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Charles Lutz
Denied Andy Warhol Oxidation Painting by Charles Lutz Gold Green Abstract

2008

$7,500
£5,578.73
€6,531.59
CA$10,465.05
A$11,710.68
CHF 6,114.77
MX$143,970.64
NOK 77,144.84
SEK 72,592.92
DKK 48,730.69
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About the Item

Denied Warhol Oxidation (Piss) Painting by Charles Lutz Metal pigments and artist's urine on canvas with Denied Stamp of the Andy Warhol Art Authentication Board. 20 x 16" inches 2008 Lutz's 2007 ''Warhol Denied'' series gained international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. According to Bockris, “The Piss Paintings were “surprisingly well received when they were displayed in Europe the following year. One critic hailed them as ‘Warhol at his purest’, drawing historical references to Jackson Pollock’s legendary emission into Peggy Guggenheim’s fireplace.” Bob Colacello: “I’m pretty sure that the Piss Paintings idea came from friends telling him about what went on at the Toilet, reinforced perhaps by the punks peeing at his Paris opening. He was also aware of the scene in the 1968 Pasolini movie, Teorema, where an aspiring artist pisses on is paintings. ‘It’s a parody of Jackson Pollock,’ he told me, referring to rumours that Pollock would urinate on a canvas before delivering it to a dealer or client he didn’t like. Andy liked his work to have art-historical references, though if you brought it up, he would pretend he didn’t know what you were talking about… Nonetheless, the true muse of Andy’s sexual works in 1977-78 was Victor Hugo.” Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project being "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers.
  • Creator:
    Charles Lutz (1982, American)
  • Creation Year:
    2008
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Brooklyn, NY
  • Reference Number:
    1stDibs: LU1227214528872

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