Oversized Portrait Paintings

"LA VENGEANCE DE NÉMÉSIS" : Technique mixte, acrylique, peinture aérosol, pigments, gesso, encre, Posca, feuille d'or et cuivre oxydé sur toile - 116x89 cm - 2019 PRIX DE VENTE : 450...

Amitabh Sengupta - Untitled - 36 x 48 inches (unframed size) Oil on Canvas ** This work will be shipped in roll form to save on shipping cost. Mythscape Series : This series emerged...

Lets make a Move Acryl Painting on Canvas Fat Lady Dance Naive In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with Ada’s br...

Chandra Bhattacharya - Untitled Acrylic on Canvas 36 x 48 inches (unframed size) It will be shipped in rolled form. Chandra Bhattacharya’s portrait emanates a quiet melancholy, whe...

“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...

Rene Robert Bouche American, 1906-1963 Portrait of Virginia Cowles Oil on canvas 33 by 43 in, w/ frame 35 ½ by 45 ½ in Signed upper left Fascinated by th...

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subje...

Growing up as an African American kid, I never really saw artwork that represented people of my culture. Most other 70s and 80s babies like myself can remember going to granny’s hous...

Birendra Pani - Gotipua Dancer (The Precarious Existence) - 66 x 42 inches (unframed size) Acrylic on Canvas , 2008 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Birendra Pani - Boy Dancer with Mahanadi - 66 x 42 inches (unframed size) Acrylic on Canvas , 2009 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Chandra Bhattacharya - Untitled - 48 x 36 inches (unframed size) Acrylic on Canvas It will be shipped in the roll form. Style : In the last three to four years, he has engaged wi...

MADSTEEZ : Mark Paul Deren ://_WEEN_X 96 x 72 inches Oil and spray paint on canvas This piece is unique Signed by artist Unframed Madsteez Mark Paul ...

These innovative, mixed-media paintings render familiar imagery and text into assemblages saturated with poignant slices of Americana. Nostalgic nods to ubiquitous tropes, such as bi...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Feeding The Birds, 19th Century by Charlotte J Weeks (19th Century, British) Large 19th Century English scene of two ladies feeding birds, oil on canvas by Charlotte J Weeks. Excel...

CUGNOTET Edgard (19th Century) Portrait of two Children Oil on canvas signed low left and dated 1884 Frame gilded with leaves Dim canvas : 138 X 100 cm Dim Frame : 162 X 122 cm CUGNOTET Edgard Ferdinand Ludovic (19th Century) French painter 19th Century born in Dijon Figures, Portraits, Landscapes He was taught by François Édouard PICOT (1786-1868) royal Academy of Anvers. He exhibited at the Salon de Paris between 1868 and 1884. Museum : Langres « the hurdy gurdy...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Acrylic paint on canvas Signed on the back Zahra ZEINALI was born in 1975 in Tehran, Iran. From 2001 to 2004, she studied Fine arts at the Art and Architecture University in Tehran. At the same time, she taught visual arts to children during 15 years. Passionate about photography, she trained in photography in 2007 at the House of Photography in Tehran. In 2012, she moved to France. Confronted with her new life, her vision of the world changed. Since 2020, she has resumed training in photography at the EFET School in Paris. Zahra ZEINALI The Doll’s House “What can a true artistic temperament aspire to after a youth spent in Iran today? To flee the hassles, prejudices, restrictions, to open wide a window of freedom rich in potentialities that were believed for a long time inaccessible. Zahra Zeinali became a visual arts teacher for fifteen years. Her pupils are 6 to 12 years old. Drawing, sculpture, painting, model design, she taught them a great diversity of techniques, but above all to think and design freely by themselves, in an atmosphere of joyful creative disorder which, surprisingly, is tolerated by a careful hierarchy. Then she studied four years at the University of Art and Architecture in Tehran. When she arrived in France, after a brief abstract period inspired by the rhythms of nature, it was at the time of the Charlie Hebdo and Bataclan attacks, which marked her deeply, to the point of lastingly darkening the ideal of emancipation and autonomy that she had projected on her stay in Paris. "There is no paradise on earth" she concluded with a melancholy smile. An old doll, bought for 1 euro in a storage room, triggers a click in her. The bitter imprint left by the Iranian confinement, the memory of her fifteen years of teaching visual arts to children, the loneliness of her Parisian exile, all this sentimental nebula found a plastic metaphor in the image of the doll. This is what these delicate earthenware faces evoke, often abused, abandoned, the childish innocence of their ingenuous gazes, a sort of strange absence from the world of the living, as if their attenuated life took place behind the mystery of a theater curtain...

Born and raised in Beverly Hills, California, Daniel Maltzman has always been interested in pop culture and advertisement. His early career consisted of promoting the hottest clubs in Hollywood and running a successful business in the fashion industry. A switch to the art world was natural for Maltzman as his obsession with creativity and expression only grew with his exposure to the art scene that so profoundly impacted Los Angeles nightlife. Much of Maltzman’s inspiration draws from his relationships with people who have fast-paced lifestyles, fame, and fortune. Maltzman is also fascinated by Los Angeles’ contemporary urban settings and street style aesthetics. Mixing acrylics with spray paints and juxtaposing graphic images amongst figurative depictions, Daniel Maltzman’s work is captivating and richly dynamic. Striking colors and bold mark-making show evidence of Mark Grotjahn’s influence on Maltzman’s work, and admiration for Andy Warhol’s muses are consistent with Maltzman’s subject of choice. Collectors such as Justin Bieber...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

CAROLINA GOMEZ Emerald II from the Mirror Stone series 37 x 51 inches - Unique OIL ON CANVAS Carolina Gomez’s works have become known for the powerful...

CAROLINA GOMEZ Citrine from the Mirror Stone series (Portrait Painting - Ava Gardner) 37 x 51 inches - Unique OIL ON CANVAS Carolina Gomez’s works hav...

CAROLINA GOMEZ Emerald from the Mirror Stone series (Portrait Painting Hedy Lamarr) 32 x 64 inches - Unique OIL ON CANVAS Carolina Gomez’s works have beco...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is included in numerous private and museum collections, among them the Burchfield-Penney Art Center, the Albright-Knox Art Gallery, the Castellani Art Museum of Niagara University, and the UB Anderson Gallery (all of which are located in Western New York...

Original painting on canvas. Hand signed on front by Tomasz Rut. Canvas size 50 x 22 inches. Custom framed as pictured. Frame size approx 54.5 x 27.5 inches. Artwork is in excel...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State ...

“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...

Roma series , oil on canvas.

Acrylic paint on canvas Unique work Hand-signed lower right by the artist Joanna Flatau was born in Varsaw, Poland. She graduated from Varsaw History of Arts University and from th...

Zonder Titel No Title Oil Painting on Canvas Cubism Contemporary In Stock Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archety...

Original acrylic and spray paint on canvas. Hand signed, dated and numbered 1/1 on verso by Snik. Canvas size 84.5 x 47.25 inches. Frame size 86.75 x 49.5 inches (white floating f...

Archival pigment print featuring sexy woman with sunglasses and lipstick. Fun and playful. Others sizes available. Framing options available as well. About the Artists: In a world where friendship, creativity, and passion merge, the unique artist duo The Guys With The Same Name...

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...

Translated title: "Without narration - 6" Acrylic enamel on canvas.

Translated title: "Without narration - 5" Acrylic enamel on canvas.

Translated title: "Without narration - 4" Acrylic enamel on canvas.

Translated title: "Without narration - 3" Acrylic enamel on canvas.

Translated title: "Without narration - 2" Acrylic enamel on canvas.

Philippe Mercier (also spelled Philip Mercier; 1689 – 18 July 1760) born in Berlin, was an artist of French Huguenot descent from the German realm of Brandenburg-Prussia (later Kingd...

A bright portrait of a woman in pageant dress before a St. Louis skyline and riverboat.

Original painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included....

"The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn't settle with convention. As...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Translated title: "Untitled (Character) Enamel on canvas.

Translated title: "Young Woman among flowers" Acrylic on metal plate.

Translated title: "Drunken face". Mixed media on canvas.

Acrylic paint and charcoal on canvas Unique work Hand-signed by the artist

“I paint the human figure and explore further till I reach the Beauty of Being, the Soul.. the part of Human Being where everything is in total Serenity, Goodness and Harmony, where ...

Oil and Acrylic on Canvas 55.1 x 39.4 in (140 x 100 cm) Signed by the Artist 2024

Oil and Acrylic on Canvas 59 x 51.2 in (150 x 130 cm) Signed by the Artist 2023

Amazing painting of Cleopatra oil on canvas with a gilt wood frame. Attributed to Giuseppe Diamantini (Fossombrone 1621-Venice 1705) The dramatic subje...

Original painting on canvas. Hand signed and thumb printed on front by the artist. Canvas size 45 x 33 inches. Custom framed as pictured. Artwork is in excellent condition. Certif...

Original painting on canvas. Initialed "TR" and dated "1993" on front by Tomasz Rut. Canvas size 52 x 65 inches. Canvas is stetched. Artwork is in excellent condition. Certificat...

Zoete Middagslaap Sweet Afternoon Nap Fat Lady Naive Dog In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with Ada’s brother, ...

Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found...

János Huszti Silent Mood Huszti elaborates his constantly changing topics with momentum and precision. He depicts historical times, special characters and places from the past, using...

Wilde Rit Wild Ride Naive Painting on Canvas Fat Lady Child Primitive In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with ...

Artist/Designer; Manufacturer: Sabino Guisu (Mexican, b. 1986) Marking(s); notes: signed, marking(s); 2012 Materials: smoke and paint on canvas Dimensions (H, W, D): 102"h, 47.25"w ...

Groeten uit Zeeland Greetings Dutch Landscape Fat Lady Naive Children In Stock Ada Breedveld was born in Dordrecht at the start of the Dutch “Hunger winter” in 1944. Together with A...

Oil paint on canvas Unique work Hand-signed by the artist Joanna Flatau was born in Varsaw, Poland. She graduated from Varsaw History of Arts University and from the Fine Arts Vars...