Oversized Portrait Paintings

Through the rhythm of my movement, I awaken my soul and step into the journey of healing. Each movement carries the weight of untold stories, each twirl pulls me closer to my roots, ...

A pop piece depicting James Dean juxtaposed with a colorful Skull. Chanel Paris is adorned top left and bottom with a lilac gradient background. With impasto painting, and quick brus...

Feeding The Birds, 19th Century by Charlotte J Weeks (19th Century, British) Large 19th Century English scene of two ladies feeding birds, oil on canvas by Charlotte J Weeks. Excel...

The Martyrdom Of Saint Andrew, 18th/19th Century follower of Bartolomé Esteban Murillo (1617-1682) - signed Murillo Huge 19th Century Span...

DAVID CRISMON "I felt it was appropriate to use an 'old' process, such as painting, to speak about a 'new' processes or technologies. Digital imaging, scans and photocopies alter an...

Acrylic paint and charcoal on canvas Unique work Hand-signed by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly ...

"FORGOTTEN CARYATIDS" Oil Painting 39" x 47" inch by Khoren Keshishyan Khoren Keshishyan is a celebrated American-Armenian painter and artist whose ...

Renowned for his mastery in design and sculpture, Tena embarked on a profound personal journey in 2023, which rekindled his passion for painting after a 30-year hiatus. His return to...

Graceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...

GUIDI Giuseppe (1881-1931) Divertimento in the Music Salon Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 70 X 100 cm Dim frame :...

I have submerged myself beneath the sea and asked that the waters lead me to myself, to where I ought to be, where I was always meant to be. Becoming one with the tide is not an act...

Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...

Oil painting on canvas Unique work Hand-signed by the artist

JAMES WOLANIN "Beach Duo" Acrylic & Gloss Varnish on Panel 40 x 50 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated wor...

In the sway of limbs and the curve of painted lines, I am free, unshackled from judgment, from expectations. Dance allows me to cry in silence, to rejoice without reason, to be weird...

Quang Ho's "Winter" (2024) is a beautiful impressionist portrait of a woman with a yellow circle around her head on an abstract winter background. About the artist: Quang Ho was bo...

"Child Resting in Chair" is a painting by Philadelphia born Expressionist painter Bernard Harmon. The 41" x 35.75" oil on board portrait is painted in a vibrant color palette. The painting is framed in a new, black wood frame and signed "Harmon" on verso. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists...

America Martin "Two" Oil & Acrylic on Canvas 72 x 60 inches; 73.5 x 61.5 inches Framed Signed painting by America Martin. Signature seen on front of painting in image #7. Exploring...

This particular piece depicts an anonymous portrait of a beautiful woman. Inspired by the every day, JM Robert strives to create paintings that mimic the fla...

Portrait Of Mrs Louisa Hartley Tooth (nee Beningfield) Of West Hampstead, dated 1897 Exhibited: London, Royal Academy, 1897, no.422 by John Seymour Lucas (1849-1923) Huge 19th Cen...

Oil paint and pastel on canvas Signed and dated by the artist

2010, unique artwork Oil on canvas 68 9/10 × 53 1/10 in - 175 × 135 cm The artwork is signed by the Artist & stamped with the logo of the Artist's studio on verso of the canvas The ...

"The Boxer" series is an on-going body of work by Apostolos Chantzaras. As a practicing boxer himself, the artist has a passion for the sport and it shows in his bold yet whimsical w...

The End of the Collection explores a cycle many know too well — the early pursuit of wealth, power, and control. A belief, often formed in youth, that every dollar is a marker of suc...

She holds on to her integrity and purity. Lady in white captures a desire to be hidden, but her presence is revealed through her unquenched innermost beauty. Lady in white captures h...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Polish oil painting of Jewish men studying by Arthur Bryks Polish, c. 1925-30 Frame: Height 108cm, width 89.5cm, depth 5cm Canvas: Height 93cm, width 74.5cm Painted by the Polish ar...

Kusbudiyanto is an Indonesian artist born in 1969 who lives & works in Jogjakarta, Indonesia.

An impressively sized contemporary copy of the original painting of the Gower family children by the renowned British portrait painter, George Romney. ...

These paintings are images taken directly from life with my daughters. They each represent a fragment of their childhood that is rapidly disappearing. I have chosen to create visual ...

JEFF CHESTER (b. 1976, CANADA) Born in Summerside, P.E.I., Jeff Chester completed a B.F.A. and a B.Sc. from the University of Guelph in 2001. After completing a B.Ed. the following ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Now ...

Graceful Portrait of the Countess Carrobio with elegant white dress. Pastel on Canvas with finely carved gilt wood frame. Signed CFroschl . Carl Forsche 1848- 1934 . Austrian Painte...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most n...

Portrait of a Lady with carnations By Jean Ranc (Montpellier 1674 - Madrid 1735), circa 1700 Oil on canvas in oval shape, Dimensions: h. 35.82, w. 28.34 in. Period Louis XIV giltwood and carved frame with laurel leaves. Framed dimensions: h. 42.52 in, w. 33.85 in. Provenance: Collection of the Marquis de Bailleul at the Château d'Angerville-Bailleul (before 1942). To be included in the catalog raisonné of the artist by Stephane Perreau Important portrait of a young woman depicted half-length turned three-quarters, her face looking at the viewer. Dressed in a brick red velvet dress, an elegant blue scarf envelops her figure. Hair styled “a la Fontange”, her powdered hair is raised and tied at the back with a red ribbon, several curly locks escape from her bun and fall on her back and shoulders. The perfectly oval face with regular features dominated by her straight nose is softened by her gray eyes with slightly lowered lids. The red tinged skin tones on the cheeks and cheekbones color the face and make the portrait come alive. The young woman is portrayed standing near a pot of carnations. Her strongly lighted figure stands out against an architectural background of columns. The artist's palette is made of contrasts opposing warm to cold hues. The icy electric blue contrasts with the fiery brick red, the hair powdered with white accentuates even more the flush of the cheeks. The left arm bent at the elbow, extending the open hand with slightly bent fingers in the foreground brings depth to the composition. Our portrait, an interesting testimony in the corpus of works of the painter, is part of his youthful period, around 1700-1705. The former belonging of this portrait to the Marquis de Bailleul reinforces the remarkable character of our painting. The portrait has been examined by Stéphane Perreau, specialist of Jean Ranc and will be included in the catalog raisonné currently being written, under number P. 43. The notice edited by Mr Perreau is below: "Painted around 1700-1705, this portrait of a woman is directly inherited from Hyacinthe Rigaud, the master of Jean Ranc (the hand turned over the front, in a watch...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adebayo Taiwo, ...

A beautiful portrait oil painting of Juliet by American artist Mary Rosamond Coolidge (1884-1978). Coolidge was a well-known portrait painter and a graduate of Massachusetts Normal A...

He made the decision to go closer after hearing a disturbing noise coming from the upper room. When he arrived, he carefully pulled back the green curtain at the enormous room's entrance to reveal a frantic scene. He was so shocked that he had to hold back his screams while holding his mouth shut with his left hand. It was impossible for him to say anything other than "God abeg. Too scared and frightened to speak to us about what he had seen. But we can assure you that we are aware of what he saw and can even feel it. It's the " STATE OF THE NATION". Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Omoyemi Ogedengbe...

Venetian master (18th century) - Mask of Pantalone. 161 x 68 cm without frame, 169.5 x 76.5 cm with frame. Antique oil painting on canvas, in a white lacquered wooden frame (not si...

Birendra Pani - Gotipua Dancer (The Precarious Existence) - 66 x 42 inches (unframed size) Acrylic on Canvas , 2008 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Birendra Pani - Boy Dancer with Mahanadi - 66 x 42 inches (unframed size) Acrylic on Canvas , 2009 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Birendra Pani - Untitled - 66 x 42 inches (unframed size) Acrylic on Canvas ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for extra freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua Dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua Dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

The painting is a stunning portrait of a black African woman with an intricate afro hairstyle that dominates the canvas. The use of vibrant oil colors on Ankara fabric gives the painting a rich texture and a sense of depth as if the woman is emerging from the fabric itself. The woman's gaze is direct and unwavering, conveying a sense of strength and resilience in the face of adversity. The Ankara fabric, a traditional African textile, adds a cultural dimension to the painting, highlighting the importance of heritage and identity. The combination of traditional fabric and contemporary art techniques makes the painting a unique and powerful piece that celebrates the beauty and strength of black African women. The painting invites the audience to appreciate the rich cultural heritage and diversity of Africa and to recognize the beauty and power of African women. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

Original textured acrylic painting on canvas. Hand signed on front and titled on verso by Evelyn Walg. Canvas size: 36 x 48 x 1 inches (stretched). Artwork is in excellent conditi...

In this quiet, intimate moment, Mama and Ayò found peace, their hearts filled with hope and faith. As they prayed, the world outside receded, leaving only the warmth of their love an...

This painting by Dometer Guczul, titled "Weaving a Chair While Smoking a Pipe," offers a glimpse into rural life with a quiet, contemplative charm. The scene depicts a man engaged in...

Contemporary Abstract Oil Painting 'Blue Boy 2' by Los Angeles based artist Justin Bower. Executed in 2010 and recently featured in the hit television series "Landman" Starring: Bill...

This is an original oil on canvas painting by Charlene Mosley. Its dimensions are 36.5"x48.5"x1.5". It is unframed. A certificate of authenticity will follow delivery. Charlene Mos...

A captivating modern contemporary painting that beautifully captures the unbreakable bond shared between two sisters, connected not only by blood but also by an enduring love and con...

Portrait of a Lady Playing The Guitar, early 20th Century by WALTER ERNEST WEBSTER (1877-1959) Large early 20th Century portrait of a lady playing the guitar, oil on canvas by Wal...

Renowned for his mastery in design and sculpture, Tena embarked on a profound personal journey in 2023, which rekindled his passion for painting after a 30-year hiatus. His return to...

"Letter to the World" is an original oil painting on canvas by Katherine Fraser in a handmade wood frame measuring 37”h x 45”w, as pictured. This p...

Original painting on canvas. Hand signed and thumb printed on front by the artist. Canvas size 45 x 33 inches. Custom framed as pictured. Artwork is in excellent condition. Certif...

RUTH OWENS graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by the Jonathan Ferrara Gallery, and belongs to the artist collective, “The Front,” both in New Orleans. Owens’ work is concerned with contributing to and preserving the black archive, and she uses personal super-8 film references in her painting and video art. Artist residencies include the Joan Mitchell Center, the Addison Gallery of American Art, the Vermont Studio Center, and the Studios at MASS MoCA. She is slotted to attend the International Studio and Curatorial Program in NY in 2023. Her work is in the permanent collections of the Ackland Art Museum at UNC-Chapel Hill, the Addison Gallery of American Art, the Ogden Museum of Southern Art, the Dale Center for the Study of War and Society, and 21c Museum. The artist says of her work… In the sixties, my father was stationed at a military base in the deep South...

America Martin "Woman in Yellow with Stripes" Pastel & ink on Japanese Paper 43" x 31" Image 50.25" x 37.75" Overall, Framed Exploring the identity of both her namesake and country...

This contemporary painting by Jose Roldan Rendon vividly captures a "Golden Age" baseball player, Joe Judge, from the Washington Senators. It celebrates the era from 1920 to 1960 whe...

Oil on canvas 2017 Signed Unique work Julien Wolf is a French painter born in 1981 in Strasbourg, France. In 2007, he graduated from the DNSEP Art section at the Strasbourg Decora...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most notorious wine regions in Europe. This combination allows her to have the best of three worlds; it brings together the creativity and passion that her paintings demand. "I invest time in my work. You must look at paintings on different days, with different eyes. There is a need to go back to it again and again.” Born to a family of artists, she grew up surrounded by drawings, tapestries, and paintings that awakened a special sentiment that over time matured into her work. A graphic designer first and painter by evolution, in 2018 she decided to make the leap into becoming a full-time artist. Nothing has deterred her since. After traveling the world and bringing up four children who are almost living their own lives, the artist feels the need to empower the role of women inspired by her own journey. “Invisible Women” is a tribute to each and every woman that fights from anonymous positions, in everyday jobs and everyday lives, to improve their family, their society, their world. Some of her pieces are part of the personal art collections of different CEOs of fortune 100 companies. “Invisible Women” is part of a recent purchase...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...