(After) Frans Pourbus the Younger

Half portrait of a young noble lady in black satin doublet, white ruff and pearls

Howard Barron. English/Australian ( b.1900 - d.1991 ). Portrait of Katherine Joan Merry nee Horstmann b.1914 - d.1973. Director of Horstmann Gear Company of Bath, 1946. Oil on Canva...

Between the Wars Portrait Oil Painting Bust Portrait of a Gentleman circa 1920 – 1940 Signed S. Sassoon Oil on Canvas. Image size 20.9 inches x 17.3 inches ( 53cm x 44cm ). Frame siz...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait of Charlotte Shore, Daughter of the 1st Lord Teignmouth 1790 - 1864. Oil on Canvas. Oval Image size 26.2 inches x 20.5 in...

Peter Ross. English (b.1941) The Young Richard Burton and his father. Welsh Coal Mining Community. Oil on Board. Signed. Image size 24 inches x 24 inches ( 61cm x 61cm ). Frame size 25.2inches x 25.2inches (64cm x 64cm ). Available for sale; this original painting is by Peter Ross and dates from 2013. The painting is presented and supplied in a contrasting contemporary floating frame (which is shown in these photographs). This painting is in superb condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Peter Ross is a Welsh artist living in England and currently producing paintings about his childhood in South Wales in the 1950’s and 60’s. Peter was born in Llanfrechfa, South Wales in 1941. He grew up in Newport and studied at Newport Art College from 1958-62 and then at Bristol Art College from 1962-63. For most of his working life he worked as an art teacher in secondary schools and before retiring in 2007, as an art technician. He now teaches life drawing to adults and exhibits his work in galleries in England and Wales. Since his time as an art student Peter has continued to paint for himself. He has always chosen themes which appealed to him at specific times such as conflict, journeys, faces and cultural/literary figures. Each phase of interest and painting usually lasting one to two years and resulting in an exhibition before starting on the next subject of interest. Peter’s work has been mostly narrative-based or representational, with one abstract phase immediately after leaving art college. In recent years his interest has returned to his childhood and his memories of Newport, South Wales. These paintings are based on family and archive photographs, memories, research and other influences like Dylan Thomas. Peter has had numerous one person and joint shows. His has also taken part in the Royal Academy Summer Show, The Arts Council of Wales, South Wales Group and Welsh Artist of the Year Show 2008. He has recently exhibited at the Riverfront Gallery in Newport, the Ardent Gallery, Brecon and the Nick Holly...

Unknown School. Second half of the mid-20th Century. Charcoal, Oil Paint & Spray Paint on Plywood Panel. Signed Indistinctly. Image size 26.8 inches x 21.7 inches ( 68cm x 55cm ). ...

Portrait of Baccio Bandinelli 1493 - 1560 after Andrea del Sarto 1486 – 1530 Italian, created Circa 1863 Signed Gianni Oil on Panel. Oval Image size 8.3 inches x 6.5 inches ( 21cm x ...

Sassoferrato (Giovanni Battista Salvi) 1609-1685 Italian Madonna Addolorata Oil on canvas Celebrated Italian artist Sassoferrato and his moving religious imagery are the epitome ...

Johann Boeckhorst (Münster 1604 - Antwerp 1668) Saint Ursula Oil on canvas, 112 x 86 cm Provenance: New York, Christe's, 20.3.1981, lot 88 (as Van Diepenbeeck's circle) The presen...

Provenance: Possibly Antonio Amici Moretti, Rome, 1690 Roy Clyde Gardner, Union, Mississippi, 1970s until 2004; by whom given to: Mississippi Band of Choctaw Indians, 2004-2010 Lit...

Erasmus Quellinus The Continence of Scipio Oil on Canvas The painting is included in the Catalogue Raisonné of the artist. The Roman commande...

Antique Flemish Baroque painting, 17th century, portrait, Medici. Oil on canvas. The painting is probably attributed to the Flemish painter Justus Sustermns. Pictured is most likel...

Oil on canvas, 62 x 51 cm (without the frame) Even if on the background there is an attribution to “Francesco Gessi pupil of Guido Reni” by the bolognese art historian Guido Zucchini (dated 1945), recent studies are tending to add it to the corpus of Girolamo Negri called Il Boccia (Bologna 1648-1718) due to lots of similarities with his style (the pale and warm palette chosen, the profile) The painting represents a lady on profile wearing a brown turban, a yellow clock...