Luciano Morterra

Coco the Clown in Top Hat and Bow Tie. Milan School, Italian Oil on Canvas.

1976

An expressionist portrait of a seated figure, acrylic on paper by French artist Alain Caucat. Signed bottom right. Also signed and dated to the back of the framing board. Presented u...

Acrylic and oil on board in the modern form of a stylised African mask on a stand by French artist Créqule. Signed bottom right. The painting is presented in a plain wood frame, unde...

Mid-Century acrylic on board of Venetian gondolas in harbour signed L Mariani, bottom right. This is a jewel of a painting. Its bright, joyful and intense c...

A vibrant colourful French portrait of Janine, muse of the artist Armand Avril. Signed and dated mid right. Presented in new contemporary framing under glass. Armand Avril (1926) i...

This is a painting done by the American artist L.A. McMillen. It is signed lower right and is in excellent condition for the period. This shows a clown scene with the face of a man i...

This portrait of a clown by Maurice Kish is part from a series of carnival figures, circus clowns and carousel horses and riders that he did in the 30s and 40s. The artist uses a vib...

This portrait of a clown by Maurice Kish is part from a series of carnival figures, circus clowns and carousel horses and riders that he did in the 30s and 40s. The artist uses a vibrant color palette and controlled brushstrokes to depict the subject in a realistic way. The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

CELSO LAGAR Spanish, 1891 - 1966 THE CLOWN signed and dated "Lagar 52" (lower right) gouache on cardboard 10-5/8 x 8 inches (27 x 20.5 cm.) PROVENANCE Private French Collector Cel...