HUGO RITTER VON BOUVARD

Original beautiful 1930's OIL PAINTING portrait of a lady SIGNED - Austrian

1936

ARTIST: John Dalzell Kenworthy ARCA (1958-1954) British TITLE: "The Head Gardener" SIGNED: lower right corner MEDIUM: oil on canvas SIZE: 52cm x 41cm inc frame DETAIL: A most interesting unuusal and characterful mid Century portrait of a man mowing the lawn. The painting initialled lower right for Kenwrothy. John Dalzell Kenworthy ARCA (5 Nov 1858 - 4 Mar 1954) was an internationally acclaimed artist, sculptor and writer who was born at Whitehaven into a prominent West Cumbrian family. JD Kenworthy was a noted Cumberland artist, who lived at Seacroft House, St Bees, a coastal village south of Whitehaven. He painted both portraits and landscapes, in oil and watercolour in the 50 years centred on the turn of the twentieth century. He was an associate of the Royal Cambrian Academy (1914) and he exhibited at the Royal Academy in London, as well as at galleries across Manchester, Leeds and Liverpool. He travelled to paint in Scotland and France, where he became particularly well known. He also was a keen angler, and wrote a book in 1933 called 'Fisherman's Philosophy', in which he discusses Scottish salmon and loch trout, and fishing on the French Mediterranean coast. Kenworthy's works are held in the public collections of the Beacon Museum and Helena Thompson Museum. JD Kenworthy's portraits include two of 1st World War veterans, AJ Wandless a Master Mariner and Whitehaven war hero Abraham Acton. He also painted portraits of other notable people, including the Mayor of Whitehaven, Reverend Rees Keene, Dr James Irving Lace,[6] Justices of the Peace James Gibson Dees and Alderman Joseph Braithwaite and one of the aero chocolate...

ARTIST: Unsigned (early / mid 20th Century) English School TITLE: "Self Portrait In A Round Mirror" SIGNED: appears unsigned MEDIUM: oil on canvas SIZE: 73cm x 62cm inc frame CONDIT...

ARTIST: Indistinctly Signed (mid/late 20th Century) British School TITLE: "Female Stylised Head Study" SIGNED: lower right and indistinctly dated MEDIUM: oil on paper SIZE: 64cm x 4...

ARTIST: Jeanette Lassen (1924-2008) Scottish TITLE: "Contemplating Their Next Move" SIGNED: lower left MEDIUM: oil on canvas SIZE: 67cm x 62cm inc frame CONDITION: excellent DETA...

Pierre GARCIA FONS Fauvism : Dreaming Model , c. 1965 Original oil painting Signed upper right corner Signed and titled on the back On canvas 50 x 61 cm (c. 20 x 24 inch) PROVENAN...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Woman in Apron, Knitting French artist, signed & dated oil on canvas, unframed dated 1943 canvas: 32 x 25.5 inches Provenance: private collection, France Condition: sound and good c...

The Couple French artist, mid 20th century signed and dated 59' signed oil on canvas, framed framed: 27 x 23inches canvas: 24 x 20 inches Provenance: private collection, Paris Condi...