painting in folk style by Shiporina " Cabbage that sheltered the golden lion"

2020

A figure against the American flag is more than just bold color composition — it sparks deeper conversation. The light blue shirt contrasts with the red and white stripes, creating...

Oasis explores the tension between desire and distance through a surreal desert scene. A figure stands before a colorful mosaic wall framing an unreachable horizon, accompanied by sy...

This composition is both concise and profound, capturing the resilience of Ukrainian women in war—their endurance through loss, pain, and hardship. The black dress symbolizes mournin...

A mesmerizing fusion of elegance and mystery, this painting captures a woman draped in flowing turquoise fabric, standing on a rooftop, her presence seamlessly merging with the city’...

Naomi Jones’s evocative figurative painting captures the essence of feminine serenity and nature-inspired symbolism. This soulful portrait features a peaceful woman with flowing aubu...

Original painting by Daria Kusto. acrylic on canvas. The magic flow reality... This artwork was created in sunny Thailand, where the artist currently lives and works. The paintin...

Acrylic on canvas. Signed. Ready to hang

Acrylic paint on canvas Hand-signed lower right « Here the barbaric or savage ceremonies of New Guinea take on the air of Rio carnival. Here the vitality bursts and the colors dance the jig while thundering. A charivari of African masks, children's drawings and neon colors invades the meticulously meshed backdrops with volcanic overflows. It seems that within a kindergarten class, merry feathered wizards have joined together to cover the canvas or the paper with totemic figures strewn with the most inventively unexpected graffiti, in a creative frenzy so bubbling that the anarchy that threat recovers as in spite of itself a semblance of balance. The graphic design performs an enveloping and virtuoso dance that passes from the most wisely academic exercise to the most exuberant and Dionysian lyrical expressionism. It's flamboyant, paroxysmal and wonderfully joyful. Should we detect here any influence of the spirit of "outsider art", today widespread worldwide? Perhaps, but then it is undeniable that the personal temperament of Mohammad ARIYAEI...