting, loosely painted en plein air on a beach in the Hamptons. The painting captures a curling wave, just about to crash on the shore, the spray from the top of the wave watching in the wind off the ocean. The painting was done like a sketch done by impressionist artists back in the day, but on a much larger scale. Color notes jotted down urgently to capture the moment before it disperses like sea spray in the breeze. Yektai paints in a thick sculptural fashion...

Space_17 (summer 15) (Abstract painting) Oil on linen - Unframed. "She uses tape to mask out shapes and employ hard edges, working spontaneously, placing down a shape and then buil...

Elegant abstract sky scape - oil on linen - painting that beautifully bridges realism. 'Invitation au voyage' in warm orange yellow with grey and ivory on Belgian linen. The large scale diptych...

My paintings are lyrical abstractions inspired by my connection to nature and its elements: form, movement, light, and what I perceive to be its essence – an energy that goes beyond ...

Space_17 (summer 10) (Abstract painting) Oil on linen - Unframed. "She uses tape to mask out shapes and employ hard edges, working spontaneously, placing down a shape and then buil...

sbc 204 (Abstract painting) Acrylic on linen - Unframed The artist considers this painting, acrylic on polyester, to be a continuation of the kind of space revealed in sbc 195 and ...

Abstract oil painting in blue and violet gold with metallic pigments including gold and metal leaf on Belgian linen. The large scale vibrant painting shimmers and changes with the ti...

Interiors (Abstract painting) Oil and acrylic on linen - Unframed. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines and organic...

"In the Oculus body of work I was interested in reaching back in time and utilizing classic materials and painting techniques then merging them with contemporary – industrial materi...

Malcolm Maloney Jagamarra "Kangaroo Dreaming" 1991 Framed Signed verso Provenance: Hank Ebes, Aboriginal Gallery of Dreamings, Melbourne, Australia; Acquired from the above in 1991, Richard Kelton Collection, Santa Monica, California Malcolm Jagamarra was born in the Australian outback...

Abstract painting on linen canvas by Dutch contemporary artist and art teacher Rubins J. Spaans. The painting is a color study that takes the viewer back to the abstract works that R...

Little Bird Souls (Abstract Painting) Acrylic on linen - Unframed. Each part's dimensions are 30x26x5cm/12x10x2". Australian abstract artist Louise Blyton employs precise, Reducti...

Terra Incognita (Le Pavé de France 7) (Abstract Painting) Oil on linen stretched on panel - Unframed. Snow sees her work as a constant play between order and chaos, logic and emoti...

Pink Noise (Abstract Expressionism painting) Acrylic/mixed media on linen - Unframed. This work is exclusive to IdeelArt. Daniela Schweinsberg is a German abstract artist whose ly...

Sweet Amnesia (Abstract painting) Acrylic on linen - Unframed. Each part's dimensions are 25 x 41 cm/10x16" Australian abstract artist Louise Blyton employs precise, Reductivist m...

Blue Nesting (Abstract painting) Acrylic on linen - Unframed. Each part's dimensions are 51x41cm/20x16" Australian abstract artist Louise Blyton employs precise, Reductivist metho...