Jean Dulac

1964 Post Impressionist painting of nude against a purple and yellow background

1964

Jean-Paul Bray (French, 1925-2021) Europa Oil on canvas Signed and dated `Bray 57’ (lower right) 32 x 25.1/2 in. (81.3 x 64.7 cm.)

William Malherbe (French, 1884 – 1955) La Baigneuse Oil on canvas 51 x 35.1/2 in. (130 x 90 cm.) William Malherbe was a French Post Impressionist painter born in 1884. His success c...

This magnificent oil painting by Modern British artist Roy Spencer draws inspiration from avant-garde French artists such as Matisse and Raoul Dufy. This artwork strikingly exemplifies the strong connection between their styles. The details of the work are: Roy Spencer (British, 1918 -2006) A day on...

A large and serene painting of a lady posing elegantly by the riverbank in dappled summer sun. William Malherbe was a master in Post Impressionist painting and sold much of his work...

William Malherbe (French, 1884 - 1955) Eve (reclining) Oil on canvas 31.3/8 x 40 in. (79.7 x 101.7 cm.) Signed ‘WILLIAM MALHERBE’ (lower left) William Malherbe was a French Post Imp...

This magnificent oil painting by Modern British artist Roy Spencer draws inspiration from avant-garde French artists such as Matisse and Raoul Dufy. This artwork strikingly exemplifies the strong connection between their styles. The piece is characterised by its vibrant colour palette, dynamic and decisive lines, and the unwavering, steady gaze of the subject. It exudes a profound sense of gravitas reminiscent of the works of the classic French masters from the early 20th century. The details of the work are: Roy Spencer (British, 1918 - 2006) Nude with bracelets Oil on board 35.1/2 x 29.1/2 in. (90.3 x 75.2 cm.) Born in Stamford, Lincolnshire, Spencer grew up in Stroud, Gloucestershire, and articled as an architectural pupil in 1936. During the war Spencer served with the Royal Engineers in Egypt and Italy, and it was during this time that he met John Stanton Ward, who became a life long friend. Often drawing together, Ward’s enthusiasm was inspirational and galvanising, and on demobilisation Spencer enrolled at Chelsea School of Art, whilst simultaneously teaching at Wimbledon. Upon finishing at Chelsea as a student he became a tutor there, working with Robert Medley, Raymond Coxon, Susan Einzig, Julian Trevelyan and Elisabeth Frink. He also became a visitor at Camberwell. Amongst his students were Quentin...

Quang Ho's (US based) "Figure in Gold Abstraction" is an original, handmade oil painting that depicts a pale nude female model sitting among rumpled white fabric as she delicately pl...

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...

Signed oil on panel nude circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a nude woman laying a patch of green grass on top of a hill with a view of the valley in the distance. Signature: Signed lower right Dimensions: Framed: 16"x20" Unframed: 9"x13" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

An intimate interior scene of a nude laying on the couch during the day. We are charmed by the rich choice of color and intimate details throughout this miniature work. This painting...

Signed fauvist figurative oil on panel by French painter Louis Valtat. This stunning piece depicts a nude orchestra with the conductor in the foreground. The musicians are playing ce...

"Fragment" by Rudolf Kosow is a poignant miniature painting on wood, which masterfully captures the essence of contemporary portrait art with a nuanced approach. The painting feature...