Oversized Portrait Paintings

An exquisite contemporary painting by Dutch artist, Hans Bouman. In this painting Bouman creates a captivating interplay of colors and forms that gives rise to an enigmatic abstract face that invites interpretation and contemplation. This captivating large-scale abstract painting is a harmonious blend of warm white, earthy tones, invigorating orange, and calming blue hues. Hans Bouman, born in the Netherlands in 1951, embarked on his artistic journey at the Amsterdam Graphic School and the Gerrit Rietveld Academy of Fine Arts. During the early 1980s, Paris became his haven of inspiration, where his debut in galleries marked the onset of an international presence that continues to flourish. Bouman's artistic evolution is characterized by cycles of creativity, but it is his larger-than-life hieratic heads that he is renown for. These remarkable pieces pay homage to influences as diverse as the Moai sculptures of Easter Island, the intricate masks of Africa...

19th Century Italian Orientalist Masterpiece Painting "Four Women In The Harem" circa 1880, in the Circle of Rudolf Ernst. Oil on canvas. "The O...

Clan Murray, Coat Of Arms, Duke Of Atholl, 18th Century Scottish School Large 18th Century Scottish Clan Murray Coats of Arms, oil on canvas. The shield bearing allegiance to the c...

Enhance your collection with the internationally renowned Bernard de Claviere's captivating dog painting, "Two Borzois." This romantic dog painting beautifully showcases two ele...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute ...

The title of the painting, "Transcendent of Reflections," speaks to the woman's contemplative state of mind. It suggests that she is in the process of transcending her own thoughts and reflections, perhaps seeking a deeper understanding of herself and the world around her. "Transcendent of Reflections" is a powerful and thought-provoking painting that invites viewers to reflect on their own inner worlds. The painting celebrates the beauty and complexity of black African women and encourages viewers to embrace their own inner contemplation as a means of transcending the limitations of everyday life. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

A wonderful early 19th century large oil on canvas naive portrait of two children, a boy and a girl, attributed to American artist Arthur Armstrong (1798-1851). Armstrong was born in...

Signed in red, u.l. Oil on canvas mounted to Masonite Price includes $650 additional cost of framing. This work is offered by ClampArt in New York City

Female Portrait is an original artwork realized in 1931 by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corner. ...

Bruce Sargeant (1898-1938)] Nude Male with Towel n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 81.875 x 34.25 inches This work is offered by ClampArt in New York City.

Portrait of a noblewoman. Attributed to Carlo Ceresa. (1609 - 1679, Bergamo) Oil on canvas. Size cm 110x86,5cm with frame Around 1640. This portrait depicts a middle-aged woman with great realism, typical of Lombard and Bergamo painters in particular. Carlo Ceresa, probable author of this unsigned painting, had studied with Daniele Crespi...

America Martin "Take The Sheets Off The Line" Oil & Acrylic on Canvas 48 x 48 Inches 49.5 x 49.5 Inches, Framed Signed painting by America Martin. Exploring the identity of both h...

Pink Lily Pad Portrait by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, framed framed: 41 x 34 inches canvas size: 39 x 32 inches condition: overall ver...

Hubert-Denis Etcheverry Bayonne 1867 – 1950 Paris French Painter 'Une Consultation de Sigmund Freud' Signature: signed lower right and dated ‘D. Etcheverry / Paris 1900’ Medium: oi...

This painting captures the strength and beauty of a black African girl who gazes directly at the viewer with a thought of total liberation. The use of oil on canvas creates a vibrant...

This stunning Old Master oil painting is attributed to a follower of Anthony Van Dyck. Painted in the 18th century it is a superb large religious art work...

By Martha Ochoa Oil on Canvas Canvas Size: 48" x 32" Framed Size: 55.5" x 40.5" This lovely painting by Martha Ochoa is from the Cusco tradition. The Cusco School was an artistic tradition that first emerged in the 16th and 17th centuries in Cusco, Peru, blending indigenous and European baroque artistic styles. It is renowned for its catholic iconography, which often feature vibrant colors, elaborate ornamentation, and blended elements combining Catholic and native symbolism. This painting portrays the Virgen del Carmen...

This equine portrait, "American Mustang" is a 36x48" oil painting on canvas by Italian actor and artist Federico Castelluccio. A beautiful dark horse ...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

A pop piece depicting Abraham Lincoln juxtaposed with the American 5 Dollar Bill. With impasto painting, and quick brushwork we are drawn to the movement, as the artist is able to en...

Rebecca Jack "The Magic Makers" Acrylic on Canvas 45 x 70 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the b...

Study Of A Nude Male, 19th Century circle of HENRI DE TOULOUSE-LAUTREC (1864-1901) Large 19th Century French Academy portrait of a male nude in a studio, oil on canvas. Excellent q...

Emanuel Oberhauser (Austrian 1854 - 1919) “Mermaids, Neptune and Sea Water Nymphs” An Exceptional Oil on Canvas Painting painted circa 1885. Mas...

Herman Richir 1866 – Brussels – 1942 Belgian Painter 'Lady on the Sofa' Signature: signed lower right Medium: pastel on canvas Dimensions: image size 134 x 106 cm, frame size 152,5...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

Portrait Francesco Maria Della Rovere, Duke of Urbino (1490-1538), 17th Century after Titian (1488-1576) Large 17th Century Italian old master portrait of Francesco Maria Della Rov...

Signed in red, u.r. Oil on canvas 68 x 77 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York ...

Lady with harp is a modern artwork realized by Symbolist Painter of late 19 Century. Symbolistic painting of a lady with harp standing on a rock by the sea. Mixed colored oil on ca...

This painting portrays a refined 19th-century interior scene, where a group of elegantly dressed individuals gathers in an opulent drawing room. The richly decorated space, adorned w...

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

- Title: *The Model Posing* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 38.2 x 45.7 in (unframed) - Signed: Yes, in the lower left corner ...

These are the detectives of the Belgian comic book Tintin created by Herge. FER SUCRE is a Venezuelan-born artist now in Wynwood Miami, Florida. He studied graphic design and paintin...

Anton Ebert (Austrian, 1845-1896), Portrait of a Woman, Oil on Oval Canvas laid on Board, 19th century, signed "A. Ebert / Wien" to mid right, original ova...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

Oil on canvas Signed in black, u.l. This artwork is offered by ClampArt, located in New York City. Price includes framing. “Bruce Sargeant is a mythic figure in the modern art move...

The existence of sisters in their hood is a completion of creation. Apart from being a vibrant colour that saturates the whole universe, they also carry in their embodiment the power...

Artist: Philippe Alfieri, Italian/American (1921 - 2009) Title: Bedouin Woman in Purple Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 x 48 in. (91.44 x 121.92 cm) Fram...

17th century Flemish school The Mismatched Couple Oil on canvas 75 x 96 cm. Framed 96 x 118 cm. The curious subject we see depicted in the canvas proposed here belongs to the trad...

This piece depicts iconic Logos with vintage news paper clippings from the mid century. We find Rolex lower right, with other Americana imagery through out. Celebrating icons from th...

Bolognese school of the seventeenth century Circle Giovanni Battista Ramenghi, known as Bagnacavallo (Bologna, 1521 - 1601) Oil painting on canvas (86 x 72 cm. - With antique frame ...

The Queen by Diogène Ulysse Napoléon Maillart (French, 1840 – 1926) *see notes below oil painting on canvas, framed canvas: 42 x 30 inches framed: 45 x 33 inches condition: overall v...

This large double portrait depicts the sisters Lady Catherine and Lady Jane Brydges, the daughters of John Brydges, the Marquess of Carnarvon (1703-1727). They are seated on a stone...

Portrait of Henrietta Pelham-Holles (née Godolphin) (1701-1776), Duchess of Newcastle, standing in a wooded landscape with a river beyond, three-quarter length wearing an ivory silk ...

William Merritt Chase Portrait of Louis Prang, 1884 Signed center right "WM M Chase" Oil on canvas 41 1/2 x 30 1/2 inches Provenance The artist Louis Prang Gift from the sitter to R...

A cozy café with three visitors: two in dark attire, one figure in a checkered coat. The interior is understated with retro details, and soft blue light filters through the windows. ...

Love, with its intense emotions and vulnerabilities, has long been a subject of exploration in art. The artwork titled "You May Be Lucky," created by the talented artist Oluwafemi Afolabi...

Flemish school of the 19th century Armorial portrait of Baron Henri de ROISIN (1787-1846) in the uniform of a general of the gendarmerie (1835) Oil on canvas H. 108 cm; W. 90 cm Bar...

Contemporary pop art inspired pixelated rendition of a detail from Leonardo da Vinci's renowned painting, the "Mona Lisa." Similar to pointillism, the individual hand-painted blocks...

Guido Reni (Bologna 1575 - 1642) Workshop of Saint Catherine of Alexandria (full details LINK) Oil on canvas Measurements (cm): 96 x 73 - with frame 112 x 88 This splendid work dep...

'Car Wash' a highly collectable 48 x 48 inch oil on canvas painting by Internationally acclaimed American Realist James Torlakson, framed in a contempo...

Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

In this painting, we see a minimalist room with a huge window, beyond which stretches a sky filled with fluffy white clouds. Muted colors dominate—the blue of the sky contrasts beaut...

Certain tragedies are too profound for us to recover from, not due to a loss of hope, but because the process of healing would necessitate the expulsion of an ineffable beauty from o...

A lovely portrait of a turn-of-the-century elegant woman, perhaps commissioned by a devoted husband (she has a ring on her right hand, which is more common as a wedding ring in north...

This charming ex Christie's Victorian Orientalist oil painting is by noted French exhibited artist Lucien Laurent Gsell. The painting dates to around 1900 and portrays a beautiful yo...

America Martin "Flowers Red And White" Oil & Acrylic on Canvas 49.5 x 27.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspira...

'Woman by the Window with Embroidery Frame', oil on canvas, by Franz Ludwig Kiederich (circa 1930s). A delightful depiction of a woman, comfortable...

Patrick Oates' work explores the intersection of landscape, identity, and family history. His experimental paintings delve into queer identity, trauma, and the unknown, weaving a com...