Items Similar to J J A Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil painting
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Jean-Jules-Antoine Lecomte du NouÿJ J A Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil painting
About the Item
Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923)
A shoulder and back study, oil study
oil on canvas
34 x 19.5 cm
In good condition, a few small inpaintings visible under UV lights
Stamp of the Estate sale in Toulouse on the stretcher
In a modern frame : 40 x 25 cm
Provenance :
Estate of the artist and family of the artist by descent
Estate sale in Toulouse 22 June 1999
This very interesting oil study was part of a set kept by the artist. He had studied fragments of anatomy both to use them as models in large compositions but probably also because he represented so many fragments.
It is clear that this fragment of anatomy has a power of suggestion and serves as a relay to the imagination of the viewer, who is led to imagine the rest of the body taken as a model. We can speak of metonymy in painting and it is clear that the artist had this in mind when he kept such studies with him.
Jean-Jules-Antoine Lecomte du Nouÿ was born on 10 June 1842 in Paris.
Originally of a Piedmontese origin, his family had been settled in France since the fourteenth century and by the time of his birth had reached the status of nobility
He was an Orientalist French painter and sculptor.
He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt, Romania and Italy.
The thematic content of Lecomte du Nouÿ's work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious.
Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century.A Parisian street was named after him in 1932.
Lecomte du Nouÿ showed a strong attachment to visual art from a young age and was reported to have painted portraits of his father and uncle by the age of 6.
In 1861, at 19 years of age, the artistic talents of young Jean-Jules-Antoine Lecomte du Nouÿ prompted him to become a pupil at the atelier of Swiss artist, Charles Gleyre. Under Gleyre's guidance Jean-Jules-Antoine learned the significance of individualistic style and gained the foundations of creative visual presentation.
Later, Lecomte du Nouy further perfected his knowledge of the artistic form under the mentorship of Jean-Léon Gérôme, who was a renowned painter of the Academicism movement. It was at this time that Jean-Jules-Antoine learned the precision required to depict "la belle nature" —a style of illustration that aims to create the most beautiful representations of the natural form. This later became one of the main techniques employed in Lecomte du Nouÿ's signature artwork.
In 1865, Du Nouÿ accompanied fellow artist, Félix Auguste Clément, on his travels to Cairo, Egypt. It was after this voyage that the young Lecomte du Nouy sought to portray the opulence of the Orient. In later years, he continued his travels, visiting countries like Italy and Greece. Lecomte du Nouy found inspiration in all social, historical and literary facets of foreign culture.
The Orientalist style is largely characterized by its content, but also by its subdued realism and precision allotted towards depicting the human form. The latter is a prominent characteristic of the 19th century methods upheld by the Académie des Beaux-Arts. Du Nouÿ was a prominent figure within the sphere of academic art and thereby adhered to a rule-based artistic style of well-developed skill and formal composition. The artistic composition of his paintings was often complemented by the use of half-light, which added certain dramatic and melancholic qualities to his work. To this day some, like Alan Braddock, consider Du Nouÿ to have been decidedly modern for his time, because his work directly and indirectly broached some of the key issues of his day, albeit from a decidedly conservative perspective: colonialism, international trade, gender, religion, and history. Du Nouÿ spent most of the later years of his life in Romania. There he painted primarily the royal family and their subjects.However, he returned to Paris right before his death on 19 February 1923.
Artworks by Lecomte du Nouy are held by museums such as Cleveland Museum of Art, Dahesh Museum of Art in New York, Worcester Art Museum, Musée d'Orsay in Paris, Musée des Beaux-Arts de Nantes, etc....
- Creator:Jean-Jules-Antoine Lecomte du Nouÿ (1842 - 1923, French)
- Dimensions:Height: 13.39 in (34 cm)Width: 7.68 in (19.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:Seller: Inv 4551stDibs: LU1112215273732
Jean-Jules-Antoine Lecomte du Nouÿ
Jean-Jules-Antoine Lecomte du Nouÿ was born on 10 June 1842 in Paris. Originally of a Piedmontese origin, his family had been settled in France since the fourteenth century and by the time of his birth had reached the status of nobility
He was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt, Romania and Italy. The thematic content of Lecomte du Nouÿ's work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious. Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century.A Parisian street was named after him in 1932. Lecomte du Nouÿ showed a strong attachment to visual art from a young age and was reported to have painted portraits of his father and uncle by the age of 6. In 1861, at 19 years of age, the artistic talents of young Jean-Jules-Antoine Lecomte du Nouÿ prompted him to become a pupil at the atelier of Swiss artist, Charles Gleyre. Under Gleyre's guidance Jean-Jules-Antoine learned the significance of individualistic style and gained the foundations of creative visual presentation.
Later, Lecomte du Nouy further perfected his knowledge of the artistic form under the mentorship of Jean-Léon Gérôme, who was a renowned painter of the Academicism movement. It was at this time that Jean-Jules-Antoine learned the precision required to depict "la belle nature" —a style of illustration that aims to create the most beautiful representations of the natural form. This later became one of the main techniques employed in Lecomte du Nouÿ's signature artwork.
In 1865, Du Nouÿ accompanied fellow artist, Félix Auguste Clément, on his travels to Cairo, Egypt. It was after this voyage that the young Lecompte du Nouy sought to portray the opulence of the Orient. In later years, he continued his travels, visiting countries like Italy and Greece. Lecompte du Nouy found inspiration in all social, historical and literary facets of foreign culture.
Du Nouÿ spent most of the later years of his life in Romania. There he painted primarily the royal family and their subjects.However, he returned to Paris right before his death on 19 February 1923. Artworks by Lecomyte du Nouy are held by museums such as Cleveland Museum of Art, Dahesh Museum of Art in New York, Worcester Art Museum, Musée d'Orsay in Paris, Musée des Beaux-Arts de Nantes, etc....
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2018
1stDibs seller since 2019
246 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: Paris, France
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllEdmond Suau (1871-1929) Une Académie, Standing man, signed oil on canvas
Located in Paris, FR
Edmond Suau (1871-1929)
Une Académie, Standing man,
oil on canvas
signed lower left
88 x 70 cm
In quite good condition, some damages - small lacks of painting - in the lower part, ...
Category
Early 1900s Realist Nude Paintings
Materials
Oil
$1,644 Sale Price
30% Off
J J A Lecomte du Nouÿ (1842-1923) An oriental street, oil sketch
By Jean-Jules-Antoine Lecomte du Nouÿ
Located in Paris, FR
Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923)
An oriental street
oil on canvas
11.5 x 14 cm
no signature
In good condition, canvas without stretcher,...
Category
1890s Romantic Figurative Paintings
Materials
Oil
French Romantic School, 19th Century, Portrait of a man, oil on paper
Located in Paris, FR
French Romantic School, 19th Century
Portrait of a man, a selfportrait ?
oil on paper
17.5 x 12 cm oval
Framed under glass : 43 x 34.5 cm
This rather mysterious portrait is perhaps a self-portrait of the artist who painted it. This is suggested by the three-quarter pose and the gaze fixed on the viewer.
What this man seems to be staring at is himself.
Similarly, the model's appearance is reminiscent of the image of the romantic, bohemian, tortured artist. It's also very interesting that he used a range of dark colours to reinforce this idea of melancholy.
It has been suggested that this small oil on paper is close to the art of François Bonvin (1817-1887) and Théodule Ribot...
Category
1860s Romantic Portrait Paintings
Materials
Oil
Jean Philippe George-Julliard (1818 – 1888) Landscape with a traveler, oil
Located in Paris, FR
Jean Philippe George-Julliard (1818 – 1888)
A landscape with a traveler
Oil on paper
Signed HG lower right
19.5 x 29 cm
The four corners are cut
Framed under glass 27 x 47 cm
Jean Philippe George-Julliard (1818–1888) or Henri Philippe Julliard was born on 1 january 1818 in Geneva (Switzerland) from french parents.
He first studied art in Nantes in France, but later he came back to Geneva where he became pupil of Alexandre Calame...
Category
1860s Romantic Landscape Paintings
Materials
Oil
19th Century French school, Two italian women in a landscape, an oil sketch
Located in Paris, FR
19th Century French school,
Two italian women in a landscape,
oil on canvas
59 x 43.5 cm
Bears a signature and a date on the lower left (see photograph please) but barely lisible ...
Category
1840s Romantic Figurative Paintings
Materials
Oil
French School 19th Century, A Man bust-length, oil on wood panel
Located in Paris, FR
French School of the 19th Century
A Man bust-length
Oil on wood panel
31,5 x 22 cm
Framed 47,8 x 37,5 cm
In good condition. The painter chose to deal with the roughness of his suppo...
Category
1850s Romantic Portrait Paintings
Materials
Oil
You May Also Like
Palatial and Opulent Belle Epoque Giltwood & Oil on Canvas Three-Panel Screen
Located in New York, NY
A Palatial and Opulent Belle epoque giltwood & oil on canvas three-panel screen, circa 1890.
"Allegory of Youth"
Comprising of three exquisite hand-painted triptych oil on canvas panels of cherubs and putti amongst a peacock, all by Ferdinand Wagner II (German, 1847-1927).
Each panel depicting different playful and joyous scenes of putti and cherubs.
All three-in-one panels within individually carved giltwood and upholstered frames. One panel signed at the lower left: Ferd.Wagner.
A truly magnificent and one of a kind piece, perfect for any room in the home.
Overall: 101" high 85" wide x 5" deep
Very good condition. Ready to place.
Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld. Wagner II was influenced by the Munich School of master painters and by his art teacher, Karl von Piloty, who had been teaching at the Munich Art Academy since 1856. Piloty’s approach to historical paintings was influenced by the French art academic Paul Delaroche and by the fine artworks by Rubens and the Venetians.
After his return to Germany he was commissioned to decorate the former the Tenormayer Wine Tavern in Munich, subsequently he received numerous other commissions as a decorator. Ferdinand Wagner II wall paintings and ceiling frescos...
Category
19th Century Romantic Figurative Paintings
Materials
Oil
$75,000 Sale Price
40% Off
Venus with Putti Oil on Canvas with Gilt-wood Frame
Located in Rome, IT
French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti .
Finely carved and gilt-wood frame of the same period .
Measurements w...
Category
Mid-19th Century Romantic Nude Paintings
Materials
Oil
Venus with Putti Oil on Canvas with Gilt-wood Frame
Located in Rome, IT
French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti .
Finely carved and gilt-wood frame of the same period .
Measurements w...
Category
Mid-19th Century Romantic Nude Paintings
Materials
Oil
After Jacques Wagrez "Quadriga of Cupid" Oil
Located in Astoria, NY
After Jacques-Clement Wagrez (French, 1850-1908), "Quadriga of Cupid", Oil on Canvas, late 19th century, monogrammed lower right in Cyrillic, original gilt composition frame. Image: ...
Category
Early 20th Century Romantic Figurative Paintings
Materials
Canvas, Oil
Venus with Putti Oil on Canvas with Gilt-wood Frame
Located in Rome, IT
French 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti .
Finely carved and gilt-wood frame of the same period .
Measurements w...
Category
Mid-19th Century Romantic Nude Paintings
Materials
Oil
$8,333 Sale Price
20% Off
Gilded Chair
By Thomas Darsney
Located in Boston, MA
An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt, and Degas. These artists’ att...
Category
2010s Romantic Nude Paintings
Materials
Oil
Recently Viewed
View AllMore Ways To Browse
Greek Key Art
Used Anatomy Models
19th Century Greece Painting
Greek Key Frame
19th Century Oil Paintings Religious
French Academic Nudes
Academic Nude Studies
19th Century Turkish Paintings
Italian Religious Icon
Impressionist Painting Of Painter Painting Nude Model
Antique Greek Icons
Charles Clement
Greek Religious Icons
Royal Worcester Used
19th Century French Religious Oil Painting
Antique Broach
Auguste Clement
Abstract Horse Sculpture