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Amy Hill
Contemporary Renaissance Portrait "Girl with Computer" oil on canvas

$5,500List Price

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"Outdoor Restaurant" 24"x28" oil on canvas, signed on reverse
By Amy Hill
Located in New York, NY
24"x28" oil on canvas, signed on reverse. This painting features a scene at andoutdoor restaurant with two figures being served drinks under the canopy of patio umbrellas. Amy Hill...
Category

2010s American Realist Portrait Paintings

Materials

Canvas, Oil

"NeoRealism (on the Subway)" conceptual, text based work on paper
By David Kramer
Located in New York, NY
38"x25" signed by the artist, David Kramer. (oil, enamel, acrylic, pencil on gessoed paper) In this conceptual work on paper, the text "Keeping it Real...Whatever That Means" is wr...
Category

2010s Conceptual Portrait Drawings and Watercolors

Materials

Enamel

"Backstage Rant" Conceptual Text Based Painting
By David Kramer
Located in New York, NY
This large scale conceptual text based painting by New York artist, David Kramer, features, in bold type the phase: "... I AM STILL WAITING FOR MY...
Category

2010s Conceptual Figurative Drawings and Watercolors

Materials

Oil, Canvas

"Ebbing Reef" Corals, Large Scale Contemporary Seascape Oil Painting (deep blue)
By Karen Marston
Located in New York, NY
60"x144" large scale painting, oil on canvas, created on two joined canvases. The deep blue palette gives a sense of underwater space in this grand depiction of coral reefs. Artist, Karen Marston presents this endangered species in a grand scale to show its beauty and importance to our environment. Karen Marston is a painter living and working in Brooklyn, NY. Her work has been seen in a number of solo exhibitions in New York City. In addition to her 2018 show Harbingers, at the Owen James Gallery in Soho, other recent solos include: 2017’s To Embrace the Whole Sky with the Mind, at Station Independent Projects on the Lower East Side, Demeter’s Wrath in 2016 at the Owen James Gallery and Storm Watch...
Category

2010s Contemporary Landscape Paintings

Materials

Oil, Canvas

Morning Vine
By Sarah Olson
Located in New York, NY
Morning Vine, 2017, oil on traditional gesso primed canvas mounted on wood panel with incised line drawing, 54 x 40 inches Morning Vine is painted on a traditional gesso primed surf...
Category

2010s Surrealist Figurative Paintings

Materials

Gesso, Canvas, Wood, Oil

"Oasis (Pool Opens in Three Days)" Contemporary Oil Painting, Hamilton Fish Pool
Located in New York, NY
This large scale painting by Linda Griggs features the community pool of Lower Manhattan's Hamilton Fish park. oil, wold wax and selective varnish on canvas) 48” x 48” (2025) signe...
Category

2010s American Realist Landscape Paintings

Materials

Canvas, Oil

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Holy Woman, after Quentin Matsys penitent Saint Magdalene master copy
Located in Norwich, GB
A stunning copy of the Northern Renaissance masterpiece "Maddalena Dolente" by Quentin Matsys (1466-1530) which is in the collection of the Gemäldegalerie Berlin. Beautifully execut...
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Original abstract oil painting by prominent searchable artist Steve McElroy.
By Steve McElroy
Located in Dallas, TX
"Girl with the Hermes Scarf" by Steve McElroy. Oil on canvas, 22 x 28 inches, painted 2025. This is the original painting! Beautiful archival quality limited edition of 50 hand ...
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Copy of "Portrait of Beatrice dʼEste" by Leonardo da Vinci created 15th Century
Located in New York, NY
A masterful copy by an unknown artist, after the portrait of "Beatrice d'Este" by Leonardo Da Vinci also known as ‘Portrait of a Lady’ or ‘La Dama con la reticella di perle (The Lady With a Pearl Hairnet)’. The original work originally created in the 15th Century is currently on display in the Pinacoteca Ambrosiana Museum of Milan. Beatrice d'Este was the Duchess of Bari/Milan and was believed to be one of the most attractive princesses of the Renaissance. Her impeccable style won her many admirers throughout Italy and France, and she became a trendsetter of the highest order. This copy of the original painting, is an oil on canvas done in the 18th Century, and in this exquisite portrait, the artist has masterfully depicted the fine details with draped hair, pearls, royal dress, ornate headgear and sumptuous jewelry in front of a dark background. Once again, capturing the imagination with another enigmatic smile. It comes housed in an elegant period giltwood frame with ebonized trims and ready to be displayed with hanging wire on verso. Art measures 28 x 18 inches Frame measures 34.5 x 24.5 inches There is much debate and controversy over who actually painted the "Beatrice d'Este" was it Leonardo da Vinci (1452–1519), or Giovanni Ambrogio de Predis (1455–1508). So we may never know who executed the original portrait which hangs in the museum, but that need not deter from an appreciation of its singularity. Following the portraiture convention established by painters of the Quattrocentro, the artist has chosen to portray his sitter in profile. In doing so, he magnificently captures the essence of his sitter, a girl on the threshold of womanhood. Bedecked in the adornments—silk, velvet, pearls and embroidery (brocade) crafted of spun gold threads—afforded her by birthright and marriage, Beatrice looks forward in noble serenity. And at the same time her profile with its upturned nose and slight smile betrays an innocence that must have been the basis of the oft-repeated epithet: la più zentil donna in Italia” (“the sweetest lady in Italy”). It is believed the lady is Beatrice d'Este (1475-1497), duchess of Bari and later of Milan, the wife of Ludovico Sforza (known as "il Moro"). One of the most beautiful princesses of the Italian Renaissance, she was known for her good taste in fashion. Beatrice was a member of the Este-Sforza family, which joined by marriage two of the oldest reigning and already powerful houses in Italy. The house of Este, which held court in Ferrara, traced its lineage to the 11th century Dukes of Saxony and Bavaria. Beatriceʼs father, Ercole I ruled the Ferrara commune for 34 years, catapulting the city-state (and the Estes with it) to an unmatched level of economic prosperity and cultural prominence. The family was renowned for its love of letters and patronage of the arts. The first time Leonardo da Vinci’s name resounded in the Ambrosiana, it was through the pen of its founder, Cardinal Federico Borromeo, who attributed this little panel to the great Master, describing it as “A portrait of a Duchess of Milan, by the hand of Leonardo”. Following the Cardinal’s statement, the portrait was for long assumed to depict Beatrice d’Este, the wife of Ludovico il Moro. However, scholars have recently been more cautious and vague in their statements, with regard to both the artist (anonymous Lombard or Emilian...
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St. Vincent Ferrer Preaching to the People of Salamanca
Located in New York, NY
Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...
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Allegory of Music School After Lorenzo Lippi
Located in Pasadena, CA
After Lorenzo Lippi (Florence, May 6, 1606 - Florence, April 15, 1665) is a Baroque painter of the Florentine school and a seventeenth-century Italian poet.
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Portrait of an Italian Noblewoman
Located in London, GB
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