Ronald Ahlstrom

Cubist Portrait #2

ANN SINGER "MAN PORTRAIT" ACRYLIS ON CANVAS, SIGNED CZECH, DATED 1983 35 X 29 INCHES Plus frame

"MEJOR SOLAS" OIL AND ACRILIC ON CANVAS SIGNED AND DATED 2010 EXHIBITED MUSEO DEL BANCO CENTRAL DE COSTA RICA 47.5 X 59 INCHES Sofía Ruiz was born in ...

"UNTITLED" OIL AND ACRILIC ON CANVAS SIGNED 35.5 X 27.5 INCHES Sofía Ruiz was born in 1982. What she expresses through her paintings has to do with whe...

SUENO PROFUNDO OIL AND ACRILIC ON CANVAS SIGNED, 2013 EXHIBITED MUSEO DEL BANCO CENTRAL DE COSTA RICA 43.25 X 35.5 INCHES Sofía Ruiz was born in 1982....

"PORTRAIT OF ANHALT PORTRAIOT" FILM MAKER OIL ON PAPER C.1970 17.5 X 22.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in ...

"PROFILE OF A WOMAN" OIL ON PANEL C.1960 PAINTED IN ITALY 16 X 12 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

Late 20th Century French oil on board painting of stylised African Tribal masks by Charles LeBris. Signed, dated and numbered bottom right. An arresting and colourful work reminiscent of the paintings of Picasso and Modigliani from the beginning of the 20th century. Le Bris has taken as his subject the Baule masks...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

"Giving Up Is Not An Option" presents a visually striking composition that immediately captures the viewer's attention. The young man, painted in intricate detail, is depicted kneeling on one leg, his posture conveying both concentration and determination. His eyes are focused intently on the missing piece of the puzzle, which lies on the floor before him. The presence of the loyal dog serves as a symbol of unwavering support and companionship, providing comfort and encouragement in the face of challenges. The puzzle, with its fragmented state, represents the complexities and obstacles encountered in life, while the act of searching for the missing piece embodies the relentless pursuit of solutions and completion. "Giving Up Is Not An Option" encapsulates the message that resilience and perseverance are essential qualities in the face of adversity. The young man's kneeling position demonstrates his willingness to take a pause, reflect, and confront the challenges that lie before him. Despite the apparent difficulty, his focused gaze and determined expression convey a refusal to succumb to despair or resignation. The dog's presence symbolizes loyalty and unwavering support, serving as a reminder that we are never alone in our struggles. Alogi's artwork imparts a powerful message of resilience, urging viewers to persevere and seek solutions even when faced with the most daunting circumstances. "Giving Up Is Not An Option" is a significant piece within John Alogi's larger body of work, the "Fixing the Missing Part" series. This series explores the notion of searching for completion and resolution in various aspects of life, be it personal relationships, self-discovery, or societal challenges. Each artwork within the series presents a visual metaphor for the inherent human desire to mend what is broken or missing. Alogi's unique ability to capture the essence of these concepts through symbolism and expressive brushwork creates a deeply resonant visual experience. Alogi's artistic style showcases a fusion of realism and symbolic abstraction. His attention to detail is evident in the intricate rendering of the young man, the dog, and the puzzle piece. The artist's mastery of light and shadow enhances the depth and three-dimensionality of the composition, while his color palette adds emotional resonance to the artwork. Alogi's ability to infuse his subjects with palpable emotions further amplifies the impact of his artwork, inviting viewers to engage on an intellectual and emotional level. John Alogi's artwork, "Giving Up Is Not An Option," serves as a testament to the power of resilience, determination, and the unwavering human spirit. As part of his "Fixing the Missing Part" series, this masterpiece invites viewers to reflect on their own capacity to confront challenges and seek solutions, even when faced with fragmented circumstances. Through Alogi's artistic expression, we are reminded that despite the complexities and uncertainties of life, we possess the inner strength and support systems to overcome obstacles. "Giving Up Is Not An Option" stands as an inspiring reminder that, like the young man in the painting, we have the ability to persevere and complete the puzzle of our lives, one missing piece at a time. Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adeyemi John Damilare better known as Alogi John...

I am a dreamer like everyone else but I am not like other dreamers I dream of the possible I know my dream can become reality but I am not quite sure how or when it seems impossible ...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 18x24x1.5. It is unframed. This is a abstract cubist painting using vib...

This is a one of a kind original cubist painting by San Diego artist, Alexander Arshansky. Its dimensions are 16x20x1.5. It is unframed. A Certificate of Authenticity will follow the...