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Michael William EgglestonContemporary Cubist Figurative Abstract with Saxophone2003
2003
$1,440
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£1,069.12
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€1,245.82
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CA$1,999.19
CA$2,498.9820% Off
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CHF 1,163.74
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NOK 14,805.17
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About the Item
A highly abstracted figure playing saxophone in this contemporary cubist painting by Michael William Eggleston (American, 20th c.). A bright and colorful palette of pastel purple, pink and yellow with vivid electric blue evoke a fun and jazzy mood.
From a collection of the artist's works. Signed with monogram "MWE" lower right.
Unframed.
Measures 30"H x 24"L.
Michael William Eggleston (American, 20th Century) is a San Francisco Abstract Expressionist who studied at the San Francisco Art Institute and exhibited at the Bergen Artists Guild in New Jersey.
- Creator:Michael William Eggleston (American)
- Creation Year:2003
- Dimensions:Height: 30 in (76.2 cm)Width: 24 in (60.96 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Soquel, CA
- Reference Number:Seller: JT-NS25381stDibs: LU542660452
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
Works of artistic stone
He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
Working style
But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
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1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia
1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia
1990 - Exhibition of Van Gogh's memory, "Palette" , Russia
1991 - Exhibition Gallery Palette
1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia
1992 - Exhibition at Gallery Pinatin, Berlin.
1993 - Exhibition of Piraeus, Athens, Greece.
1993 - Exhibition Gallery 47...
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