Molly E. Brubaker

Abstract Expressionist African American Nude Figurative

1980

An original oil on un-stretched canvas which was featured in the artist's retrospective exhibition at The Burchfield Penney Art Center. Jackie Felix (1929-2009) earned her Bachelo...

An original oil on un-stretched canvas by Jackie Felix, currently featured in the exhibition at Benjaman Gallery "Over the Fence". Jackie Felix (1929-2009) earned her Bachelor of ...

French contemporary artist Natalya Mougenot invites us into a world of expressive simplicity and emotional depth with her painting "Dreams in the Shade". This intimate composition po...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

Artist/ School: French School, c. 1960's Title: Abstract portrait (double sided work with image on both sides) Medium: oil painting, on wooden panel, unframed. Size: painting: 2...

Joseph Glasco (American, 1925-1996) Standing Man, 1955 India ink and gouache on textured paper 10 x 8 inches 16.75 x 13.5 inches, framed Joseph Glasco was born in Paul’s Valley, Okl...

Figuration and abstraction meet in this energized quick portrait of an athletic boy with headband and resting on a bench, Most likely done for a magazine like Sports Illustrated - Si...

Depiction of a male nude in diffuse architectural scenery. Signed lower right (Paul) Anton Kaulbach (1864 Hannover - 1930 Berlin). Oil on canvas, in gold-patinated frame. Image size:...

EVE Description: Oil on canvas, figurative, nude, multi-color, gestural, modern, abstract This painting features Eve, the mother of women, sitting in contemplation in the garden of Eden. Through the use of expressive brushwork, and color, this painting tells a new version of this story from antiquity. Jessica Benjamin was born in Bloomington, IL and graduated from the New York Academy of Art with his MFA in 2014. Her paintings have been featured on the cover and interiors of three albums by Wynton...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...