Canvas Portrait Paintings

Evocative original oil on canvas painting by the Welsh artist, John Bowen. Signed lower left. Condition is very good. Circa 1970. The artist uses the light to capture the beauty of the young girl looking directly at us with her cat resting in her lap. The painting is housed in a dark wood frame with narrow liner of the same time period of the artwork. Overall framed measurement is 41 by 29 inches. Provenance: A Sarasota, Florida estate. John Bowen (1914–2006) Carmarthenshire Museums Service Collection Painter, born in Llanelli, Carmarthenshire. After attending Llanelli and Swansea Schools of Art he taught at Llanelli School of Art, 1939–60, also at the Boys’ Grammar School there apart from wartime service in the Royal Air Force. He was an artist member of SWG and also showed WAC and at the Royal National Eisteddfod. In 1968 he had a retrospective at Parc Howard Mansion, Llanelli. Painter of landscapes in Britain and abroad and still life, in oil and watercolour whose work is in many public collections, including WAC and Newport Art Gallery and Museum. Text source: 'Artists in Britain Since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company) His work was influenced by some of the twentieth century's greatest artists such as Pablo Picasso and Marc Chagall. His paintings are in the permanent collections of Parc Howard Museum...

Beautiful woman on a balloon swing over the water blowing a bubble gum bubble. Vibrant colors, whimsical. About The Artist Elise Remender’s love of painting began at an early a...

America Martin "Homage to Cezzanne's Card Players Men with Words Hats and Cards" Oil & Acrylic on Canvas 60 x 70 Inches 61.5 x 71.5 In Framed Signed painting by America Martin. Ex...

America Martin "Plum Trees and Apples" Oil & Acrylic on Canvas 40 x 60 inches 41`.5 x 61.5 inches framed Exploring the identity of both her namesake and country, LA-based America M...

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By following her passion for paint, she tries to represent reality and thereby express her feeling in the expressive colors she uses. Her paintings show a fascination with the movement and texture of water, which is depicted in vivid colors in her works. Her hybrid painting style combines realism with impressionism in a very interesting way, providing a different view of the world and our memories of it. Devlin loves the unexpected, looks at things from a crazy angle and imagines. Since 2014 she mainly paints underwater portraits...

Amy Devlin portrays people, animals, or nature in her works. But what really matters to her is light and water, which she wants to capture in the form of a physical memory. By following her passion for paint, she tries to represent reality and thereby express her feeling in the expressive colors she uses. Her paintings show a fascination with the movement and texture of water, which is depicted in vivid colors in her works. Her hybrid painting style combines realism with impressionism in a very interesting way, providing a different view of the world and our memories of it. Devlin loves the unexpected, looks at things from a crazy angle and imagines. Since 2014 she mainly paints underwater portraits...

America Martin "The Pitcher" Oil & Acrylic on Canvas 111 x 48.25 inches 112.5 x 49.5 inches framed Exploring the identity of both her namesake and country, LA-based America Martin d...

It's hot; we're sitting in a cafe, drinking Coke with ice. My husband says, "Right now, somewhere in the field, amidst the expanse, inhaling the scent of heated grass..." I respond, ...

Jean Dassonval (French, 1939-2012) Untitled, 1989 Acrylic and mixed media on canvas 19 3/4 x 25 3/4 in. Signed lower right: Dassonval Stamped verso: Jean Dassonval Inscribed in Fren...

Oil painting of a presence that emerges on the canvas from another existential plane, accompanied by other beings and a royal blue background. To guarantee the durability and conserv...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This piece titled "Christian (Brother)" is an original artwork by Alain Jean-Baptiste and measures 60"h x 48"w. This oil work on canvas reflects on the buildup and aftermath Jean-B...

A muscular male is seated on a chair, his eyes closed and head tilted toward the sky soaking up the warmth of the sun. "Sogni D'Oro", meaning sweet dreams, is set upon an intricate b...

The name “Arike,” meaning “one who is cherished and pampered” in Yoruba, reflects the essence of this portrait—an individual whose story is rich with depth, emotion, and significance...

America Martin "Woman in Blue" Oil & Acrylic on Canvas 36 x 72 inches 37.5 x 73.5 inches framed Exploring the identity of both her namesake and country, LA-based America Martin draw...

America Martin "Take The Sheets Off The Line" Oil & Acrylic on Canvas 48 x 48 Inches 49.5 x 49.5 Inches, Framed Signed painting by America Martin. Exploring the identity of both h...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

Rebecca Jack "The Magic Makers" Acrylic on Canvas 45 x 70 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the b...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a boy standing in the water. He is v...

This painting is in excellent condition and has only been shown in a gallery. Federico López Córcoles was born in the Alicante region of Spain in 1970. This area is well-known for ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

These are the detectives of the Belgian comic book Tintin created by Herge. FER SUCRE is a Venezuelan-born artist now in Wynwood Miami, Florida. He studied graphic design and paintin...

"Triple Elvis" (Denied) Silkscreen Painting by Charles Lutz Silkscreen and silver enamel paint on canvas with Artist's Denied stamp of the Andy Warhol Art Authentication Board. 82 x 72" inches 2010 This important example was shown alongside works by Warhol in a two-person show "Warhol Revisited (Charles Lutz / Andy Warhol)" at UAB Abroms-Engel Institute for the Visual Arts in 2024. Lutz's 2007 ''Warhol Denied'' series gained international attention by calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on the full-length Elvis Presley paintings by Pop Artist Andy Warhol in 1964, this is likely one of his most iconic images, next to Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando. This is the rarest of the Elvis works from the series, as Lutz sourced a vintage roll of 1960's primed artist linen which was used for this one Elvis. The silkscreen, like Warhol's embraced imperfections, like the slight double image printing of the Elvis image. Lutz received his BFA in Painting and Art History from Pratt Institute and studied Human Dissection and Anatomy at Columbia University, New York. Lutz's work deals with perceptions and value structures, specifically the idea of the transference of values. Lutz's most recently presented an installation of new sculptures dealing with consumerism at Frank Lloyd Wright's Fallingwater House in 2022. Lutz's 2007 Warhol Denied series received international attention calling into question the importance of originality in a work of art. The valuation process (authentication or denial) of the Andy Warhol Art Authentication Board was used by the artist to create value by submitting recreations of Warhol works for judgment, with the full intention for the works to be formally marked "DENIED" of their authenticity. The final product of this conceptual project is "Officially DENIED" "Warhol" paintings authored by Lutz. Later in 2013, Lutz went on to do one of his largest public installations to date. At the 100th Anniversary of Marcel Duchamp's groundbreaking and controversial Armory Show, Lutz was asked by the curator of Armory Focus: USA and former Director of The Andy Warhol Museum, Eric Shiner to create a site-specific installation representing the US. The installation "Babel" (based on Pieter Bruegel's famous painting) consisted of 1500 cardboard replicas of Warhol's Brillo Box (Stockholm Type) stacked 20 ft tall. All 1500 boxes were then given to the public freely, debasing the Brillo Box as an art commodity by removing its value, in addition to debasing its willing consumers. Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." Leonard Bernstein in: Exh. Cat., Boston, The Institute of Contemporary Art and traveling, Elvis + Marilyn 2 x Immortal, 1994-97, p. 9. Andy Warhol "quite simply changed how we all see the world around us." Kynaston McShine in: Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13. In the summer of 1963 Elvis Presley was just twenty-eight years old but already a legend of his time. During the preceding seven years - since Heartbreak Hotel became the biggest-selling record of 1956 - he had recorded seventeen number-one singles and seven number-one albums; starred in eleven films, countless national TV appearances, tours, and live performances; earned tens of millions of dollars; and was instantly recognized across the globe. The undisputed King of Rock and Roll, Elvis was the biggest star alive: a cultural phenomenon of mythic proportions apparently no longer confined to the man alone. As the eminent composer Leonard Bernstein put it, Elvis was "the greatest cultural force in the Twentieth Century. He introduced the beat to everything, and he changed everything - music, language, clothes, it's a whole new social revolution." (Exh. Cat., Boston, The Institute of Contemporary Art (and traveling), Elvis + Marilyn 2 x Immortal, 1994, p. 9). In the summer of 1963 Andy Warhol was thirty-four years old and transforming the parameters of visual culture in America. The focus of his signature silkscreen was leveled at subjects he brilliantly perceived as the most important concerns of day to day contemporary life. By appropriating the visual vernacular of consumer culture and multiplying readymade images gleaned from newspapers, magazines and advertising, he turned a mirror onto the contradictions behind quotidian existence. Above all else he was obsessed with themes of celebrity and death, executing intensely multifaceted and complex works in series that continue to resound with universal relevance. His unprecedented practice re-presented how society viewed itself, simultaneously reinforcing and radically undermining the collective psychology of popular culture. He epitomized the tide of change that swept through the 1960s and, as Kynaston McShine has concisely stated, "He quite simply changed how we all see the world around us." (Exh. Cat., New York, Museum of Modern Art (and traveling), Andy Warhol: Retrospective, 1996, p. 13). Thus in the summer of 1963 there could not have been a more perfect alignment of artist and subject than Warhol and Elvis. Perhaps the most famous depiction of the biggest superstar by the original superstar artist, Double Elvis is a historic paradigm of Pop Art from a breath-taking moment in Art History. With devastating immediacy and efficiency, Warhol's canvas seduces our view with a stunning aesthetic and confronts our experience with a sophisticated array of thematic content. Not only is there all of Elvis, man and legend, but we are also presented with the specter of death, staring at us down the barrel of a gun; and the lone cowboy, confronting the great frontier and the American dream. The spray painted silver screen denotes the glamour and glory of cinema, the artificiality of fantasy, and the idea of a mirror that reveals our own reality back to us. At the same time, Warhol's replication of Elvis' image as a double stands as metaphor for the means and effects of mass-media and its inherent potential to manipulate and condition. These thematic strata function in simultaneous concert to deliver a work of phenomenal conceptual brilliance. The portrait of a man, the portrait of a country, and the portrait of a time, Double Elvis is an indisputable icon for our age. The source image was a publicity still for the movie Flaming Star, starring Presley as the character Pacer Burton and directed by Don Siegel in 1960. The film was originally intended as a vehicle for Marlon Brando and produced by David Weisbart, who had made James Dean's Rebel Without a Cause in 1955. It was the first of two Twentieth Century Fox productions Presley was contracted to by his manager Colonel Tom Parker, determined to make the singer a movie star. For the compulsive movie-fan Warhol, the sheer power of Elvis wielding a revolver as the reluctant gunslinger presented the zenith of subject matter: ultimate celebrity invested with the ultimate power to issue death. Warhol's Elvis is physically larger than life and wears the expression that catapulted him into a million hearts: inexplicably and all at once fearful and resolute; vulnerable and predatory; innocent and explicit. It is the look of David Halberstam's observation that "Elvis Presley was an American original, the rebel as mother's boy, alternately sweet and sullen, ready on demand to be either respectable or rebellious." (Exh. Cat., Boston, Op. Cit.). Indeed, amidst Warhol's art there is only one other subject whose character so ethereally defies categorization and who so acutely conflated total fame with the inevitability of mortality. In Warhol's work, only Elvis and Marilyn harness a pictorial magnetism of mythic proportions. With Marilyn Monroe, whom Warhol depicted immediately after her premature death in August 1962, he discovered a memento mori to unite the obsessions driving his career: glamour, beauty, fame, and death. As a star of the silver screen and the definitive international sex symbol, Marilyn epitomized the unattainable essence of superstardom that Warhol craved. Just as there was no question in 1963, there remains still none today that the male equivalent to Marilyn is Elvis. However, despite his famous 1968 adage, "If you want to know all about Andy Warhol, just look at the surface of my paintings" Warhol's fascination held purpose far beyond mere idolization. As Rainer Crone explained in 1970, Warhol was interested in movie stars above all else because they were "people who could justifiably be seen as the nearest thing to representatives of mass culture." (Rainer Crone, Andy Warhol, New York, 1970, p. 22). Warhol was singularly drawn to the idols of Elvis and Marilyn, as he was to Marlon Brando and Liz Taylor, because he implicitly understood the concurrence between the projection of their image and the projection of their brand. Some years after the present work he wrote, "In the early days of film, fans used to idolize a whole star - they would take one star and love everything about that star...So you should always have a product that's not just 'you.' An actress should count up her plays and movies and a model should count up her photographs and a writer should count up his words and an artist should count up his pictures so you always know exactly what you're worth, and you don't get stuck thinking your product is you and your fame, and your aura." (Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again), San Diego, New York and London, 1977, p. 86). The film stars of the late 1950s and early 1960s that most obsessed Warhol embodied tectonic shifts in wider cultural and societal values. In 1971 John Coplans argued that Warhol was transfixed by the subject of Elvis, and to a lesser degree by Marlon Brando and James Dean, because they were "authentically creative, and not merely products of Hollywood's fantasy or commercialism. All three had originative lives, and therefore are strong personalities; all three raised - at one level or another - important questions as to the quality of life in America and the nature of its freedoms. Implicit in their attitude is a condemnation of society and its ways; they project an image of the necessity for the individual to search for his own future, not passively, but aggressively, with commitment and passion." (John Coplans, "Andy Warhol and Elvis Presley," Studio International, vol. 181, no. 930, February 1971, pp. 51-52). However, while Warhol unquestionably adored these idols as transformative heralds, the suggestion that his paintings of Elvis...

Tania Rivilis Baker- Miller Pink 50 x 50 cm framed (included in price) 53,5 x 53,5 cm Oilpaint on canvas Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.0...

“Flowers and Worms” (2021) is a botanical portrait painting from the Fetiches series by Moldovan-born artist Natasha Lelenco. Executed in acrylic on canvas and set within an integrat...

Brian Kenny, (German-American, 1982-) MIxed Media Painting with Drawing, Oil or Acrylic on Canvas. Hand signed On Verso and Dated 2015, NYC Dimensions: Sight- 30" x 24", Frame- 36" x 30" Brian Kenny (born 1982, Heidelberg, Germany) is a NYC-based American multidisciplinary artist exhibited in galleries, museums, theaters and alternative venues in the US, Canada, Russia, Israel and across Europe. In 2004 Brian began an ongoing collaboration with artist Slava Mogutin as SUPERM, and in 2016 with writer Rich Juzwiak as BOYFRIEND HOUSE. Using an array of mediums including drawing, painting, sculpture, textile, video and performance, Brian’s artwork is bright and vividly expressionistic; often autobiographical and reflective of his current states of mind which include themes of his queer identity, shifting societal perceptions about gender, sexuality and politics, urban living and free-associative wanderings of thought and creative experimentation. New York-based artist Brian Kenny’s work is a visually striking exploration of gender, sexuality, and politics in contemporary North America. Known for his experimental and expressionistic practice, Brian mixes mediums such as painting, illustration, collage, sculpture, and textiles – oftentimes all at once. Brian’s foundation in drawing is evident across his portfolio, with nearly every piece incorporating some signature scribblings from the artist. He has experimented with drawing, collage, photography, performance and, more recently, painting. “All the other mediums I’m exploring like, painting, textile art, and animation all branch out from drawing,” he explains. This focus is what makes Brian’s vast collection of work all feel so cohesive. "Both of my parents were in the US military and we moved around a lot in the US. But most of the places I lived were rural, far from big cities and art museums, so I had no idea who Andy Warhol, Mark Rothko, Chuck Close, David Hockney or Damien Hirst were. The few small art museums I visited as a child were full of old-school oil paintings; all life-like portraits, rural landscapes and historical recreations. It wasn’t until I met Slava Mogutin and moved to New York that I began to meet artists, see exhibitions at art galleries of living artists near my age, and tour lot of contemporary art museums like MoMA and begin learning about contemporary art history". Brian says. “I’m definitely not a minimalist and lean toward more narrative and figurative artwork than abstraction or decoration”. Minimalist, he is not: Brian’s work pops with vibrant colours, characters and shapes, evoking a Warholian play on pop art culture. Kenny’s signature line drawing style is reminiscent of Keith Haring and LA Ortiz and evokes comparisons to early Jean Michel Basquiat. Brian's commercial and fashion work includes art and design commissions and collaborations with Onitsuka Tiger (Japan...

Oil on canvas in textured mixed technique. This piece is part of a series where I explore our connection with animals through the human and magical. It represents a man-animal lookin...

Jaipur (2004) is a painting by French contemporary artist Christophe Dupety. Oil on canvas, 130 x 195 cm (H 51.2 x W 76.8 in). Unique work sold unframed with a certificate of authen...

In her art, Yvonne Michiels (1966) depicts personal stories about beauty, emotions and mortality. In order to heighten the emotional charge, Yvonne often uses young models. Their h...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* 'Saving Salvador' by Laura Mass is a flip portrait of the one and...

Masri (Lebanese, born 1965) 'Stoic' 2023 Oil paint, Acrylic paint, Canvas, Stretcher Bars The piece is signed on the bottom left and back of the canvas. "Stoic," is an enthralling p...

By drawing insight from these wonderful art pieces, we can gain a deeper understanding of the ways in which splendor shapes our perception, values, Posture, and experiences. This ar...

Series: Pop Oil Enamel Paint on Canvas I consider each colored dot to be like a person. You and me and everyone. Together we all make up that image shown. You will notice that in my...

America Martin "Woman in Mint" Oil & Acrylic on Canvas 40 x 72 inches 41.5 x 73.5 inches framed Exploring the identity of both her namesake and country, LA-based America Martin draw...

Everything that exists is a result of what we believe to be real. This reality serves as evidence of immortality. The soul and spirit are immortal, temporarily separating from the bo...

It all started when we both met years back. I loved you and you loved me too. Our love journey began and was full of joy, love, peace and happiness! You showered me with the love I ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Daniela Astone Couple #2 50 x 40 cm Oil on wood Daniela Astone works and lives in Florence. For years she was a teacher on the famous Florence Art Academy. Since 2022 she fulltime works as a painter. Her works are all around the world in great collections. For our exhibition 'A Female Gaze' Daniela Astone made a series of paintings where the female aspect of her life is the main subject. This series contains a series of seven paintings where you see a dancing couple. Female- male couples and male-male/ female-female couples. The Currator of Galerie Bonnard says about the paintings by Daniela Astone: The classical structure and narrative paintings show a technique that is special. Her style is virtuoso and her subjects narrative. The keys are loose and subtle. For this artist, standing in front of a painting means...

America Martin "Women Pick Fruit" Oil & Acrylic on Canvas 69 x 81 Inches 69.5 x 82.5 In. Framed Signed painting by America Martin. Exploring the identity of both her namesake and ...

This painting is part of a series of artworks dedicated by Anna Pennati to William Shakespeare and in detail to the drama of Antonio and Cleopatra. The figures are presented one ups...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Rebecca Jack "Boogie Wonderland" Acrylic on Canvas 40 x 60 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the ...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of...

Contemporary figurative acrylic on canvas painting by Polish artist Joanna Woyda. Painting is in minimalistic, pop art style. The artwork depicts a girl standing on the shoreline, sh...

I observed that her beauty comes from embracing herself. Her flexibility to switch from night to day and her open alms of embracing the two seasons. Therefore, embrace yourself like...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Rebecca Jack "Golden Hour" Acrylic on Canvas 40 x 60 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the beauty...

Tania Rivilis Yellow mood 40 x 40 cm framed (included in price) 43,5 x 43,5 cm Oilpaint on canvas Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) fr...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Bruce Sargeant (1898-1938)] Nude Male with Towel n.d. Signed in red, u.r. Oil on canvas mounted to Masonite 81.875 x 34.25 inches This work is offered by ClampArt in New York City.

America Martin "Flowers Red And White" Oil & Acrylic on Canvas 49.5 x 27.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspira...

Certain tragedies are too profound for us to recover from, not due to a loss of hope, but because the process of healing would necessitate the expulsion of an ineffable beauty from o...

Rebecca Jack "Heatwave" Acrylic on Canvas 48 x 80 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the beauty of...

Tanvi Pathare Her Ascent 190 x 100 cm Oil on Canvas Born and brought up in Mumbai,India, Tanvi Pathare showed a growing interest in Fine Arts since a very early age. Encouraged by family,she began her art education at the prestigious Sir J.J.School of Art in Mumbai and received her Bachelors in Fine Arts(Painting) with outstanding grades,topping the University. After being allured by the Realistic tradition of painting from nature, Tanvi applied and was Accepted At the Florence Academy Of Art, Florence, Italy(FAA). Here she was honored By the Best Painting Of the Year from the Intermediate Studio of the School among other awards. She taught in the Academy in their Sculpture Drawing Studio.She was awarded for her Outstanding Performance in Art in her final academic year. Tanvi presently works in her private studio in Florence while continuing to be an instructor in the Academy’s Drawing...

Bright colored contemporary figurative painting by Moroccan artist Khalid Nadif. The painting is offered in a simple wood frame. Size: 40 x 32.5 inches (framed) Signed on the ba...

Ricardo Goyo was born in Barcelona in 1972. He began his artistic career studying in France at the National School of Fine Arts in Nice. There he had the opportunity to meet, work, a...

Oil painting on canvas in emerald green, square format. A human silhouette with green textures and two fantastic animals. A piece that combines figurative and abstract elements. This...

Mythological III (Bacchus), 2016 Acrylic marker on canvas sheet (signed and dated front left corner) 23 5/8 H x 17 3/4 W in. 60 H x 45 W cm (reproduced at page 23, in the catalogue '...