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Pierre Eugène MontezinLes Foins, Impressionist Oil on Canvas Painting by Pierre Eugène Montézin1938
1938
$45,000
£34,121.56
€39,149.03
CA$64,029.49
A$69,457.53
CHF 36,524.65
MX$845,157.76
NOK 456,616.96
SEK 430,645.87
DKK 292,297.63
About the Item
Pierre Montezin, French (1874 - 1946) - Les Foins, Year: 1938, Medium: Oil on Canvas, signed lower right, Size: 23.75 x 31.75 in. (60.33 x 80.65 cm), Frame Size: 31.25 x 39.5 inches, Description: Hay harvesting was a recurring theme for Impressionist painters, with Monet's extensive hay bale series being perhaps the most well-known. His series examined the same field of bales throughout different seasons, weather conditions, and times of day to examine how light changes in a composition. In this painting by French artist Pierre Montezin, the early morning sun hasn't quite risen over the treetops in the distance and the dewy grass is the bright green of mid-Summershows. Three figures are out in the field with scythes, rakes, and hoes, harvesting the crop and piling it into bales. Off to one side, a small herd of cows grazes in the shade. Provenance: Galerie Felix Vercel, New York.
- Creator:Pierre Eugène Montezin (1874-1946, French)
- Creation Year:1938
- Dimensions:Height: 31.25 in (79.38 cm)Width: 39.5 in (100.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:Seller: RO848211stDibs: LU46616193472
Pierre Eugène Montezin
French artist Pierre Eugene Montézin, originally trained in decorative arts and mural painting under his father’s guidance. From the age of 18 he worked in a decorative atelier, painting floral panels and ornamental motifs. His exposure to the Impressionist movement inspired a pivot towards plein-air landscape paintings, setting him on the path to becoming a true Impressionist. Montézin passionately pursued Salon recognition for a decade; in 1903, he finally debuted at the Salon des Artistes Français after repeated rejections. Under the mentorship of Ernest Quost, he honed his drawing and painting technique, embracing a painterly style marked by spontaneous strokes and radiant light. Montézin enlisted during WWI and received the Médaille Militair for his service, spending significant time after the war in Dreuz and Moret-sur-Loing, painting landscapes in the tradition of Alfred Sisley with the influence of Claude Monet remaining present. Montézin remained a steadfast Impressionist, resisting contemporary movements like Cubism or Surrealism, and stayed devoted to natural, atmospheric subjects seen through ‘the heart’ as he reportedly told critic Louis Vauxcelles. He suddenly died in 1946 whilst painting Britany. Montézin’s work embodies a lifetime of devotion to light, landscape, and the authentic roots of Impressionism.
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