Powder Coating Paintings

"Soey Milk crafts beautiful portraits of women that contain elements of calm alongside calamity. She does this by implementing visual push and pull in all of...

Art and nature collide in this ethereal abstract painting—one of a series created en plein air by Viktor Mitic. The ‘rain paintings’ are evocative landscapes rendered in expressive b...

Artist: Ryan Wilks Title: Wrath Medium: Holy Water, Lapis Lazuli, watercolor, Gold Leaf, on 243 year old Bible page (1777) Year: 2019 Size: 9.75" x 15.5' De...

framed in a beige wood frame framed measurements: 75 x 75 cm Entirely self-taught, Ellie is mainly known for her vibrantly coloured townscapes, though in recent years, she has gone ...

The painting is based on a real confrontation provoked by chainsaw wielding Proud Boys in a Toronto park. Strategically executed bullet holes pierce the canvas creating a tension bet...

Artist: Ryan Wilks Title: Strength in Love Medium: Gold Leaf, Lapis Lazuli, Watercolor, Holy Water, Pen and ink on 243 year old Bible page. Year: 2019 Dimen...

Taking caricature portraiture to a new level, Viktor Mitic has portrayed 'Marc' in the guise of a zombified 1950s radio announcer. The bright blocks of co...

Adam S. Umbach Biography American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern...

"Palm Tree," 2019. Enamel on panel, sign painting, black, white, yellow, green and red.

Whitehouse Kennedy inserts itself into dialogue with the pop celebrity style of Andy Warhol and the provocative juxtapositions of portrait and text by Barbara Kruger. Only this time ...

Building on a series of exhibitions titled Panorama of the Anthropocene which examined the ecological impact of human activity through an array of paintings, digital prints and video...

In the series of paintings titled “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...