Richard Gibbons

Augustine's Crisis, Muscular Male, Wearing a Loin Cloth, Original Oil on Canvas

2023

This painting is part of a series of portraits by Richard Gibbons in which the subject displays shock, dismay, anger or ambivalence in response to an unknown outside event. The portr...

Remarkably varied brushwork captures this young woman in a wide array of textures, from the dewiness of her peach colored skin to the silky fabric of her robe to her lush auburn hair. The side view gives her a stately quality set on a dark background. The painting is framed in a black frame with a small gold inlay measuring 24.25h x 20.5w inches. Caleb O'Connor Untitled oil on panel 20h x 16w in 50.80h x 40.64w cm CO006 Caleb O’Connor b. 1979 Honolulu, HI EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chciago 2010 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2008 “Art Chicago,” Merchandise Mart, Ann Nathan Gallery, Chicago, IL “Palm Beach 3 Art Fair,” Ann Nathan Gallery, West Palm Beach, FL 2007 “SOFA (Sculpture, Objects, Functional Art)” Park Ave. Armory, Ann Nathan Gallery, New York, NY “Art Chicago,” Merchandise Mart, Ann Nathan Gallery, Chicago, IL “Palm Beach 3 Art Fair,” Ann Nathan Gallery, West Palm Beach, FL 2006 “Art Chicago,” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2005 “Caleb O’Connor: Dreams to Reality,” Ann Nathan Gallery, Chicago, IL “Art Chicago in the Park,” Butler Field, Ann Nathan Gallery, Chicago, IL 2004 “Introducing Caleb O’Connor,” Ann Nathan Gallery, Chicago, IL “Art Maui,” Annual Juried Exhibition, Maui Arts and Cultural Center, Maui, HI 2003 “Rustica,” The Palazzo Bonini, Fivizzano, Italy “Group Show,” Fondatzione ARKAD, Seravezza, Italy “Facing the Real,” the Artists House, Museum of Jerusalem, Jerusalem, Israel “20/30 Vision,” Hui Noi Au, Makawao, HI 2002 “Summer Show,” Gallery K, Washington DC 2001 “Serving Youth,” Gallery K, Washington DC (solo) “New Works,” Caleb O’Connor, School 33, Baltimore, MD (solo) “Small Works,” Gallery K, Washington DC Juried Exhibition, Gomez Gallery, Baltimore, MD Juried Exhibition, MICA Fox Gallery, Baltimore, MD 2000 “The Nine from MICA,” Joseph and Rebecca Meyerhoff Art Gallery, Baltimore, MD GRANTS AND AWARDS 2003 Fulbright Grant to Italy, Project: Painting and Sculpture Elizabeth Greenshields Award, Quebec, Canada 2001 Elizabeth Greenshields Award, Quebec, Canada 2000 Morris Louis 32 Scholarship, Maryland Institute College of Art, Baltimore, MD 1999 Painting Department Award, Maryland Institute College of Art, Baltimore, MD 1996 Presidential Scholarship, Washington DC PUBLICATIONS 2002 Linda M. Grossman, “Meet an Emerging Artist, Caleb O’Connor,” American Artist Magazine “20/30 Show,” Maui News, Arts and Entertainments, October, Maui, HI 2001 Jessica Dawson, “The Beast Within,” The Washington Post, January 11, Washington DC Steve Purchase, “School 33 Opening a Great Show,” The Baltimore Guide Enterprise, MD “A Star is Born,” The City Paper, Baltimore, MD “Best Exhibition of the Year,” The City Paper, Baltimore, MD EDUCATION 2003 Studied under Israel Hershberg...

The subject of Richard Gibbons' painting entitled "La Boheme" is based on the opera by Puccini of the same name - a love story of a poor seamstress and her artist friends in 1830 Boh...

Early American Portraiture gained a foothold with the middle class, who could now capture personal moments for their private use. This is the basis of Rick Beerhorst...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...

Sensational paintings of glass vessels come to life in this dynamic exhibition featuring new works by Korean artist Inkyeong Baek. Demonstrating an uncanny ability to capture her sub...