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Charles Spencelayh
Late 19th Century genre portrait oil painting of a boy holding a lantern

C1900

About the Item

Charles Spencelayh British, (1865-1958) The Lantern Oil on canvas, signed Image size: 13.5 inches x 9.75 inches Size including frame: 20.25 inches x 16.5 inches A wonderful portrait of a boy holding an oil lantern by Charles Spencelayh. A boy is shown carefully examining a lantern in a darkened room with the light facing towards him. The lantern with its distinctive fluted top, bulls eye lens and side handle appears to be a ‘dark lantern’. These lamps were designed to hide the light as and when needed. They were standard for the police, military and watchmen, but were also used on ships. Spencelayh has used ‘Chiaroscuro’, the strong contrast between light and dark, to great effect here in creating the illusion of three-dimensional volume. His technique also allows us to see the boy’s fascination with the lamp. Charles Spencelayh was born on 27 October 1865 in Rochester, Kent. He studied at the national Art Training School in Kensington and later in Paris. He exhibited at the Paris Salon and at the Royal Academy from 1892 and was a founder member of the Royal Society of Miniature Painters where he also exhibited. In addition to the London galleries, he exhibited at the Royal Society of Artists, Birmingham where he was elected an honorary member, the Royal Cambrian Academy, the Royal Hibernian Academy, the Glasgow Institute of Fine Art, the Walker Gallery, Liverpool and Manchester City Art Gallery. From early on, he began painting highly detailed genre scenes which then developed into intimate studies of everyday folk usually in their home. His paintings usually feature a solitary figure engaged in an activity that most people would identify with. The almost photographic quality of his paintings allows the sitters personality to shine through and we are given a glimpse into their nature and how they deal with the situation they find themselves in. Spencelayh’s ability to encapsulate a sentiment through painting made him a highly successful artist during his lifetime, winning him many accolades including the Royal Academy Picture of the Year in 1939. He also enjoyed the patronage of many public figures including Queen Mary who was an early collector of his work. His son Vernon also became a successful artist. Many of his paintings are held in public collections including Birmingham Museum, Cowper and Newton Museum, Ferens Art Gallery, Grundy Art Gallery, Manchester Art Gallery, Rochester Guildhall Museum, Russell-Cotes Art Gallery, The Tate and the Towneley Hall Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    Charles Spencelayh (1865-1958, British)
  • Creation Year:
    C1900
  • Dimensions:
    Height: 20.25 in (51.44 cm)Width: 16.5 in (41.91 cm)Depth: 2.25 in (5.72 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU15627999252

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***PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 16.75 INCHES X 14.5 INCHES*** Federico Andreotti Italian, (1847-1930) A Bouquet of Flowers & A Fine Vintage Oil on canvas, pair, both signed Image size: 12 inches x 9.75 inches (each) Size including frame: 16.75 inches x 14.5 inches (each) A delightful pair of three quarter length portraits of Italian women by Federico Andreotti. The first work shows a young woman in fine clothing with a basket of flowers in her hands. The second painting depicts a traditionally dressed woman holding a Chianti Fiasco and other wine bottles. Federico or Federigo Andreotti was a genre and figure painter born in Florence on 6 March, 1847. He showed artistic talent from an early age and at 9 years old began receiving art lessons from the miniature painter Angiolo Tricca (1817-1884). At the age of 17, he attended the Art Academy in Florence where he studied under Enrico Pollastrini (1817-1876), the President of the Academy. Whilst there he won a competition and made a name for himself by producing amusing genre scenes and costume studies. His success attracted the patronage of wealthy and notable clients including the King of Italy who commissioned him to paint a large historical painting of Savonarola. As well as working as an artist, he also taught art at the Florentine Academy where he was made Professor in 1879. During the same year, he began exhibiting abroad and made his debut at the Royal Academy in London, where he continued to show his works until 1883. He is believed to have spent time in England around this period where he also exhibited at other galleries including the Royal Manchester Institution, United Galleries, Arthur Tooth & Sons and Thomas Richardson & co. He spent most of his life in Florence where he died on 30 October, 1930. His painting of Savonarola is held by the Italian government. Other examples of his work can be found in a number of UK public art collections including the Blackburn Museum, Fylde Town Hall, Glasgow Museum, Hawarth Art Gallery and Towneley Hall Art Museum. Presentation: The paintings are housed in new, English made gilt frames which are in excellent condition. Condition: As with all of our original antique oil paintings, these works are offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
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