Portrait of Girl with White Dog - British Old Master Regency art oil pastel
Want more images or videos?
Request additional images or videos from the seller
1 of 13
John Russell (att)Portrait of Girl with White Dog - British Old Master Regency art oil pastelCirca 1790
Circa 1790
About the Item
- Creator:John Russell (att) (1745 - 1806)
- Creation Year:Circa 1790
- Dimensions:Height: 30 in (76.2 cm)Width: 26 in (66.04 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853112071602
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2018
399 sales on 1stDibs
More From This SellerView All
- Italian Greyhound and Friends - Italian 17thC Old Master dog art oil paintingBy Francesco FieravinoLocated in London, GBThis stunning Old Master 17th century oil portrait painting is attributed to Francesco Fieravino, an artist famous in his day for still lifes and carpets. This painting which dates t...Category
17th Century Old Masters Animal Paintings
MaterialsCanvas, Oil
- Portrait of William Stonestreet - Dutch Golden Age 17thC art oil paintingLocated in London, GBThis superb Dutch Golden Age portrait is attributed to circle of Dutch artist Wybrand Simonsz de Geest. Painted in 1666 it is a full length portrait of a young William Stonestreet. H...Category
1660s Old Masters Portrait Paintings
MaterialsOil
- Boy with Guinea Pig - British Victorian animal art male portrait oil paintingBy Henry Turner MunnsLocated in London, GBThis charming British Victorian genre oil painting is by noted exhibited artist Henry Tuner Munns. It was painted in 1865 in realist palette with superb detail in the young boy's fac...Category
19th Century Old Masters Portrait Paintings
MaterialsOil
- Portrait of a Boy with Bird - British 17th century art Old Master oil paintingLocated in London, GBThis stunning 17th century Old Master portrait oil painting is attributed to Godfrey Kneller. Painted circa 1680 it is a superb full length portrait of a blonde haired boy holding a struggling bird. He is bare foot and dressed in a white shirt with gold shawl around him. In the background is a blue drape. There is lovely detail and brushwork in his facial features and vibrant colouring. This a superb 17th century Old Master oil painting housed in a lovely frame. Provenance. Two ascribed labels verso Christie's stamp verso. . Condition. Oil on canvas in good condition, 36 inches by 28 inches approx. Frame. Housed in an ornate frame, 43 inches by 35 inches approx. Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723), was the leading portrait painter in England during the late 17th and early 18th centuries, and was court painter to English and British monarchs from Charles II to George I. Kneller was born Gottfried Kniller in the Free City of Lübeck, the son of Zacharias Kniller, a portrait painter. Kneller studied in Leiden, but became a pupil of Ferdinand Bol and Rembrandt Harmenszoon van Rijn in Amsterdam. He then travelled with his brother John Zacharias Kneller, who was an ornamental painter, to Rome and Venice in the early 1670s, painting historical subjects and portraits in the studio of Carlo Maratti, and later moved to Hamburg. The brothers came to England in 1676, and won the patronage of the Duke of Monmouth. He was introduced to, and painted a portrait of, Charles II. In England, Kneller concentrated almost entirely on portraiture. In the spirit of enterprise, he founded a studio which churned out portraits on an almost industrial scale, relying on a brief sketch of the face with details added to a formulaic model, aided by the fashion for gentlemen to wear full wigs. His portraits set a pattern that was followed until William Hogarth and Joshua Reynolds. Nevertheless, he established himself as a leading portrait artist in England. When Sir Peter Lely died in 1680, Kneller was appointed Principal Painter in Ordinary to the Crown by Charles II. For about 20 years (c.1682-1702) he lived at No. 16-17 The Great Piazza, Covent Garden. In the 1690s, Kneller painted the Hampton Court Beauties depicting the most glamorous ladies-in-waiting of the Royal Court for which he received his knighthood from William III. He produced a series of "Kit-cat" portraits of 48 leading politicians and men of letters, members of the Kit-Cat Club. Created a baronet by King George I on 24 May 1715, he was also head of the Kneller Academy of Painting and Drawing 1711–1716 in Great Queen Street, London, which counted such artists as Thomas Gibson amongst its founding directors. His paintings were praised by Whig members including John Dryden, Joseph Addison, Richard Steele, and Alexander Pope. On the landing in Horsham Museum hang works of art from the Museum's extensive painting collection, featuring a large 18th-century portrait of Charles Eversfield and his wife, of Denne Park House. In the painting Eversfield is giving his wife some violets which signifies fidelity, love and honesty. It is likely that the picture was cut down at some time as it was unusual to stop just below the knee. It may have been painted by more than one person: someone who specialised in clothing, another in drapes, and so on, with perhaps Kneller painting the heads, for it was the portraits that gave the sitters their identity, everything else is rather formulaic. He married a widow, Susanna Grave, on 23 January 1704 at St Bride...Category
1680s Old Masters Portrait Paintings
MaterialsOil
- The Infant St John the Baptist with Lamb - Italian Old Master art oil paintingLocated in London, GBThis beautiful 18th century Italian Old Master oil painting is something rather special. Painted circa 1750 the subject matter is Saint John the Baptist as a very young child. He is ...Category
1750s Old Masters Portrait Paintings
MaterialsOil
- Portrait of a Baby and Dog - British Victorian Genre animal art oil paintingBy Henry Turner MunnsLocated in London, GBThis charming British Victorian genre oil painting is by attributed to noted exhibited artist Henry Turner Munns. Painted circa 1870 the composition is of a baby by a hearth, asleep ...Category
1870s Victorian Portrait Paintings
MaterialsOil
You May Also Like
- 'A Best Friend' by Carl Haag, Erlangen 1820 – 1915 Oberwesel a. Rhein, GermanLocated in Bruges, BECarl Haag Erlangen 1820 – 1915 Oberwesel a. Rhein German Painter 'A Best Friend' Signature: Signed middle right Medium: Mixed media Dimensions: Image size ...Category
Late 19th Century Romantic Portrait Paintings
MaterialsMixed Media, Oil Pastel
- Two Men and a Horse by African American Artist Bai, Contemporary Art on PaperBy Bai (Carl Karni-Bain)Located in New york, NYTwo Men and a Horse, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen abstract figurative painting on etching...Category
2010s Contemporary Animal Paintings
MaterialsOil Pastel, Acrylic, Rag Paper, Ballpoint Pen
- 19th century English portrait of a White/grey hunter in a stableBy Charles TowneLocated in Woodbury, CTEnglish 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and by ...Category
1820s Old Masters Animal Paintings
MaterialsOil, Canvas
$19,600 Sale Price20% OffFree Shipping - C19th Portrait Princesse de Joinville of Brazil - Spectacular fit for a palaceBy Henri d'Ainecy MontpezatLocated in London, GBPortrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 inches (unframed) Provenance – from a private royal collection This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe. The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess. Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...Category
1830s Old Masters Portrait Paintings
MaterialsOil
- Fine 17th Century Dutch Oil Painting on Wood Panel Horse & Figures RestingLocated in Cirencester, GloucestershireThe Resting Place Dutch School, mid 17th century oil painting on board, unframed canvas: 7 x 9 inches provenance: private collection condition: very good and sound conditionCategory
17th Century Old Masters Portrait Paintings
MaterialsOil
- The line of beauty and grace WH 1745By William HogarthLocated in St. Albans, GBA copy of the self portrait of William Hogarth with his dog, called Trump. A fantastic quality image possibly from Hogarth's original school of art. This piece is titled, dated and monogrammed. It is in an antique, period Louis XIV style frame. The painting measures 36 x 28" (92 x 72cm) Outside Frame Size: 45 x 37" (104 x 94cm) Hogarth began this self-portrait in the mid-1730s. Initially Hogarth painted himself wearing a formal coat...Category
19th Century Old Masters Portrait Paintings
MaterialsOil