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Paul BurlinAbstract
$20,000
£15,359.14
€17,601.39
CA$28,155.06
A$31,539.89
CHF 16,435.16
MX$384,721.56
NOK 208,853.16
SEK 196,933.64
DKK 131,371.92
About the Item
Signed lower right.
Paul Burlin's abstract works are celebrated for their dynamic use of color and form, often exploring themes of spatial infinity and emotional expression. You will see in this painting a showcase of harmonious blend of angular forms and pure colors, creating a sense of openness and serenity
Born in New York City, Paul Berlin was a semi-abstract painter who achieved early success as a landscape, portrait, and mural painter in New York.
His early art education was at the National Academy of Design, and he also studied art in England. In the 1920s, 30s and 40s, he exhibited and lectured widely and was well known nationally.
Inspired by a 1913 visit to the Southwest, he became an early member of the Santa Fe school of western painting and did Indian portraits and landscapes including the Grand Canyon. In the 1912 Armory Show exhibition, he was one of the youngest members in the exhibition and the only painter who had visited the Southwest. However, his abstract, expressionistic style was viewed suspiciously by other painters in the West.
Burlin continued to visit the Southwest, and in 1917 married Natalie Curtis, a woman from New York who had studied in Europe and who subsequently lived in New Mexico and Arizona and devoted herself to preserving the culture, language and traditions of Native Americans. She was especially focused on the songs and chants of the Hopi Indians. Curtis and Burlin lived in Santa Fe, but in 1921, Curtis, age 46, was killed in Paris by an automobile when she and her husband were in Paris attending an International Congress on the History of Art.
Burlin taught at the Art Students League summer school in Woodstock, New York after it was re-established, following World War II, in 1947. He was a member of the American Congress of Artists and was active in the Provincetown Art Colony. He taught at the Colorado Springs Fine Art Center, the University of Wyoming, and Washington University in St. Louis.
A fellow of the MacDowell Colony, in Peterborough, New Hampshire, Burlin was represented in an exhibition in 1997, "Community of Creativity: A Century of MacDowell Colony Artists," that traveled from the National Academy of Design, New York City, to the Wichita Art Museum, Kansas.
In 1962, the Whitney Museum of American Art, New York City, held a retrospective exhibition of Burlin's work.
Collections include the Museum of Modern Art, New York City; Whitney Museum of American Art; Provincetown Art Association and Museum, Massachusetts; and the Museum of New Mexico, Santa Fe.
- Creator:Paul Burlin (1886-1969, American)
- Dimensions:Height: 10.5 in (26.67 cm)Width: 30 in (76.2 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Saratoga Springs, NY
- Reference Number:1stDibs: LU170213665902
Paul Burlin
Paul Burlin was born in New York in 1886. He received his early education in England before returning to New York at the age of twelve. He worked for a short time as an illustrator under Theodore Dreiser at Delineator magazine, where he was exposed to Progressivist philosophy and politics. He soon grew tired of commercial work and enrolled at the National Academy of Design. There, he received a formal education and refined his technical skills; though he later dropped out to pursue his artistic studies more informally with a group of fellow students. He was also a frequent visitor at Alfred Steiglitz’s ‘291’ gallery. Burlin achieved a great deal of early artistic success. He visited the Southwest for the first time in 1910. Paintings from this visit were received warmly in New York and exhibited in a 1911 exhibition. As a result of his early success, he (and Randall Davey) were the youngest artists (at twenty-six years of age) to participate in the 1913 Armory Show – the revolutionary exhibition of avant-garde European work that can be credited with introducing modern art to the United States and stimulating the development of modernism in America. There, Burlin’s work was exhibited alongside works by such artists as Picasso, Monet, Cézanne, and Duchamp.
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