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Style: Old Masters
Medium: Poplar
Portrait of Senator Bartolomeo Panciatichi by Santi di Tito (1574)
Portrait of Senator Bartolomeo Panciatichi by Santi di Tito (1574)

Portrait of Senator Bartolomeo Panciatichi by Santi di Tito (1574)

Located in PARIS, FR

This recently rediscovered portrait of Santi di Tito depicts a Florentine senator, with a letter in his hand indicating that the painting was executed in 1574 when the sitter was 66 years old. On the basis of these clues, it is tempting to view it as a portrait of Bartolomeo Panciatichi, who was painted some thirty years before by Bronzino (1503 - 1572). While the treatment of the hands recalls the Florentine tradition of Mannerist portraits, the comparison with Bronzino's portrait illustrates Santi di Tito's search for greater realism, despite the stereotyped composition. 1. Santi di Tito, Counter-Reformation painter and portraitist Santi di Tito was the great painter of the Florentine Counter-Reformation. He proposed a new artistic language that broke away from Mannerism. Little is known about his training in Florence (perhaps alongside Bronzino or Baccio Bandinelli), but this period of training enabled him to join the Company of Saint Luke, the guild of Florentine painters, in 1554. Between 1560 and 1564, Santi di Tito spent time in Rome, where he frequented the workshop of Taddeo Zuccari. This stay had a fundamental influence on his work, thanks to the discovery of the late work of Raphael, but also his encounters with the painters Francesco Salviati and Federico Barocci. Around 1565, Santi di Tito returned to Florence, where he remained until the end of his life, dividing his talents between the creation of important religious paintings and countless portraits. He became one of the city's leading painters, distinguishing himself, in particular, in the creation of large religious compositions in which the spirit of the Counter-Reformation was reflected. In 1568, Santi di Tito became a member of the Confraternity of Saint Thomas Aquinas...

Category

16th Century Old Masters Poplar Paintings

Materials

Poplar, Oil

Landscape with figures, workshop of Paul Bril, Italian school 17th Century
Landscape with figures, workshop of Paul Bril, Italian school 17th Century

Landscape with figures, workshop of Paul Bril, Italian school 17th Century

By Paul Bril

Located in PARIS, FR

Idyllic landscape with myhological story of Cephalus and Procris Early 17th century Italian school Workshop Of Paul Bril (Antwerp, 1554 - Roma, 1626) Oil on poplar panel: H. 28 cm (1...

Category

Early 17th Century Old Masters Poplar Paintings

Materials

Poplar, Oil

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17th Century Old Masters Poplar Paintings

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Male and female portrait, both in silk kimono, possibly textile dealers
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Male and female portrait, both in silk kimono, possibly textile dealers

By Christoffel Lubieniecki

Located in Amsterdam, NL

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Category

1680s Old Masters Poplar Paintings

Materials

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Portrait of an Old Bearded Man With a Black Cap
Portrait of an Old Bearded Man With a Black Cap

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Located in Stockholm, SE

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Category

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Materials

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Portrait Noble Man Ceresa Paint Oil on canvas Old master 17th Century Italy Art
Portrait Noble Man Ceresa Paint Oil on canvas Old master 17th Century Italy Art

Portrait Noble Man Ceresa Paint Oil on canvas Old master 17th Century Italy Art

Located in Riva del Garda, IT

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

Category

17th Century Old Masters Poplar Paintings

Materials

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Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725; Godfrey Kneller
Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725; Godfrey Kneller

Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725; Godfrey Kneller

By Sir Godfrey Kneller

Located in London, GB

Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725 Studio of Sir Godfrey Kneller (1646–1723) This portrait of a gentleman, presented by Titan Fine Art, is a fine and wel...

Category

18th Century Old Masters Poplar Paintings

Materials

Canvas, Oil

Poplar paintings for sale on 1stDibs.

Find a wide variety of authentic Poplar paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include and David E. Peterson. Frequently made by artists working in the Old Masters, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Poplar paintings, so small editions measuring 0.1 inches across are also available