Stefanie Schneider

Planes I

2008

Marilyn aka Jane Bond - (part 1) (Heavenly Falls) - 2016 50x49cm, Edition of 10, digital C-Print based on the Polaroid Certificate and signature label. Artist inventory number: 19...

Gas station at Night I (Stranger than Paradise) - 2006 Edition 1/5, 48x46 each, 93x91cm installed with gaps. 4 analog C-Prints, hand-printed by the artist, based on the 4 Polaroid...

Past the decisive Moment - Stranger than Paradise (triptych) - 2006 3x128x125cm, 120x401cm installed. Edition of 5 Analog C-Prints, hand-printed by the artist on Crystal Fuji Archiv...

A Vision you can't Capture, #01 (29 Palms, CA) - 2007 125x172cm, Edition of 5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on the Polaroid, N...

'Ochre Emergence' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 11 1/2 x 8 1/2 inches and it is professionally framed in a museum quality white ash har...

'E.K.: With Aqua Fabric' by celebrated figurative artist Kim Frohsin, painted in 2018. The artwork is 10 x 8 inches and it is professionally framed in a museum quality white maple ha...

A gallery quality archival pigment print of the original oil painting signed by the author. Limited edition of 100. This painting is inspired by Japanese elements and includes traditional decorative ornaments. It depicts a samurai and two geishas playing music and serving sake. The bright colors and the composition of the piece emphasize the merrymaking of drinking culture and express bright emotions associated with it. The sake makes this party possible, and the grid frames of the composition suggest that it is the viewer who is drunk. The painting is signed by the author and can be framed or unframed. It can decorate any corner of the room based on individual preference. Sergiy Andreyev...

Two Nudes, 2016 by Celso Castro-Daza One of a kind Pastel, carbon pencil, ink on archival paper mounted on board Image size: 40.5 H in. x 55.5 in. W Mounted on acid-free board: 41 H x 56 in. W Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...