Pietro Antonio Rotari

Pietro Rotari Mary Magdalene Meditating On The Crown Of Thorns Oil Painting 18th

after 1707

Thepainting accompanied by an expertise drawn up by prof Ferdinando Arisi that wrote: This pilgrims' stop is a typical work of Paolo Monaldi active in Rome be...

Elaborately framed, isolated in black modern frame this painting represent a typically piece of grand tour of the 19th century and show the arch of Trajan is an ancient and very important Roman triumphal arch erected outside the city of Rome in the southern of Italy in Benevento. Erected in honour of the Emperor Trajan across the Via Appia, at the point where it enters the city and incorporated into the southern sector of the city walls and became known as Porta Aurea ("Golden Gate"). The arch was studied by Sebastiano Serlio in Renaissance times and drawn by Giovanni Battista Piranesi in the 18th century. It was restored several times due to aging and earthquakes: under Pope Urban VIII, then in 1661, 1713 (after the marble architrave crumbled) and 1792. In 1850, on the occasion of Pope Pius IX...

The painting is typical genre scene of Rome of the 17th century, a daily life along the Tiber river. with the river Tiber, Castel Sant'Angelo. Fishermen and characters are on the bank of the river, while several boats travel along it. In the background, perfectly portrayed with a clever play of perspective, Castel Sant'Angelo appears in all its splendor. The work refers to the tradition of Roman painters of the 18th century and in particular is inspired by and takes up the style of Giovanni Battista Busiri a famous and important roman painter of vedute and landscape active in Rome in the 18th century. One of his famous and important artwork a watercolor painting view of the Castel Sant' Angelo, sold at Sothebys previously property of the Dukes of Newcastle under Lyne, and was exposed at Clumber Park...

an interesting view oil on board view of the arch of Constantine, portrayed from the Via Sacra with the ruins of the Meta Sudans, an ancient roman fountain...

Elaborately framed, isolated in black modern frame this painting represent a typically piece of grand tour of the 19th century and show the arch of Trajan is an ancient and very important Roman triumphal arch erected outside the city of Rome in the southern of Italy in Benevento. Erected in honour of the Emperor Trajan across the Via Appia, at the point where it enters the city and incorporated into the southern sector of the city walls and became known as Porta Aurea ("Golden Gate"). The arch was studied by Sebastiano Serlio in Renaissance times and drawn by Giovanni Battista Piranesi in the 18th century. It was restored several times due to aging and earthquakes: under Pope Urban VIII, then in 1661, 1713 (after the marble architrave crumbled) and 1792. In 1850, on the occasion of Pope Pius IX...

Elaborately framed, isolated in black modern frames this painting represent a typically daily scene of Rome at the end of the 19th century in a perfect grand tour style present a vi...

John Clostermann (Osnabrück 1660 - 1711 London) Portrait of a boy, maybe Charles Hinde Oil on canvas, 61 x 74,6 cm John Closterman (also Klosterman) was a portrait painter of the late 17th and early 18th centuries. He primarily portrayed English noblemen and European aristocratic families. His father was already an artist and he trained his son. In 1679 he went to Paris and studied with Francois de Troy. In 1681 he was in London and worked for the artist John Riley, whose studio he took over after his death. In 1696 he was invited to the Spanish court...

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

Francesco Fracanzano (Monopoli 1612-Napoli 1656) Testa di vecchio Olio su tela, cm 66x52,5 La tela presenta la figura di un uomo anziano a mezza figura con lo...

Neapolitan caravagist artist, 17th century SAINT JUDE THADDEUS oil on canvas, cm 127x101 (The painting is part of a triptych together with the two holy apostles Saint Thomas and Sai...

Oil on canvas, 62 x 51 cm (without the frame) Even if on the background there is an attribution to “Francesco Gessi pupil of Guido Reni” by the bolognese art historian Guido Zucchini (dated 1945), recent studies are tending to add it to the corpus of Girolamo Negri called Il Boccia (Bologna 1648-1718) due to lots of similarities with his style (the pale and warm palette chosen, the profile) The painting represents a lady on profile wearing a brown turban, a yellow clock...

Striped Cap is a baroque inspired portrait, oil on linen, by Ray Donley. It is 24x24. It is a timeless figurative painting featuring a female figure. For Ray Donley, the classic...