Portrait of Marie Camille (nee de Beer), Countess de Lalaing, 18th Century

Late 18th Century

Portrait Of Thomas Smythe (1514-1577), 16th Century School of Hans HOLBEIN (1497-1543) Fine huge 16th Century English Old Master portrait of Sir Thomas...

Family Portrait Of Mrs Spencer & Children, 18th Century circle of William BEECHEY (1753-1839) Huge 18th Century English School portrait of a lady trad...

Portrait of Roland Laura & Stephen Astley Kennard, 19th Century by Joseph FARQUHARSON (1846-1935) Large 19th Century Scottish portrait of Laura and Stephen Astley Kennard, oil on canvas by Joseph Farquharson. Excellent quality and condition example of the famous Scottish painters...

The Death Of King William II, dated 1866 by Alexander Davis Cooper (1820-1895) Huge 19th Century Pre-Raphaelite Hunting scene depicting the Death of King William II, oil on canvas by Alexander David Cooper. Exhibition scale and quality panoramic scene of the Death Of King William II while hunting. The has been a lot of speculation as to the nature of his death whether it was an accident or murder. Presented in an antique renaissance style frame...

Giuseppe Molteni (Affori (Milano), Italy, 1800 - Milano, Italy, 1867) Title: Portrait of a Woman Medium: Oil on canvas Dimensions: without frame 67 × 55 cm - with frame 91.5 x 80 cm ...

This exquisite portrait, presented by Titan Fine Art, is by Michael Dahl; it was part of the extensive collection owned by Thomas Wyndham of Clearwell Court in Gloucestershire. It ma...

Pedro Nuñez de Villavicendio (Seville, Spain, 1644 - 1700) Title: Portrait of a child Medium: Oil on canvas Dimensions: without frame 41.5 x 33.5 cm - with frame 52 x 43.5 cm 19th century shaped and gilded wooden frame Expertise by Didier Bodart, art historian A Seville painter of noble origins, Pedro Nuñez de Villavicendio (1644-1700), the author of this pretty child portrait, was a Knight of the Order of St John of Jerusalem. He was a pupil of Murillo and, as a Knight of the Order of Malta, worked with Mattia Preti...

CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...