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Louis BuisseretLOUIS BUISSERET circa 1930 Nude Woman Standing Interior LARGE oil/canvas BELGIANCirca 1930
Circa 1930
About the Item
This oil painting by Louis Buisseret, a Belgian artist renowned for his mastery of realism and sensitivity to the human form, exemplifies his ability to capture the quiet elegance of the human figure. Created circa 1930, the work portrays a nude woman standing in a contemplative pose, her body turned slightly away from the viewer. The soft, diffused light accentuates the delicate curves of her form, lending the painting a serene and introspective quality.
Buisseret’s meticulous attention to detail is evident in the subtle gradations of skin tone, the texture of the draped fabric, and the muted background, which frames the figure without detracting from her presence. The composition evokes a sense of intimacy and vulnerability, yet the subject’s downward gaze and reserved posture suggest an inner strength and self-awareness.
The painting reflects the influence of classical traditions, particularly in its harmonious balance and idealized beauty, while also embracing the modernist emphasis on emotional depth and individuality. Buisseret’s work stands as a testament to his technical skill and his ability to convey the quiet dignity of his subjects, making this piece a timeless exploration of the human spirit and form.
Signed “BUISSERET” lower right.
In a gold leaf frame.
- Creator:Louis Buisseret (1888 - 1956, Belgian)
- Creation Year:Circa 1930
- Dimensions:Height: 51.5 in (130.81 cm)Width: 31 in (78.74 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In good, age appropriate condition.
- Gallery Location:Rancho Santa Fe, CA
- Reference Number:1stDibs: LU516316056952
Louis Buisseret
Buisseret was born in Binche, Hainault, Belgian in 1888. His parent had encouraged him to study art when he was a child. At age 16, Buisseret studied engraving at the Art Academy of Bergen under Louis Joseph Greuse. In 1908, he studied at the Royal Academy of Fine Arts in Brussels [note 2] under Jean Delville, a mentor who heavily influenced Buisseret’s later work. After completing the training at Brussel Academy, Bruisseret traveled to Italy with his father to study the works of Italian artists of the Quattrocento and Cinquecento. In 1920, Buisseret actively participated in leading salons and gallery exhibits in Belgium. In 1922, Buisseret married Emilie Empain, who often acted as a model for him. Buisseret's work was exhibited at the Carnegie Institute, Pittsburgh in 1926. In 1928, Buisseret’s work was rejected by the Salon of La Louviere for its obscene character. This incident led to the establishment of Nervia, a group of artists, by Buisseret, Anto Carte, and Leon Eeckman, who supported promising young artists. In 1929, Bruisseret was appointed as director of the Art Academy of Bergen, where he held the position for 20 years. (Wikipedia)
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