Portrait Mrs. Cockerell (Frances Jackson) Niece of Samuel Pepys, 18th Century

Portrait Of Richard Jones, 1st Earl Of Ranelagh, 17th Century School Of Sir Peter Lely (1618-1680) Large 17th Century Portrait of Rochard Jones, 1st Earl of Ranelagh, oil on canvas...

A Rocky Cornish Coast, early 20th Century by Kathleen Walker (1893-1966) early 20th Century study of a rocky Cornish coast by Kathleen Walker, oil on ...

PORTRAIT OF BARBARA PALMER, THE DUCHESS OF CLEVELAND, workshop of Sir Peter Lely (1618-1680) Oil on canvas, excellent coniditon in a gilded frame...

""Portrait Of Lady, Reputed To Be Lady Mary Ann Pigot 19th Century Circle Of William Beechey"" Portrait of a lady, reputed to be Lady Mary Ann Pigot 19th cen...

America Martin "Plum Trees and Apples" Oil & Acrylic on Canvas 40 x 60 inches 41`.5 x 61.5 inches framed Exploring the identity of both her namesake and country, LA-based America M...

Juliette Lemontey (b. 1975, Metz, France) is a French artist based in Arles. Her work is an intimate exploration of the human presence, capturing both the weight and fragility of the...

Title: Maternity Artist: Jesús Villar (1930–2015) Medium: Oil on canvas Dimensions: 14.96 x 18.11 in Framing: Unframed Signature: Signed lower right: JVillar Date: Circa 1980s ...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...