Antonio Monasterio

Antonio Monasterio – The Muses in the Blue Forest. No. 4

Antonio Monasterio – Angel Among Humans. No. 8 Medium: Mixed media on paper (pastels, wax crayons, red pen) Dimensions: 56 x 44 cm Signature: Signed lower right in cursive Support: W...

Antonio Monasterio – Woman with a Large Hat and Table with Vase. Nr.2 • Technique: Mixed media on paper (pastels, wax, and red pen) • Dimensions: 56 x 44 cm • Signature: Lower ri...

Tree of Dreamy Constellations. Signed in reverse: Ferdinando De Filippi (born 1940, Lecce, Italy) Tree of Dreamy Constellations is a fascinating painting created in a calligraphic m...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

Figurative Abstract French School, signed and dated 1972 small frame oil painting on board painting: 20 x 20 inches overall size: 22 x 22 inches condition: overall very good and plea...

Figurative surreal etching print with watercolor by Polish artist Leszek Rozga. Artwork depicts several portraits in different styles. Artwork is signed by the artist, it comes from ...

Yitzhak Danziger Genre: Expressionist Subject: People Medium: Ink Surface: Paper Dimensions w/Frame: 17" x 17" Yitzhak Danziger (Hebrew: יצחק דנציגר‎‎; 26 June 1916 – 11 July 1977) was an Israeli sculptor. He was one of the pioneer sculptors of the Canaanite Movement, and later joined the "Ofakim Hadashim" (New Horizons) group. orn in Berlin in 1916, Izhak Danziger moved to Palestine in 1923. From 1934-1937 Danziger studied at the Slade School of Fine Art, London. During the 1940s he worked in Paris with Zadkine and Brancusi. In the 1950s he exhibited in London at the Institute of Contemporary Art. He is considered to be one of Israel's most important sculptors. His work, which consists largely of environmental pieces, has been exhibited at the Hisrshhorn Museum and Sculpture Garden in Washington D.C. In 1969 Danziger was awarded the Sandberg Prize by the Israel museum. He died in 1977. When discussing Chariot II, Mordechai Omer compares it to a work of similar subject by Alberto Giacometti. He explains that Danziger, unlike Giacometti, removes the figure, leaving only the chariot itself. Omer eloquently explains that "The vehicle designed to serve the needs of the person inside is devoid of this human presence, with only the memories of its headlong downhill journeys leaving their mark in the parts of a half-ruined, half-standing chariot, allowing wide scope for the viewer's imagination. If Giacometti's chariots reminded him of hospital pharmacy wagons, Danziger's gleaming brass chariots...

Bergstein grew up in France between Paris and Saint-Rémy-de-Provence. At the age of 18, he flew to Barcelona, Spain where he joined an industrial design school. Back in Paris, he com...