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M J d'Ayzé
Flowered Lady

1925

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  • 'Still Life with Pitcher and Flowers' by Anna Costa, French Oil Painting
    Located in London, GB
    'Still Life with Pitcher and Flowers', oil on board, by Anna Costa (circa 1960s). In addition to her many landscapes, Costa painted many still lifes, mostly bouquets of flowers as su...
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    1960s Modern Still-life Paintings

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    Oil, Board

  • Still Life with White Pitcher and Fruit
    Located in London, GB
    'Still Life with White Pitcher and Fruit', oil on board, by Anna Costa (circa 1960s). In addition to her many landscapes, Costa painted many still lifes, mostly bouquets of flowers a...
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    1960s Impressionist Still-life Paintings

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    Oil, Board

  • Still Life with Crab
    By André Lemaître
    Located in London, GB
    'Still Life with Crab', oil on board, by André Lemaître (1951). As an artist based in Northern France's Normandy, Lemaître painted many works in the cou...
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    1950s Still-life Paintings

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    Oil, Board

  • 'Un Bouquet de Fleurs' by Anna Costa, French Still Life Oil Painting
    Located in London, GB
    'Un Bouquet de Fleurs', oil on board, by Anna Costa (circa 1970s). In addition to her many landscapes, Costa painted many still lifes, mostly bouquets of flowers as subject. In this ...
    Category

    1970s Still-life Paintings

    Materials

    Oil, Board

  • Bouquet of Flowers - Still Life
    Located in London, GB
    'Bouquet of Flowers - Still Life', oil on wood panel, by Anna Costa (circa 1960s). A prolific painter of bouquets, the artist created many works with flowers as subject. And of cours...
    Category

    1960s Still-life Paintings

    Materials

    Board, Oil

  • Still Life with Fruit
    By Juliane Solignac
    Located in London, GB
    'Still Life with Fruit', oil on board (1968), by Juliane Solignac. An engaging yet unusual artwork with vibrant colours, thickly applied with a painting knife. Nonetheless, through the thick paint there is an unfinished quality to the work leaving the impression that the raw canvas - or board in this case - is revealed. Some of the colour seems to have been scored on to the work with an artist's knife leaving lines and creating angles as in a cubist painting. There are layers of paint with no evident brush strokes. One may believe in this instance, Madame Solignac used this technique to create a visual effect which would deliberately have upset traditionalists. Be reminded that the Impressionists were criticised for creating patchy, incomplete works because there were strong notions about the correct way to paint in those days. Picasso once said, 'To finish a work is to kill it.' It is unsure how Mme Solignac would have felt about that. Regardless of this conjecture, the painting is colourful, compelling and rewards the viewer with a curious interest. The work is in fair vintage condition, newly framed with a linen slip. It is signed: 'Julian Solignac 68'. About the Artist: Juliane Solignac (born 1904). Regrettably, there is not much information available about the artist (including what year she may have died). She is referenced as a resident artist in Montmartre in the 1930s, one of only a handful of women in an otherwise sea of male names. In addition, Solignac is mentioned in both French and Dutch references as a creator of fabrics. These may have been more artistic 'tapis' which are hung on the wall like a painting. A Dutch museum references having one of her designs in their collection. Here is a quote from the magazine, 'COTE', Edition Nº 9 (March 2009): "Until 20 April, Pierre Frey is exhibiting 50 printed fabric works from their own collection dating from 1936 to today. Most were produced in liaison with artists like Jean Chatanay, Irène Rohr, Juliane Solignac, Rieffel Anossof, Janine Janet...
    Category

    1960s Abstract Still-life Paintings

    Materials

    Oil, Board

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    "Warhola" Painting 24" x 18" inch by Isaac Pelayo Medium: Oil, oil stick, and aerosol on wood "The Modern Renaissance" series Historically, the art world has been an exclusive soc...
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  • "Bloom, " Oil painting
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