Oil Paintings

Graces Group of Figures: Four figures, depicted in an abstract manner, are in the central part of the composition. Their poses and arrangement create a sense of interaction or a comm...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

In creating this piece, I let my emotions and intuition guide each stroke, pulling from deep within to layer acrylics in a dance of chaos and serenity. Here, abstract forms and visce...

Beautiful mid-century modern abstract expressionist oil painting by unknown artist. Oil on line canvas, ca. 1950's. Measuring 30 x 36 inches; 36 x 41 inches framed. Chicago art sup...

Artist/ School: Sally Bradshaw, British contemporary Title: abstract expressionist composition Medium: oil on board, framed Framed: 33 x 25 inches Board : 31 x 23 inches Provenan...

Vintage American modernist abstract expressionist painting. Oil on canvas. Framed.

Vessel 7 Green, Yellow, Blue Abstract Expressionist Painting Made by Ragellah Rourke in 2025 oil on canvas 30 x 30 inches, unframed The sides are cleanly painted light grey so framin...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Maggy Clarysse (1931-2011) Oil on thick card, unframed, 7 x 9.5 inches Signed Initials ...

Andreas Claussen’s "Search" (2022) is a striking oil painting that blends surrealism and contemporary realism. Measuring 31.5 x 31.5 inches, this compelling work depicts a lone astro...

With strokes of Gold, Oil, Gesso and Acrylic, Shizico painted a visual symphony of abstract expression in this on-going series [Landscape Memories]; it's a part of her [Sunlit Series...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10.75 x 8.25 inches condition: excellent provenance: all the paintings we ...

This original 1990s fine art monotype by Denver artist Wilma Fiori is a bold and dynamic example of late 20th-century American printmaking. Rendered in expressive layers of green, bl...

A fluid wash of bubblegum pink fills the surface of this painting. Ricard has written in bright yellow, blue, and vivid silver the following: So how do you be friends w/a whore? Business being business/Ethically, a ho can’t rat on its tricks; so if the ho is hohoing yr husband Damned if you’ll ever find out. March 26. Whore sharply contrasts the beauty of silver, yellow, and pink with Rene’s pithy, obscene pronouncement. The pink ground is applied in a sheer wash, like Male Cinderella’s background, and the artist’s cursive shimmers in the same silver as One Shoe One You / True Love, Size 3?, and This is not a thanksgiving pumpkin. While Whore shares enticing formal qualities with other works in this group, the text snaps us to cold reality, down into the gutter with a bump. Ricard is happy to visit a fairy tale, but doesn’t stays in the fantasy for long. There’s an intimacy to this work’s smaller scale which compels the viewer to lean in and decode Ricard’s poetry. The artist’s outsized signature is with initials in dark blue, which pop out against that beautiful saturated pink. Canvas floater frame, in maple with .25 inch moulding. Whore is part of a group of works dating from 1989-1990 as Rene Ricard prepared for Mal de Fin at the Petersburg Gallery, New York, in 1990, his very first one-man exhibition. Born Albert Napoleon Ricard, he moved to New York in the 1960s at the age of 18. With that relocation, Albert died, and Rene was born. Instantly adopted into Andy Warhol’s glittering orbit, Ricard thrived in the city, with its heady concentration of art, culture, and debauchery. In New York Ricard found the milieu where he would shine. He acted in underground films, playing Warhol in the artist’s own Andy Warhol Story. He became a renowned poet and writer, published in the Paris Review and Artforum. In typically wry fashion he explained how he became a painter: “I began adding images [to my poetry] because I’ve always liked to draw and paint. And it was hard to find junk-store paintings of the right quality, things that could support some writing, so I just started making the images myself. Unfortunately, people really like that, even though I far prefer just the writing.” Ricard drew on his vast knowledge of literature and art history, weaving these references together with bursts of autobiographical poetry: what the New York Times termed his “seething verbal finesse.” Ricard, having spent years in the Factory’s milieu, learned from Warhol’s creative strategies. Warhol created images quickly with screen printing, with no regard for perfection. Duplication was the method and the ideology. Ricard, too, worked quickly: urgency was part of his visual language of looped cursive and scribbled colors. He often borrowed a lithographic plate or silkscreen from already-completed works, printing the matrix on canvas or paper to create backgrounds for new works (Size 3’s red printed background may be an example of this). He appropriated thrifted paintings and discarded items such as a pinboard or a piece of insulation, so long as the object in question had a flat surface upon which to work. The two artists were both outsiders to the art world in a sense—Warhol coming from the world of design and Ricard, a bona fide author, but both intuitively understanding how to compel the viewer. As Warhol anthologized consumerism, Ricard catalogued desire. For example, Size 3 and One Shoe One You feature Ricard’s take on Warhol’s famous shoe drawings...

Mixed media on canvas 120 x 160 cm Contemporary Art Signed and dated About the artist Cuauhtemoc´s work is the meeting point of the inevitable and the immovable, mixing senses and i...

Big scale abstract oil painting by Polish artist Klaudia Lata. Painting is in orange colour with darks accents. KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of F...

Dan McCaw's (US based) "Textures" is an original, handmade oil painting that depicts an abstracted figure in a moody interior setting. Artist Statement: Born: 1942 A solid founda...

Artwork Details Title: Paisajes Interiores. Verdes y Rosas. Dimensions: 113 × 103 cm (44.5 × 40.5 in) Medium: Oil on canvas Support: Stretched canvas (ships rolled in a protective t...

Untitled (Highrise), 1954, oil on canvas, signed and dated lower right, 20 x 20 inches, presented in its original frame Karl Benjamin was a California-based artist who is best known...

Brian Keith Stephens presents an original, handmade composition titled "Angels and Cowboys", created in 2025. This oil and wax on cotton painting measures 50 inches high by 30 inches...

Contemporary Impressionist Floral Oil painting on paper. "Mi Amor," a vibrant depiction of yellow tulips, is a remarkable piece from Natalya Mougenot’s ongoing floral series, where ...

Superb large scale French abstract oil painting by the popular 20th century French painter, Andre Copin (1911-1998). The painting is signed to the lower corner and dates to circa 198...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Jonathan Speed's "Calm Seas" invites viewers into a serene rea...

Oil on canvas – 120 x 40 cm (47.2 x 15.7 in) Framed size: 127 x 47 cm (50 x 18.5 in) Presented in a natural or black wood floater frame (collector’s choice) Year: 2025 – Signed lower...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Vintage American modernist abstract oil painting. Oil on board. Framed. Measuring: 24 by 31 inches overall, and 18 by 26 painting alone. In excellent original condition. Nicely fram...

Abstract oil painting on canvas with pastel palette with red and green “Day of the Swans”, painted by Ragellah Rourke in 2021 48 x 36 inches, oil on canvas Sides are cleanly painted so additional framing is optional Wire backing for easy hanging Artist signature located on the back This contemporary, abstract painting was created by Hudson Valley based artist, Ragellah Rourke in 2021. Her most recent body of work focuses on relationships between color and space. Elements of symbolism, reminiscent of Gustav Klimt, decorate the composition with abstract markings and calligraphic gestural brushwork. Warm yellow and red tones with hints of green radiate upwards into a background of white, recalling the awaking the nature during the beginning of spring. There is wire installed on the back for easy hanging. The painting’s sides are cleanly painted so additional framing is optional. Artist Statement: My paintings are very textural and built up slowly over long periods of time. The surface holds the memory of the painting’s development, all the time looking for clues for what will come next. I look for connections between the forms that develop. They are never something that I logically calculate, but rather a long string of chances, thoughts, and guesses. The appearance and meaning develop throughout the progression of the painting. It is a continuous search for resolution, balance and mystery within the painting. Artist CV: 1963 Born Albany, NY 1998 BA Painting, The University at Albany, State University of New York Residing: East Berne, NY SOLO EXHIBITIONS: 2012 Carrie Haddad Gallery...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

'Abstract, Parchment and Rose' by Kurt Weber, 1963. Musée d'Art Moderne, Paris, Zurich ----- Signed lower right, 'Kurt Weber' for Kurt Oscar Weber (Swiss-American, 1938-2011); addit...

Oil on canvas laid on board measures 14 3/4 x 9 7/8; frame dimensions measure 22 3/8 x 17 x 3 1/4. Artist's signature, lower left. A fragment of a gallery brochure entitled, Peintures de Botkin is included with the painting. A partial title for the painting is listed under Number 3 in the exhibition. On the verso of the brochure is a label from Frank Rehn...

About the artist Sophie Dumont is a French contemporary painter whose work reflects a deep engagement with memory, cultural heritage, and poetic abstraction. Born in Paris in 1964, s...

Sophie Dumont – “Les Gardiens du Savoir” Oil on canvas – 19.69 x 59.06 in (50 x 150 cm) Framed dimensions: 22.44 x 61.81 in (57 x 157 cm) – Choice of black or natural wood frame Year: 2025 Certificate of authenticity included Les Gardiens du Savoir is a monumental bookshelf painting by French artist Sophie Dumont, known for her poetic and textured abstractions of literary spaces. In this large horizontal composition, vertical books stand as sentinels of silence and memory, painted in a harmonious palette of ivory, navy blue, ochre, rust, and soft grey. Built entirely with oil and palette knife, the surface is richly textured, offering tactile depth and visual rhythm. Each book, slightly irregular, becomes a unique entity—together forming a sculptural architecture of thought and time. This elegant and balanced work makes a powerful statement in modern interiors, reading rooms, or creative spaces. Part of Dumont’s acclaimed “library” series, Les Gardiens du Savoir combines minimalist structure with emotional resonance. Her work is collected internationally and exhibited in galleries and museums across Europe and North America. 🔍 Keywords SEO : bookshelf painting, large oil on canvas, French artist Sophie Dumont, contemporary library art, abstract book painting, neutral and blue wall art...

Budd Hopkins, American (1931-2011) 'City Sun II', 1969 Oil painting on canvas. Hand signed and dated lower left. Verso: Artist, title, and year in pencil on stretcher. Dimensions: 36" H x 52" w. Frame: 37.25" h x 53.25" w. Budd Hopkins was one of the leading proponents of the "hard-edge" abstract minimalist school of painting in the 1950s and 1960s, Budd Hopkins (born 1931) created works that show the strong influence of Jackson Pollock and other leading painters of the Abstract Expressionism movement. Hopkins' paintings are now in numerous major collections, including the San Francisco Museum of Art, the Guggenheim Museum in New York, and the Hirshhorn Collection in Washington, DC. Recently, he has also been recognized for his research into the matter of UFOs and one of his books, "The Intruders", printed by Random House, was on the New York Times best-seller list and was the basis for a television show on CBS. Born in 1931, he is a graduate of Linsly Military Institute (now Linsly School) in 1949 and Oberlin College in 1953. He first displayed artistic abilities when, as a child recovering from a long-term illness, he began to create sculptures of ships made out of modeling clay. But it wasn't until he arrive at Oberlin that he made a serious study of art. Later, Hopkins included abstracted figures in his sculptural pieces. While moving away from Abstract Expressionism, Hopkins retained in his work the use of intense colors and hard-edged forms. His works of the 1980s, including Temples and Guardians, featured these "sentinels" who were, according to Hopkins, "participating in a frozen ritual, fixed – absolutely – within a privileged space..." Though Hopkins denied any connection, some critics viewed these ritualistic pieces as an extension of Hopkins' fascination with alien beings. Hopkins viewed his sculpted guardians not as human per se, but as magical, fierce, noble robots of the unconscious. He settled in New York after obtaining his degree and has had a residence there ever since. He and his wife, April Kingsley, and their daughter, Grace, divide their time between their home at Cape Cod, Mass., and that in New York City. In his work, he travels widely. He has exhibited in England, Finland, Italy and Switzerland. In 1963, Hopkins was selected by the Columbia Broadcasting System as one of the 15 painters featured in the network's first television special on American art. In 1958, Art News picked him as one of 12 Americans for exhibition in Spoleto, Italy, in the "Festival of Two Worlds." His brilliance has won him a number of fellowships and awards. In 1972, the West Virginia Arts and Humanities Council awarded him its Commission Prize. In 1976, he received the John Simon Guggenheim Fellowship for Painting and in '79 he received a fellowship from the National Endowment of the Arts. He also won a special project grant from the New York State Council on the Arts in 1982. He was friends with Robert Ryman and many of the other 10th street avant garde artists. He was an original member of March Gallery which showed Alice Baber, Elaine de Kooning, Mark di Suvero, Lester Johnson, Matsumi Kanemitsu. His work was handled by Poindexter Gallery. (a major gallery founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Al Held, Willem de Kooning, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. His art has been featured in the Metropolitan Museum of Art, Museum of Modern Art, Bronx Museum of Art, Brooklyn Museum, Whitney Museum, Corcoran Gallery, Guggenheim Museum, Queens Museum in New York, and the Public Library of New York. He was included in Young America 1960: Thirty American Painters Under Thirty-Six buy Lloyd Goodrich at the Whitney Museum of American Art in NYC. Artists included: Sonia Gechtoff, Edward Giobbi, Ron Gorchov, James Harvey, Budd Hopkins, Wolf Kahn, Alex Katz, Robert Natkin, Rudy Pozzatti, Dean Richardson, Frank Roth, William Wiley, and Noriko Yamamoto...

Francesca Owen is an award winning contemporary fine art painter and a former Slade graduate where she studied under some influential artists such as Dame Phyllida Barlow RA CBE, And...

I can make commissioned works_ -Specialist in large painting___ _ intuitive painting, trying to share the happiness of the creating experience. thank you, Ángel Rivas

American modernist abstract expressionist oil painting. Oil on canvas. Signed verso.

In this piece, I endeavored to blend acrylic, oil, and ink with relief printing techniques to capture the enchanting essence of a mystical forest. This painting is a journey into the...

Impressive early American modernist abstract expressionist oil painting. Framed. Oil on canvas.

The Memory of Unknown Things is a series of paintings exploring the experience of knowing something but not being able to retrieve it immediately from memory. Through the painting pr...

Cathedral Meadow 30” x 60” oil on canvas $13,000.00 “Cathedral Meadow” is a delightful depiction of a spring meadow with a kaleidoscope of wildflowers. This soft abstraction will br...

Dimensions outside frame: 60 x 60 x 2 cm (23.62 x 23.62 x 0.79 in) Dimensions with frame: 67 x 67 x 3.5 cm (26.38 x 26.38 x 1.38 in) Framing: Light wood or black (collector's choice)...

Antique American abstract expressionist oil painting. Oil on canvas. Framed. Measuring: 43 by 31 inches overall. In excellent original condition. Handsomely framed in a giltwood mo...

Rare early American fauvist interior scene. Great colors and composition. Oil on canvas. Nicely framed. Measuring 20 by 24 inches.

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspirations are the expressionistic skylines of big cities like Manhattan, Philadelphia, or Chicago filled with colorful skyscrapers. The urban, scenic views are abstracted and rich with vivid and textured layers. Ermilkina’s emotional architectural patchwork and mosaic cityscapes radiate a life of balance and positive energy. This artwork measures 12 inches high by 48 inches wide. Ermilkina carefully adds thick cube-like dots of oil paint with a palette knife in distinct patterns onto the surface, adding an intricate three-dimensional texture to her oil paintings. The color spots partially blend into a fuller range of background tones and give the artworks a significant depth. She signs the front of the artwork and paints the sides as a continuation of the front. It does not require framing. It is wired and ready to hang. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the gallery is included. Born in 1975, Saratov, Russia, Ekaterina Ermilkina now lives and works in New Jersey. She grew up in the beautiful city of Yalta in Crimea on the North coast of the Black Sea, where in 1985 she enrolled as a student at the School of Art of F.Vasiliev, graduating in 1991. After her first introduction to fine art in Yalta, in 1992, Ekaterina Ermilkina moved to Saint-Petersburg, Russia. In 1998 she received her MFA from State Art and Industry Academy. The unique beauty and rich culture of the city inspired her to paint cityscapes. In late 2005, Ermilkina moved to the U.S. Her works have been presented in various solo and group exhibitions in international galleries and art fairs and have been collected throughout the United States, as well as Canada, Germany, France, Switzerland, Japan, Hong Kong, and Russia. Her artworks pop with color and motion, casting a candied haze across the urban landscape. “I am focused on art all my life. It makes me optimistic, full of energy and happy. The vivid colors of Crimea where I grew up, the beautiful marine of the Black Sea, inspired me to paint for the rest of my life. I believe that paintings can reflect our desires for beauty, poetics, and perfection.” Artspace Warehouse has been representing and exhibiting Ekaterina Ermilkina's original oil paintings since 2013. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse Los Angeles, CA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2023 “Urban Ecologies: Cities Are Built for Art”, Artspace Warehouse, Los Angeles, CA 2022 Paper Mill Playhouse, Millburn, NJ 2022 Affordable Art Fair, New York, NY 2022 Alcheringa, IIT Guwahati, India 2021 Affordable Art Fair New York 2021 Port Authority Bus Terminal, New York, NY 2021 “The Real Presence”, Artspace Warehouse, Los Angeles, CA 2020 High Point Market, North Carolina 2020 Hamptons Virtual Art Fair 2020 Six Summit Gallery, Westbrook CT 2019 Affordable Art Fair New York, NY 2019 Artspace Warehouse, Los Angeles, CA 2019 Leo House, Chelsea, New York City, NY 2019 David Parker Gallery, New York City, NY 2019 High Point Market, NC 2018 Affordable Art Fair, Hong Kong 2018 Artspace Warehouse Gallery, Los Angeles 2018 Gallery 104, New York, NY 2018 Discovery in the Details, SMI, Montclair NJ...

Untitle -Oil on canvas cm.170x122 - Massimo Caiafa Italy 2009. Abstract painting on canvas inspired by Maestro Mimmo Paladino.Lacquered wooden frame.

Maggy Clarysse (1931-2011) Oil on thick card, unframed 7 x 3 inches Initials Signed ...

Title: Lotus Rhyme 4 Medium: Oil on canvas Size: 20"" x 25"" Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: This ...

Due to the large size of this piece, it will be shipped in a tube. We can assist you in finding a framer in your area who can mount the artwork once it arrives at its destination. If...

acrylic, oil on canvas one-of-a-kind 90x100cm Full size 194x104cm the painting will be shipped rolled without stretcher bars. Katarina's works are in private collections in ...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

A bold, intensely color-saturated painting from Stephen Henriques, who is influenced by Bonnard and Vuillard, and the western landscape and its light. When referring to his oil on ab...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 16H by 20L.

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.