Fabric Portrait Paintings

Venetian Master (18th century) - Mask of Columbine. 161 x 68 cm unframed, 169.5 x 76.5 cm with frame. Antique oil painting on canvas, in a white lacquered wooden frame (not signed)...

Daniel Brennan Woman in Coat Oil on Canvas Year: 1960s Size unframed: 48 x 31 inches (121.92 x 78.74 cm) Size framed: 49.5 x 32.25 x 2 inches (125.73 x 81.91 x 5.08 cm) COA provided ...

Antique elegant Polish beach scene oil painting by Paul Merwart (1855 - 1902). Finely detailed with great color. Oil on canvas. Signed. Framed. Image size, 13L by 16.25H

Oil on canvas. 56x46.5 cm.Signed lower right, dated 1860 Provenance : - Gift of the artist to Monsieur Allou in March 1861- Sale by Allou and Ehrlier in February 1872 (Galerie George...

Self-portrait of the artist, painted at the moment of falling in love. The painting radiates femininity, love, warmth.

Evangelista Schiano (attr.) (active in the 18th century) Title: Saint Gennaro Medium: Oil on canvas Dimensions: without frame 102 x 74 cm - with frame 126.5 x 100 cm 19th century car...

Artist: Jack Graves III (American, 1988-) Title: "(Princess) Grace Kelly XI" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2025 Mediu...

Original oil on canvas painting. Hand signed on front by Ivan Guayasamin. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All rea...

Thomas Brooks 1819- 1891, was an English painter who was born in Kingston upon Hull, his works were deemed typical of the 19th Century depicting genre scenes of the times, including ...

Blocking Study pair #1 and #2, portrait of a blonde woman, by Gordon Cook (American, 1927-1985). Circa 1960. Signed on verso "G. Cook (3) #1. unframed. Image size: 24"H x 20"W each. Bay area estate sale find. Gordon Cook was born in 1927 in Chicago, Illinois. He attended Illinois Wesleyan University in Bloomington where he received his B.F.A in 1950. Cook then went on to study fundamentals and life drawing at The American Academy of Art* in Chicago. The same year he studied intaglio* printmaking with Vera Berdich at The School of the Art Institute of Chicago*. He took graduate courses and continued studying intaglio printmaking under artist Mauricio Lasansky at the State University of Iowa. In 1951, Cook moved to San Francisco. Soon after his works received the journeyman's card in International Typographical Union, Local 21. He began exhibiting his prints, drawings, and paintings at the Porpoise Gallery in San Francisco. Four years later, Cook became a charter member of the Bay Printmakers Society and exhibited in their annual exhibitions at the Oakland Art Museum for the next five years. His etchings portrayed mainly San Francisco landscapes such as the Golden Gate Park, Diamond Heights, and Lake Merced as well as flowers, especially roses. He participated in his first weekly drawing group with artist Alvin Light, Manuel Neri, Joan Brown, and William H. Brown. Cook also taught at the San Francisco Art Institute*. His etchings where exhibited in a one-man exhibition at the Fine Arts Museums of San Francisco, in the Achenbach Foundation for Graphic Arts. At this point Cook returned to painting. Moving to Rio Vista...

John Baker’s “Self-Chaperone” is an acrylic painting on canvas with collage 28 x 22 inches in flesh tones, yellows and greys. The portrait depicts the inner conflict between uninhibi...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

Artist: Jack Graves III (American, 1988-) Title: "Marilyn Monroe Icon XII" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2023 Medium...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

The Ferry Crossing At Sunset, Norfolk, 19th Century by MILLER MARSHALL (1850-1920) Huge 19th Century sunset view of a Norfolk ferry crossing at sunse...

Antique American modernist surreal oil painting. Oil on canvas. Framed. No signature found.

This equine racing portrait "Zenyatta" by artist Anne Wolff is a 24x20 original oil painting on canvas. Depicted is a profile view of the famous champion winning thoroughbred race h...

This exceptional oil on canvas, attributed to Wilhelm August Rudolf Lehmann (1819-1905), a British artist of German descent, depicts a tender exchange between a young shepherd and an...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Rudolf Leitner-Gründberg (1955–present) "Der Wunsch" Oil on canvas Framed: 156 × 126 cm Flat: 136 × 104 cm A striking example of Rudolf Leitner-Gründberg’s evocative and expressive s...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Male Portrait is a wonderful original oil painting on canvas, realized by the Russian emerging artist, Anastasia Kurakina in 2011. Signed and dated i n blue ink on the back at the ...

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...

In continuing with representing fine artists that are connected to the music industry we are please to announce that we are the only gallery in the United States representing the oil on canvas paintings of acclaimed British artist George Underwood. That is great news for collectors based in the United States. They do not have to pay any import fees or international shipping costs or any international tariffs which are costly. So this is a great opportunity to purchase a work of art by this acclaimed British artist. His paintings have been described as Magical with a touch of Fantasy. When David Bowie, a life long friend of George Underwood, was asked about the paintings of George Underwood, Bowie said "George has, over the years, refined his work to the point where I would put him among the top figurative painters coming out of the UK.... There's a sublime isolation surrounding his subjects that really touches the viewer, the figures being both heroic and vulnerable simultaneously". George Underwood, a life-long friend of David Bowie, were in early bands together and Underwood was asked by Bowie to created the classic cover artwork for David Bowie's "Ziggy Stardust" album and also for David's "Hunky Dory" album. George felt that his friend artist Terry Pastor would better create the hand colored airbrush look for the album covers so he had Terry create the cover artwork. A fun fact is that David and George were both in the same art class taught by Peter Frampton's Dad when they were youngsters and they remained great friends throughout David's life. I have included some images of Bowie and George Underwood over the years in this listing to show the close relationship they had since they were young lads. This oil painting by George Underwood is titled "Another Dress Rehearsal...

Antique American modernist portrait oil painting by Salpi Miriam Mavian (Born 1908). Oil on canvas, circa 1930. Signed. Displayed in a giltwoo...

Mary Bernstein (American, XX), Abstract Seated Female Nude, Oil on Canvas, signed lower right, unframed. 46" H x 42" W.

Portrait Of A Regency Gentleman, 19th Century European School - unfinished study Large 19th Century European School unfinished portrait of a gentleman, oil on canvas. Excellent qua...

A rare pair of three-quarter length 'marriage' portraits by one of the foremost dutch portrait painters of the 17th century, Nicolaes Maes (Dordrecht 1634-1693 Amsterdam). The gentleman signed middle left 'Maes 1679'. Oil on canvas in dutch style ebonised frames. Dimensions 58 x 47.5cms each. The gentleman is shown in a landscape at dusk, leaning against a stone capital, wearing a white chemise decorated with lace, a black coat and a brown silk cloak draped across his body. The lady is elegantly dressed in an ivory silk gown decorated with jewels on the neckline and shoulders, the contrasting sleeves in gold fabric, with a rose pink silk cloak draped over her shoulder and bodice. She wears a pearl necklace and earrings with her fair hair worn up with ringlets falling down onto her chest in the fashionable style of the day. She stands with one hand touching a lock of her hair as she rests her arm on the bowl of a stone water drinking fountain...

Portrait d'Homme is an artwork realized by the french artist Alphonse Legros (1837-1911) in 1859. Oil on Canvas. Good conditions except some rips on the edges. Broche du nº 23 du catalogue Malassis-Thibaudeau "Portrait de Frederique Regamey". Collection Thibaudeau. Alphonse Legros was born on May 8, 1837 in Dijon, France. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to an interior decorator. In 1851, Legros left for Paris, but passing through Lyon he worked for six months as journeyman muralist for painter/art restorer Jean-Baptiste Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral.In Paris, Legros studied with theater scene painter Charles-Antoine. He attended also the drawing-school of Lecoq de Boisbaudran (the "Petite école") where he found made friends with Jules Dalou and Auguste Rodin. In 1855, he attended the evening classes of the École des Beaux Arts.Legros sent two portraits to the Paris Salon of 1857: one was rejected, and formed part of the exhibition of protest organized by Francois Bonvin in his studio; the other, which was accepted, was a profile portrait of his father. Art critic Champfleury saw the work in the Salon, and sought out the artist to enlist him in the "Realists," a group anchored by Gustave Courbet.Legros picked up the art of etching by watching a colleague in Paris who worked as a commercial engraver, and taught himself both etching and medallion making. He considered the traditional journey to Italy an important part of artistic training, and in later years, gave part of his salary to augment the income available for a travelling internship.He moved to England in 1863 and in 1864 married Frances Rosetta Hodgson. In his early career, he lived from the sales of his etchings and teaching. He began teaching etching at the South Kensington School of Art and in 1876 became a Slade Professor at University College, London, succeeding Edward Poynter...

Really rare and well painted portrait by Christine Walters Martin (1895-1982). Oil on canvas. Framed in a nice modernist molding. Signed. Artist Bio: Christine Walters Martin (1895-1982) Born and raised in Brooklyn, Christine Martin majored in art at Columbia University/Teachers College. She spent summers painting at the Woodstock Art Colony under the tutelage of artists there and continued her art studies at the Art Student's League in New York City. Over the years, her teachers included John Sloan, Yasuo Kuniyoshi, Alexander Brook and John McFee. She also studied with Eugene Speicher, who recommended her for Portraits Inc, through which some of his own commissions came. Much later in life, in her 80s, Christine studied watercolor with Zoltan Szabo. Before marrying attorney George Martin in 1923, she taught art in the New York public schools for several years. During summers in the late 1920s, after having two daughters (Cynthia, 1924-2008, and Joan, 1927-2000), she went to Woodstock with her girls in tow, staying at the Hasbrook farm. In 1930, she and her husband purchased a stone house on Ohayo Mountain Road and lived there seasonally for 25 years. Among her closest artist friends in Woodstock were Emil Ganso, Florence Hardiman, Albert Heckman, Peggy Dodds, Joe Rollo, Henry Mattson, Mary Ellen Early, and Maud and Miska Petersham, along with Juliana Force (Whitney Museum). During many summers in Woodstock, Christine's daughters Cynthia and Joan kept up their serious piano studies under the tutelage of Vladimir Padwa and Inez Carroll. Known for portraits and landscapes, she was a member of the National Association of Women Artists and the National Arts Club, Gramercy Park, NY. Her work showed at the National Arts Club, Weyhe and Preston Galleries and the National Academy of Design in New York; the Pennsylvania Academy in Philadelphia; the Woodstock Art Association and Rudolf Galleries in Woodstock, Vermont's Dawson Grist Mill Gallery, and South Hampton College, among others. Her portraits, landscapes and still lives hang in hundreds of homes around the world. Information provided by Bunny McBride...

Original and unique painting by french street-artist SEATY. In "I Love U," SEATY merges the innocence of childhood with the rebellious spirit of street art. The painting features a ...

Martha Elizabeth Moore (American, 1913-1982) Signed: Martha Moore (Lower, Left) " Patricia ",c. 1940 (Titled on Stretcher Verso) Oil on Canvas 30 1/8" x 24" Housed in a Period ...

Demarcus McGaughey (b.1975) a Texas native and New York-based mixed media artist, passionately captures the beauty, strength, and vibrancy of people of color. Inspired by Barkley Hen...

John Baker’s “Rough Going on the Inside” is an acrylic painting on canvas with collage 36 x 28 inches in olive greens and dark reds. Unlike in Chagall, where the inverted heads sugge...

Giovanni Maria DELLE PIANE, known as IL MULINARETTO (Genoa, 1660 – Monticelli d'Ongina, 1745) Portrait of a man Oil on oval canvas H. 108 cm; L. 83 cm Provenance: Nino Ferrari Colle...

Early figurative portrait painting by Houston-based artist Buford Evans. The work features a black woman dressed in a green dress gingerly caressing her young child. Signed by the ar...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Girls portrait. Oil on canvas, 81x57 cm

Jean CLUSEAU-LANAUVE (Périgueux 1914 - Paris 1997) The Pianist Oil on canvas H. 46 cm; W. 38 cm Signed lower right. Countersigned, titled, and dated on the back - 1962 Provenance: E...

Antique American oil painting. Oil on canvas. Measuring 18 by 22 inches.

The painting features a 3/4 bust portrait of a refined lady from the Verplanck family of Orange County, New York. The painting shows a young woman seated for her portrait in a fine b...

This restrained profile, rendered in subdued purples and dusty violets, evokes the stoic silence of the lone gunman archetype. With face partly turned away and hidden beneath a wide-...

Rare and important large landscape painting by Paul Esteban (Pablo) O'Higgins (1904 - 1983). Oil on canvas. Signed lower right. Framed. Image size, 23.25L by 33.25H image size al...

A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...

Oil on canvas

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist May...

Affen Segun was born in 1993 in Lagos, Nigeria. A native of Bayelsa State, he discovered his love for art at a young age, and later got enrolled in a roadside art shop to start to ho...

Herman Richir 1866 – Brussels – 1942 Belgian Painter 'Lady on the Sofa' Signature: signed lower right Medium: pastel on canvas Dimensions: image size 134 x 106 cm, frame size 152,5...

Wonderful antique portrait of a charming young girl c.1910 The painting is created with oils on board. Dimensions 8" x 11.5". The frame measures 13" x 16.5". The painting is in go...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

SALE ONE WEEK ONLY "Seated Girl" is an oil on canvas portrait of an artist who was cut down in his prime and largely forgotten until recently. Marvin Cherney's paintings are solemn but unsophisticated in his subjects. He deploys a more limited range of greyed colors in order to emotionalize his subject and heighten the mood of their isolation. This painting was one of the thirteen that was exhibited at Garelick's Gallery in Detroit from January 8th through January 21st in 1961. The painting is 34.75 x 22.5 inches unframed. The painting is signed by Marvin Cherney Marvin Cherney was born in Baltimore, Maryland in 1925. He attended the Maryland Institute of Art and the School for Art Studies in New York. After his graduation he began to travel around Europe before returnig to New York. Cherney won 2 Tiffany Awards and Brooklyn Museum Prize and his work has been exhibited at the National Academy of Design, The Art Institute of Chicago, Brooklyn Museum, Audubon Artists, University of Nebraska, Silvermine Artists Guild, Butler Art Institute, Ringling Museum, Howard University...

Vintage American signed interior scene oil painting. Oil on canvasboard. Signed. Framed. Image size, 14L x 11H.

"Oil On Canvas, Art Nouveau XIX Portrait Lady With Oval Frame" Oil on canvas Portrait of a lady, Art Nouveau style, signed Gustav Julius GRÜN (1823-1896) German school of the 19th c...

Portrait of a Pekingese dog, oil painting on canvas by A. Schrotter 20th c. History of the Pekingese do breed : The Pekingese (also known as the Lion Dog, Peking Lion Dog, Pelchie Dog, or Peke) is an ancient breed of toy dog, originating in China. They are called Lion Dogs due to their resemblance to Chinese guardian lions (the Shih Tzu is also known as a Lion Dog in Chinese).The breed was favored by royalty of the Chinese Imperial court as both a lap dog...

Mathias Alten (German/American, 1871-1938) Signed: M. Alten (Upper, Left) " Old Woman of Sagunto ", 1922 Oil on Canvas 42" x 32" Housed in a 3" Newcomb Macklin Frame Overall S...

Itzchak Tarkay (1935 – June 3, 2012) De grands amis Original Acrylic on canvas 2005 Image 40 W x 51.5 H in., Framed 46 W x 57.5 H in. Itzchak Tarkay (1935 – ...

Anton Ebert (Austrian, 1845-1896), Portrait of a Woman, Oil on Oval Canvas laid on Board, 19th century, signed "A. Ebert / Wien" to mid right, original ova...

Original painting by Daria Kusto. Acrylic , markers on canvas. Painting rolled in a sturdy tube from Spain– safely and promptly.

Huile sur toile dim avec cadre 44/52 cm Dim sans cadre 33.5/41 cm Ecole française Entourage Pierre Mignard Pierre Mignard  né le 17 novembre 1612 à Troyes et mort le 30 mai 1695 à Pa...