Mid-18th century French school Portrait of a lady as Venus disarming Cupid
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Mid-18th century French school Portrait of a lady as Venus disarming Cupid
About the Item
- Dimensions:Height: 66.14 in (168 cm)Width: 58.27 in (148.01 cm)
- Medium:
- Movement & Style:
- Circle Of:Charles Andre Van Loo (1705 - 1765, French)
- Period:
- Condition:Very good original condition, cleaned and revarnished by our professionnal art restorer.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433212156092
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2023
More From This SellerView All
- 17th French Portrait of Louis XIV & his brother, c. 1645, attributed to BeaubrunLocated in PARIS, FRRare double portrait depicting Louis XIV and his brother Philippe de France as children. 17th century French School, circa 1645, attributed to Charles and Henri Beaubrun. Oil on canvas, dimensions: h. 48.03, w. 35.43 in. Important 17th century carved and giltwood frame Framed dimensions: h. 60.23, w. 48.42 in. This rare portrait is part of a series of works illustrating the childhood of the two princes, mainly commissioned by Anne of Austria, the mother and regent, after the death of Louis XIII. Expressing her fierce desire to preserve her son's crown, she uses visual communication as a channel of sovereign expression. The portraits serve to strengthen the royal power weakened by the minority of the young Louis...Category
Mid-17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th c. French Portrait of Princess of Bourbon as Hebe, Pierre Gobert, c. 1730By Pierre GobertLocated in PARIS, FRPortrait of Princess of Bourbon as Hebe Pierre Gobert, circa 1730 Presumed portrait of Elisabeth Thérèse Alexandrine of Bourbon-Condé, Mademoiselle de Sens, depicted as the goddess Hebe kidnapped by Zeus, transformed into an eagle. 18th century French School, around 1730 Pierre Gobert (1662-1744) and workshop Oil on canvas Dimensions: canvas: h. 129 cm, w. 95cm Dimensions: framed: h. 156 cm, w. 124cm Louis XIV style giltwood and cardved wood frame Large and imposing portrait of the young princess portrayed seated on an eagle in the heavens. Seen from the front, the princess is dressed in a low-cut white chiffon dress, exposing her throat. Delicately made-up oval face, dominated by large blue-gray eyes is surrounded by powdered hair, raised, releasing the forehead and the ears, and of which some locks fall on his shoulder. A large blue scarf passed over the shoulder covers her knees and flies in the wind. A garland of flowers coming from the back goes over the knees and down again on the eagle. In her right hand she holds a golden goblet and in her left hand an ewer. The eagle supporting the young woman seizes in its claws the thunderbolt (the beam of fiery lightning), the attribute of Zeus. The figure of the young woman is enlivened by the fluidity of the antique drapes...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
$23,724 Sale Price20% Off - French, circa 1730 Portrait of King Louis XV in armour, workshop of J.B. Van LooLocated in PARIS, FRPortrait of French King Louis XV (1710-1774) in armour 18th century French school Workshop of Jean Baptiste Van Loo (1684-1745) Circa 1730 Oil on canvas, dimen...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
$29,875 Sale Price20% Off - 18th c. French Portrait of a Lady as Venus, attributed to Pierre GobertBy Pierre GobertLocated in PARIS, FRPortrait of a Lady as Venus ATTRIBUTED TO PIERRE GOBERT (1662-1744) FRENCH SCHOOL AROUND 1720 OIL ON CANVAS: H. 55.51 in, W. 42.91 in. IMPORTANT 18TH CENTURY GILTWOOD FRAME (RE-GILT)...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
$29,875 Sale Price20% Off - Portrait of count Evreux, French, 18th c. studio of Hyacinthe Rigaud, circa 1705By Hyacinthe RigaudLocated in PARIS, FRPortrait of Henri-Louis de la Tour d'Auvergne, Comte d'Evreux Studio of Hyacinthe Rigaud (1659-1743) Early 18th century French school, circa 1705 Oil on canvas Dimensions: h. 72 cm, ...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th c. French Portrait of Louise Dorothea von Hoffman, signed H. Millot, 1724Located in PARIS, FRHENRI MILLOT PORTRAIT OF LOUISE-DOROTHÉE VON HOFFMAN Signed “h. millot” and dated 1724 on the back of the original canvas Henri Millot, French painter (Paris, active between 1699 an...Category
Early 18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
$19,331 Sale Price20% Off
You May Also Like
- Portrait of a GentlemanLocated in New York, NYCircle of Jacques-Louis David (French, 18th Century) Provenance: Private Collection, Buenos Aires Exhibited: “Art of Collecting,” Flint Institute of Art, Flint, Michigan, 23 November 2018 – 6 January 2019. This vibrant portrait of young man was traditionally considered a work by Jacques-Louis David, whose style it recalls, but to whom it cannot be convincingly attributed. Rather, it would appear to be by a painter in his immediate following—an artist likely working in France in the first decade of the nineteenth century. Several names have been proposed as the portrait’s author: François Gérard, Louis Hersent, Anne-Louis Girodet (Fig. 1), Theodore Gericault, and Jean-Baptiste Wicar, among others. Some have thought the artist Italian, and have proposed Andrea Appiani, Gaspare Landi...Category
18th Century Old Masters Paintings
MaterialsCanvas, Oil
$45,000 - Portrait of a Lady with a ChiqueadorLocated in New York, NYProvenance: Torres Family Collection, Asunción, Paraguay, ca. 1967-2017 While the genre of portraiture flourished in the New World, very few examples of early Spanish colonial portraits have survived to the present day. This remarkable painting is a rare example of female portraiture, depicting a member of the highest echelons of society in Cuzco during the last quarter of the 17th century. Its most distinctive feature is the false beauty mark (called a chiqueador) that the sitter wears on her left temple. Chiqueadores served both a cosmetic and medicinal function. In addition to beautifying their wearers, these silk or velvet pouches often contained medicinal herbs thought to cure headaches. This painting depicts an unidentified lady from the Creole elite in Cuzco. Her formal posture and black costume are both typical of the established conventions of period portraiture and in line with the severe fashion of the Spanish court under the reign of Charles II, which remained current until the 18th century. She is shown in three-quarter profile, her long braids tied with soft pink bows and decorated with quatrefoil flowers, likely made of silver. Her facial features are idealized and rendered with great subtly, particularly in the rosy cheeks. While this portrait lacks the conventional coat of arms or cartouche that identifies the sitter, her high status is made clear by the wealth of jewels and luxury materials present in the painting. She is placed in an interior, set off against the red velvet curtain tied in the middle with a knot on her right, and the table covered with gold-trimmed red velvet cloth at the left. The sitter wears a four-tier pearl necklace with a knot in the center with matching three-tiered pearl bracelets and a cross-shaped earing with three increasingly large pearls. She also has several gold and silver rings on both hands—one holds a pair of silver gloves with red lining and the other is posed on a golden metal box, possibly a jewelry box. The materials of her costume are also of the highest quality, particularly the white lace trim of her wide neckline and circular cuffs. The historical moment in which this painting was produced was particularly rich in commissions of this kind. Following his arrival in Cuzco from Spain in the early 1670’s, bishop Manuel de Mollinedo y Angulo actively promoted the emergence of a distinctive regional school of painting in the city. Additionally, with the increase of wealth and economic prosperity in the New World, portraits quickly became a way for the growing elite class to celebrate their place in society and to preserve their memory. Portraits like this one would have been prominently displayed in a family’s home, perhaps in a dynastic portrait gallery. We are grateful to Professor Luis Eduardo Wuffarden for his assistance cataloguing this painting on the basis of high-resolution images. He has written that “the sober palette of the canvas, the quality of the pigments, the degree of aging, and the craquelure pattern on the painting layer confirm it to be an authentic and representative work of the Cuzco school of painting...Category
17th Century Old Masters Paintings
MaterialsCanvas, Oil
- Male and female portrait, both in silk kimono, possibly textile dealersBy Christoffel LubienieckiLocated in Amsterdam, NLCHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...Category
1680s Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 17th Century by Giovanni Battista Beinaschi Saint Bartholomew Oil on CanvasBy Giovanni Battista BeinaschiLocated in Milano, LombardiaGiovan Battista Beinaschi (Fossano, 1636 - Naples 1688) Saint Bartholomew Oil on canvas, cm. 96 x 71,5 – with frame cm. 108 x 86 Shaped and gilded ...Category
Mid-17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 18th Century by Pietro Bardellino Mary Magdalene Painting Oil on CanvasBy Pietro BardellinoLocated in Milano, LombardiaPietro Bardellino (Naples, 1731 – Naples, 1806) Mary Magdalene Oil on canvas, cm. 75 x 60 – with frame cm. 97 x 82 Antique shaped and carved wooden frame Publications: unpublished T...Category
Mid-18th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
- 17th century By Neapolitan maestro San Vincenzo Ferreri Oil on canvasLocated in Milano, Lombardia“Timete Deum et date Illi honorem quia venit hora iudicii Eius” (Fear the Lord and honour Him, for the hour of His judgement has come): the passage from John's Apocalypse (chapter 14...Category
17th Century Old Masters Portrait Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
18th Century French Art
Mid Century Fabric Art
French Mid Century Masters
Old Woman Portrait
18th Century Oriental
Antique Viewer
Antique Viewers
French Blue 18th Century
Antique School Light
18th Century French Masters
French Antique Portraits
Painted Naked Woman
Antique Trends
Naked Portraits
Large Mid Century Contemporary Painting
Antique Old School
Mid Century Light Oval
Lady Just