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Grégoire MathiasTrois Instants en Mai — Cubist Portrait in Soft Tones, Acrylic on Canvas, 20252025
2025
$6,288.64
£4,702.49
€5,250
CA$8,664.18
A$9,449.50
CHF 5,005.71
MX$113,286.14
NOK 63,750.49
SEK 58,295.10
DKK 40,007.09
About the Item
Trois Instants en Mai (Three Instants in May)
65 x 54 cm
Acrylic on Canvas
"Trois Instants en Mai" by Grégoire Mathias captures the essence of fleeting moments with a striking modern cubist approach. This captivating acrylic on canvas features what appears to be three ethereal female figures blending into one another, their forms intersecting in dynamic geometric patterns. The juxtaposition of soft pastels and muted grays against bold outlines creates a sense of movement and duality, inviting the viewer to reflect on identity and transformation.
Grégoire Mathias’s mastery of cubism shines through in this composition, as this piece exemplifies his innovative approach of Diachronic Cubism, blending both spatial and temporal perspectives into one dynamic composition. In "Trois Instants en Mai", it is in fact not three different but one same figure that is depicted at three distinct moments in time, seamlessly merging into one another. The soft, layered brushstrokes and juxtaposition of muted and vibrant hues capture the fluidity of changing emotions and subtle shifts in presence over time.
The composition’s fragmented planes and overlapping forms are characteristic of Mathias's unique technique, where the subject’s transformation through time becomes an integral part of the narrative. The interplay of shadows and highlights enhances the impression of motion and continuity, while the contrasting tones convey both intimacy and introspection.
Perfect for:
Collectors of modern cubist and contemporary art, connoisseurs of figurative abstractions, amateurs of innovative cubist interpretations, those who appreciate artworks that challenge conventional perspectives of space and time or seeking a statement piece that harmonizes elegance and complexity.
This piece will make a striking focal point in any modern interior or gallery setting.
Keywords:
Diachronic Cubism, Greg Mathias, cubist portrait, temporal layering, modern cubist painting, fragmented composition, innovative cubism, contemporary art, French artist, geometric abstraction, female portrait, contemporary art, pastel cubism, geometric composition, fine art collectible, unique artwork.
About the artist:
Grégoire Mathias, graduate of ENSBA Paris, is a pioneer of Diachronic Cubism, an evolution of Cubism that captures movement and time within a single frame. His works have been exhibited at Sotheby’s Périgueux, and galleries in Paris, New York, and Dublin. Since 2020, Mathias has designed posters for the United Nations (WFUNA), making him the first French artist to do so since Picasso, Chagall, and Miró.
Please note: Some images generated by 1stDibs may misrepresent proportions. Refer to dimensions for accuracy.
- Creator:Grégoire Mathias (1697, French)
- Creation Year:2025
- Dimensions:Height: 25.6 in (65 cm)Width: 21.26 in (54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PÉRIGUEUX, FR
- Reference Number:1stDibs: LU2695217346712
Greg Mathias, born on January 22, 1967, in Périgueux, Dordogne, was steeped in an artistic atmosphere from a young age. His father, a pioneering antiquarian bookseller, introduced vintage posters to the American market, and his mother was a bookbinder, instilling in Mathias a deep appreciation for art and literature. This rich environment laid the foundation for his creative journey. Early in his education, Mathias attended workshops with renowned artists Bertrand Piéchaud in Bordeaux and Jean Pierre Métout in Limoges. In 1985, he moved to Paris and became a guest student at the prestigious École Nationale Supérieure des Beaux-Arts (ENSBA), studying under Claude Augereau. By 1986, he had officially enrolled at ENSBA and joined Augereau’s workshop, which was influenced by the cubist master Jean Metzinger. Mathias’ artistic trajectory took a significant turn in 1987 when he participated in a sculpture internship with Claude Bogratchew, contributing to the "Totem AXA" sculpture. This period marked the beginning of a lasting professional relationship with Bogratchew. Following the death of Claude Augereau in 1988, Mathias continued his studies under Pierre Buraglio. His first major exhibition in 1989 at the Galerie de la Maison des Beaux-Arts displayed abstract paintings inspired by Willem de Kooning, though it was initially met with indifference. Despite early challenges, Mathias received commendation for his diploma in 1990, which led to a prestigious exhibition at the ENSBA premises. Later that year, he received a commission from Jack Rennert to paint a large fresco in New York, which further fueled his artistic evolution. During his time in Manhattan, he developed "diachronic cubism," a unique style capturing subjects from various temporal perspectives in a single artwork. Mathias’ career gained momentum in the 1990s. He exhibited extensively in France and the United States, with significant retrospectives and commissions. His diachronic cubism style matured, characterized by its focus on representing the passage of time within a single piece. Notable works included murals for hotels and restaurants in Bordeaux and exhibitions in prominent galleries. In 2001, Mathias served as an expert in posters for Tajan, a leading French auction house, before returning fully to his art practice in 2005. His partnership with the Morateur Gallery in Los Angeles played a pivotal role in establishing his international presence. By 2011, Mathias had created several murals for various establishments, and in 2018, he showcased his creative process in an exhibition titled "L'atelier Grégoire Mathias" at the Castelet d'Excideuil. In 2020, Mathias was commissioned by the World Federation of United Nations Associations (WFUNA) to create a poster for United Nations Day, solidifying his role as the official artist for WFUNA. Most recently, Mathias’ exploration of diachronic cubism led him to Ireland, where he exhibited his work in Dublin this year. His connection to Ireland deepened through his homage to James Joyce, culminating in the donation of his Joyce's "Portrait aux Horloges" to the James Joyce Museum. Today, Mathias' work is exhibited in several galleries in France, New York and Dublin.
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Located in PÉRIGUEUX, FR
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Acrylic on canvas
60 x 92 cm
“Déplacement” (“Displacement”) exemplifies Grégoire Mathias’s signature Diachronic Cubism — a contemporary evolution of Cubism that captures not only multiple perspectives in space, but also the passage of time within a single frame.
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