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Pierre Auguste RenoirPierre-Auguste Renoir "Buste de femme au corsage vert" (Gabriel)1908
1908
$1,375,000
£1,042,660.58
€1,206,406.66
CA$1,943,612.55
A$2,166,754.51
CHF 1,130,051.75
MX$26,201,084.25
NOK 14,205,302.60
SEK 13,441,055.10
DKK 9,004,594.17
About the Item
Pierre-Auguste Renoir 1841-1919 (France)
Buste de femme au corsage vert (Gabrielle). 1908
Oil on canvas
Canvas size : 49.30 x 35.30 cm (19 x 14 in.)
Framed Size : 33.75"H x 30"W x 2.75"D
Signed upper right
Provenance: On consignment with Paul Cassirer, Berlin (October 17, 1913).
Paul Cassirer, Berlin (March 13, 1917).
Wilhelm Theodor Moll, Brzeg, acquired from above (March 13, 1917).
Charles Allen, New York (1957).
Sale: Sotheby & Co., London, July 6, 1960, no. 108 (ill, as "Portrait de Gabriele en veste verte," dated c. 1908). (bought-in).
Private collection, FrancePrivate collection, France.
by descent from above (1998).
Private collection, by descent from above (2008).
Literature: Berlin, Paul Cassirer, Kollektionen von Edgar Degas, Paul Cezanne: Werke von Joseph
Block, Camille Pissarro, Auguste Renoir, Eva Veit-Simon; Zeichnungen von Delacroix, Gericault,
Guys, Rodin, November 1-December 7, 1913, no. 37 (as "Brustbil eines jungen Madchens").
Archives Durand-Ruel, ParisPhoto Number: 6241.
Paul Cassirer & Walter Feilchenfeldt Archive. Zurich Sold during the war as "enemy properties" without the agreement of Durand-Ruel.
Durand-Ruel was compensated by the German government after the war in July 1924.
Archives Durand-Ruel, ParisCassirer Stock no. 5775. Paul Cassirer & Walter Feilchenfeldt Archive, Zurich.
Other Notes: This work is recorded in the The Wildenstein Plattner institute inc & G.P.F Dauberville.
Pierre Auguste Renoir (born February 25, 1841, Limoges, France—died December 3, 1919, Cagnes)
was an impressionist painter noted for his radiant, intimate paintings, particularly of the female nude. Recognized by critics as one of the greatest and most independent painters of his period, Renoir is noted for the harmony of his lines, the brilliance of his color, and the intimate charm of his wide variety of subjects. Unlike other impressionists he was as much interested in painting the single human figure or family group portraits as he was in landscapes; unlike them, too, he did not subordinate composition and plasticity of form to attempts at rendering the effect of light. As a child he worked in a porcelain factory in Paris, painting designs on china; at 17 he copied paintings on fans, lamp shades, and blinds. He studied painting formally in 1862-63 at the academy of the Swiss painter Charles Gabriel Gleyre in Paris. Renoir's early work was influenced by two French artists, Claude Monet in his treatment of light and the romantic painter Eugène Delacroix in his treatment of color. Renoir first exhibited his paintings in Paris in 1864, but he did not gain recognition until 1874, at the first exhibition of painters of the new impressionist school. One of the most famous of all impressionist works is Renoir's Le Bal au Moulin de la Galette (1876, Musée du Louvre, Paris), an open-air scene of a café, in which his mastery in figure painting and in representing light is evident. Outstanding examples of his talents as a portraitist are Madame Charpentier and Her Children (1878, The Metropolitan Museum of Art, New York City) and Jeanne Samary. Renoir fully established his reputation with a solo exhibition held at the Durand-Ruel Gallery in Paris in 1883. In 1887 he completed a series of studies of a group of nude female figures known as The Bathers (Philadelphia Museum of Art). These reveal his extraordinary ability to depict the lustrous, pearly color and texture of skin and to impart lyrical feeling and plasticity to a subject; they are unsurpassed in the history of modern painting in their representation of feminine grace. Many of his later paintings also treat the same theme in an increasingly bold rhythmic style. Renoir was so passionate about painting that he even continued when he was old and suffering from severe arthritis. Renoir then painted with the brush tied to his wrists.
- Creator:Pierre Auguste Renoir (1841 - 1919, French)
- Creation Year:1908
- Dimensions:Height: 19 in (48.26 cm)Width: 14 in (35.56 cm)Depth: 1 in (2.54 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU1436216370032
Pierre Auguste Renoir
Pierre-Auguste Renoir had his first experience with art in 1845 at the age of 4 when his family moved to Paris from Limoges and settled near the Louvre. By the age of 13, he had begun to seriously study and practice his work. Renoir started as an apprentice painter in a porcelain factory, where he spent five years. He then took drawing lessons from Charles Gleyre and in 1862, when he was 21; Renoir attended the Ecole des Beaux-Arts. It was at the National School of Fine Arts in Paris where Renoir met the future founders of Impressionism, Claude Monet, Alfred Sisley, and Frederic Bazille. Renoir paintings remained in the traditional style during the 1860s. His portrait of his mistress, Lise Trehot, was traditional enough to be accepted for the 1867 Salon. Pierre Auguste Renoir’s paintings began to change shortly after he moved in with Claude Monet and Frederic Bazille in 1869. Renoir updated his technique and color scheme. Renoir painted mostly outdoors and began to use vibrant, pure colors and little brush strokes. Renoir, along with Claude Monet, Camille Pissarro, and Alfred Sisley was part of the first exhibition of the Society of Independent Artists in 1874. It was at this exhibit that the term “Impressionism” was first used. The term was coined by a French art critic who took the name from a Monet painting. The term was meant to be derogatory and the show was a financial failure. Despite the failure, the artists continue to exhibit together and were joined by Edgar Degas and Georges Seurat. By the early 1880s, the public had begun to recognize the importance of the Impressionists’ work. In the early 1880s, Renoir traveled and painted extensively. He held his first one-man exhibition in 1883 in Paris. He received commissions from prominent Parisians and painted numerous group portraits of his friends, writers, and fellow artists. By 1887, Renoir was famous and donated several paintings to Queen Victoria for her Golden Jubilee. By the time he was 50, Renoir’s health began to decline. He suffered from cataracts, rheumatoid arthritis, and ankyloses, and spent the last twenty years of his life confined to a wheelchair. During this time he continued to paint and even took up sculpting.
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Footnotes
This work will be included in the forthcoming Pierre-Auguste Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.
Provenance
Berthe Poret Collection, France (acquired from the artist in 1863).
Thence by descent to the previous owner.
Private collection (acquired from the above in 1947).
O'Hana Gallery, London (acquired circa 1955).
Michael Mathias Collection, US (acquired through Emmanuel Javogue Fine Arts, Miami in 1998).
Simic Galleries, Carmel, by 2000.
Private collection, Texas (acquired circa 2007).
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Exhibited
London, O'Hana Gallery, Cezanne to Picasso "Oeuvres de jeunesse," April 12 - May 16, 1956, no. 13 (titled 'Portrait of Mlle. Berthe Poret').
Paris, Galerie Drouot - Provence, Exposition, June 1 - July 31, 1959.
Edmonton, The Provincial Museum of Alberta, Edouard Cortes (1882-1969), Paris and French Countryside Revealed, June 9 - September 3, 2001.
Literature
G-P. & M. Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. I, 1858-1881, Paris, 2007, no. 440 (illustrated p. 453; titled 'Portrait de Mademoiselle Berthe Poret' and dated circa 1863).
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