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Early 20th Century Oil - Reclining Man

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A fine mid-century still life of a seated male nude in an artist's studio. Unsigned. On canvas on stretchers.

A striking study of a nude model reclining on blue linen against a bright blue backdrop. The artist uses a more natural palette to capture the model, juxtaposing her bright surroundi...

A striking full length study of a seated nude model sat on a draped chair. Signed with monogram to the lower right. On canvas laid to board.

This vibrant oil on card, titled "Homage to Matthew Smith" (1964), exemplifies post-impressionist style with bold, expressive brushstrokes and a vivid colour palette. The composition...

Wonderful vintage reclining male nude study by Patricia E. Gillfillan (American, 1924-2016), c.1980s. From a collection of her works. Unsigned. Unframed...

Alfred Aaron Wolmark R.A. 1877-1961, was a portrait and decorative genre subject painter. Born in Warsaw and travelled to England in 1894 where he remained. He was a painter of impre...

Reclining Nude, early 20th Century by Harry Barr (1896-1987) Large Early 20th Century reclining nude, oil on canvas Harry Barr. Good qua...

James Stroudley 1906 -1985 Reclining Nude Oil on canvas, signed lower left Image size: 17 x 25 inches Original frame James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...